<\/p>\n
\n\t\t\t\t\t\tR\u00e9ponse attendue pour le<\/span><\/span> 10\/01\/2027<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\tType de r\u00e9ponse<\/span><\/span> R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateurs<\/h3>\n\n\n\t\t\t\t\t\t\tIlinca <\/span> Iurascu<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tDante <\/span> Prado<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tDante Prado<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tdante.prado@ubc.ca<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nAujourd\u2019hui, nous passons une grande partie de notre temps \u00e0 invoquer la distraction. Peu de notions semblent mieux rendre compte de l\u2019\u00e9tat actuel de notre \u00e9conomie de l\u2019attention, tant elle permet de saisir aussi bien la prolif\u00e9ration des contenus g\u00e9n\u00e9r\u00e9s par l\u2019IA (\u00ab AI slop \u00bb) que les strat\u00e9gies de diversion politique ou encore la logique extractive de la consommation m\u00e9diatis\u00e9e. Omnipr\u00e9sente et incessante, la distraction sollicite sans rel\u00e2che notre engagement, pr\u00e9tendant expliquer notre rapport aux m\u00e9dias, \u00e0 l\u2019art, \u00e0 la technologie, \u00e0 l\u2019id\u00e9ologie et au travail. Mais, fid\u00e8le \u00e0 son nom, elle nous entra\u00eene \u00e9galement loin de nos pr\u00e9occupations imm\u00e9diates, nous d\u00e9signant sans cesse un ailleurs : un catalogue de spectacles annonc\u00e9s, un d\u00e9fil\u00e9 ininterrompu de redirections.<\/div>\nDepuis plus d\u2019un si\u00e8cle, la distraction accompagne les r\u00e9flexions esth\u00e9tiques et m\u00e9diatiques : elle constitue \u00e0 la fois une cat\u00e9gorie d\u2019analyse et un objet privil\u00e9gi\u00e9 de la pens\u00e9e sur la modernit\u00e9 et les exp\u00e9riences collectives. Au c\u0153ur du canon de l\u2019\u00c9cole de Francfort, ses formes et ses espaces de manifestation ont r\u00e9guli\u00e8rement servi de plateformes critiques pour l\u2019\u00e9tude des ph\u00e9nom\u00e8nes de masse, pris entre torpeur organis\u00e9e et fr\u00e9missement \u00e9mancipateur. Signe et sympt\u00f4me des crises historiques, la distraction a \u00e9t\u00e9 interpr\u00e9t\u00e9e aussi bien \u00e0 l\u2019aune des processus de rationalisation qu\u2019\u00e0 travers les techniques de d\u00e9placement, de rupture, de fragmentