{"id":7707,"date":"2020-12-01T11:16:30","date_gmt":"2020-12-01T10:16:30","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=7707"},"modified":"2020-12-01T11:16:30","modified_gmt":"2020-12-01T10:16:30","slug":"appropriation-reappropriation-rejet-et-auteurisation-dans-lacte-graphique","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/aac-publication\/appropriation-reappropriation-rejet-et-auteurisation-dans-lacte-graphique\/","title":{"rendered":"Appropriation, r\u00e9appropriation, rejet et auteurisation dans l&#8217;acte graphique"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2020-11-28T17:44:25+01:00\">28 novembre 2020<\/time>\t\t\t\t<\/div>\n<p class=\"zn-singledetail-calenda-info\">\n\t\t\t\t\t\tInformations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce <a class=\"calenda-link prettylink\" href=\"https:\/\/calenda.org\/812246\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Calenda<\/strong><\/a>.\t\t\t\t\t<\/p>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-communication-organisations\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/communication-organisations\/\" title=\"Communication et organisations\"><span class=\"termslist-itemname\">Communication et organisations<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-design\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/design\/\" title=\"Design\"><span class=\"termslist-itemname\">Design<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>R\u00e9ponse attendue pour le<\/span><span class=\"doubledot\"><\/span> <strong>10\/01\/2021<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Type de r\u00e9ponse<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de contribution attendue<\/span><span class=\"doubledot\"><\/span> <strong>Article<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-name\">\n\t\t\t\t\t\t\t<span>Nom de la publication<\/span><span class=\"doubledot\"><\/span> <strong>Polygraphe(s), approches m\u00e9tiss\u00e9es des actes graphiques<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-contacts\">\n<h3 class=\"zn-singledetail-section-title\">Contacts<\/h3>\n<ul class=\"zn-singledetail-contacts-list\">\n<li class=\"zn-singledetail-contact\">\n\t\t\t\t\t\t\t<span class=\"zn-singledetail-contact-name\">Philippe Hameau<\/span><span class=\"doubledot\"><\/span><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"zn-singledetail-contact-mail prettylink\" href=\"mailto:philippe.hameau@univ.cotedazur.fr\">philippe.hameau@univ.cotedazur.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/www.fmsh.fr\/fr\/diffusion-des-savoirs\/30446\" title=\"Site de la revue\" target=\"_blank\" rel=\"noopener noreferrer\">Site de la revue<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<div id=\"annonce-812246-fr\" class=\"tabContent\" lang=\"fr\" xml:lang=\"fr\">\n<h2>Argumentaire<\/h2>\n<p>La revue annuelle <em>POLYGRAPHE(S), approches m\u00e9tiss\u00e9es des actes graphiques<\/em> est consacr\u00e9e aux actes graphiques dans la diversit\u00e9 de leurs formes, des lieux et du temps de leurs r\u00e9alisations. Elle entend faire se rencontrer et r\u00e9fl\u00e9chir ensemble des disciplines comme la pr\u00e9histoire, l\u2019arch\u00e9ologie, l\u2019anthropologie, les sciences de l\u2019\u00e9ducation, la psychologie, la s\u00e9miotique, le design, etc., sur des th\u00e9matiques pr\u00e9cises autour de la communication figur\u00e9e. La revue est souhait\u00e9e comme un nouvel espace d&rsquo;\u00e9changes intellectuels autour d\u2019un vaste sujet d\u2019\u00e9tude commun, un lieu de rencontres et de discussions entre disciplines peu habitu\u00e9es \u00e0 dialoguer entre elles.<\/p>\n<p>Le contenu de Polygraphe(s) est imagin\u00e9 selon quatre rubriques&#160;:<\/p>\n<ul>\n<li>\u00ab&#160;Dialogues&#160;\u00bb (40.000 signes) correspond \u00e0 des r\u00e9flexions sur un th\u00e8me sp\u00e9cifique n\u00e9es du regard crois\u00e9 d\u2019au moins deux disciplines diff\u00e9rentes. Le support th\u00e9matique peut \u00eatre une r\u00e9flexion, un terrain, la lecture d\u2019un ouvrage, le contenu et la forme d\u2019une exposition ou d\u2019un film, un objet, etc.<\/li>\n<li>\u00ab&#160;Points de vue&#160;\u00bb (25.000 signes) sollicite le regard d\u2019une seule sp\u00e9cialit\u00e9 sur le m\u00eame th\u00e8me mais diversifie les approches disciplinaires.<\/li>\n<li>\u00ab&#160;Carte Blanche&#160;\u00bb (10.000 signes) est plus sp\u00e9cialement mais non exclusivement destin\u00e9 \u00e0 des textes courts r\u00e9dig\u00e9s par des \u00e9tudiants ou de jeunes chercheurs sur des th\u00e8mes diversifi\u00e9s mais li\u00e9s au graphisme.<\/li>\n<li>\u00ab&#160;Comptes rendus&#160;\u00bb (5.000 signes) recense les ouvrages, films, expositions et s\u00e9minaires actuels et \u00e0 venir<\/li>\n<li>\u00a0La revue est particuli\u00e8rement int\u00e9ress\u00e9e par les articles de la rubrique \u00ab&#160;Dialogues&#160;\u00bb<\/li>\n<\/ul>\n<p>Le volume n\u00b04 porte sur&#160;: Appropriation, r\u00e9appropriation, rejet, auteurisation<\/p>\n<p>Le th\u00e8me de ce num\u00e9ro veut interroger les strat\u00e9gies et les conduites contextualis\u00e9es qui d\u00e9finissent l\u2019appropriation, la r\u00e9appropriation ou -\u00e0 l\u2019inverse- le rejet de la communication figur\u00e9e ou \u00e9crite.<\/p>\n<p>Il s&rsquo;agit de consid\u00e9rer le choix des individus et des collectifs pour s&rsquo;approprier ou se r\u00e9approprier un espace, mettre en \u0153uvre des strat\u00e9gies de communication, construire des syst\u00e8mes de repr\u00e9sentation, voire proposer des alternatives \u00e0 ceux en vigueur. Le dialogue entre ces trois composantes de la production graphique t\u00e9moigne de ph\u00e9nom\u00e8nes divers et complexes entre p\u00e9rennit\u00e9, stabilit\u00e9, copie, d\u00e9tournement, jusqu&rsquo;au refus, qu&rsquo;il s&rsquo;agisse d&rsquo;une opposition \u00e0 la culture \u00e9crite ou iconographique ou d&rsquo;une contestation de celle-ci, en d\u00e9guisant ou occultant des actes graphiques (effacement, caviardage, d\u00e9tournement) et jusqu&rsquo;\u00e0 des actions violentes (autodaf\u00e9, attentat). La dimension temporelle est aussi convoqu\u00e9e lorsque plusieurs \u00e9pisodes graphiques se succ\u00e8dent, rapproch\u00e9s ou culturellement apparent\u00e9s ou bien s\u00e9par\u00e9s par la culture et\/ou le temps&#160;; et avec elle sont questionn\u00e9es les notions d&rsquo;h\u00e9ritage et de rupture.<\/p>\n<p>Les pratiques telles que pr\u00e9sent\u00e9es ici soulignent le jugement permanent des individus et des collectifs par rapport \u00e0 leur production graphique et ce qu\u2019elle exprime pour leurs observateurs. Elles expriment aussi le regard port\u00e9 sur la production des autres acteurs, connus ou inconnus. Pr\u00e9alablement, ces pratiques supposent une capacit\u00e9 et une volont\u00e9 de r\u00e9diger un texte ou de r\u00e9aliser un motif, de comprendre la port\u00e9e de cet acte graphique et d\u2019en mesurer l\u2019impact sur d\u2019autres acteurs, ce qu\u2019on peut qualifier d\u2019auteurisation. Par ce terme, on exprime tout \u00e0 la fois la capacit\u00e9 visible d\u2019\u00e9crire (d\u2019\u00eatre l\u2019auteur-autrice) et de pouvoir agir (de s\u2019autoriser) dans la crainte, parfois omnipr\u00e9sente d\u2019acc\u00e9der (ou non) au pouvoir d\u2019\u00e9crire.<\/p>\n<h3>Calendrier<\/h3>\n<p><strong>Proposition d\u2019article&#160;: r\u00e9sum\u00e9 d\u2019une demi-page pour le 10 janvier 2021<\/strong><\/p>\n<p>Retour aux auteurs&#160;: 31 janvier 2021<\/p>\n<p>Article (texte complet + illustrations + r\u00e9sum\u00e9)&#160;: 1<sup>er<\/sup> juin 2021<\/p>\n<p>Pour une publication en d\u00e9but d\u2019ann\u00e9e 2022.<\/p>\n<p>Demandes d\u2019informations, propositions et textes \u00e0 adresser \u00e0&#160;: Philippe HAMEAU \u2013 <a href=\"mailto:philippe.hameau@univ.cotedazur.fr\">philippe.hameau@univ.cotedazur.fr<\/a><\/p>\n<p>Les r\u00e9sum\u00e9s et articles seront s\u00e9lectionn\u00e9s par le comit\u00e9 de r\u00e9daction de la revue.<\/p>\n<h3>Membres du comit\u00e9 de r\u00e9daction et fondateur\u00b7rice\u00b7s de la revue<\/h3>\n<ul>\n<li>Camille Bourdier,<\/li>\n<li>Francesca Cozzolino,<\/li>\n<li>Claudia Defrasne,<\/li>\n<li>Philippe Hameau,<\/li>\n<li>Delphine Leroy,<\/li>\n<li>\u00c9ric Robert<\/li>\n<\/ul>\n<h3>Membres du comit\u00e9 scientifique<\/h3>\n<ul>\n<li>Philippe Arti\u00e8res,<\/li>\n<li>Primitiva Bueno Ramirez,<\/li>\n<li>H\u00e9l\u00e8ne Campaignolle-Catel,<\/li>\n<li>Antonio Castillo-Gomez,<\/li>\n<li>Lucile Chanquoy,<\/li>\n<li>Pierre D\u00e9leage,<\/li>\n<li>Davide Fornari,<\/li>\n<li>Philippe Lejeune,<\/li>\n<li>Christine Sagnier<\/li>\n<\/ul>\n<\/div><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-appropriation\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/appropriation\/\" title=\"Appropriation\"><span class=\"termslist-itemname\">Appropriation<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-creation\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/creation\/\" title=\"Cr\u00e9ation\"><span class=\"termslist-itemname\">Cr\u00e9ation<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-creativite\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/creativite\/\" title=\"Cr\u00e9ativit\u00e9\"><span class=\"termslist-itemname\">Cr\u00e9ativit\u00e9<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 28 novembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles R\u00e9ponse attendue pour le [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[352,169,83],"thematique":[37,41,35],"sfsic":[],"class_list":["post-7707","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-appropriation","tag-creation","tag-creativite","thematique-communication-organisations","thematique-design","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Appropriation, r\u00e9appropriation, rejet et auteurisation dans 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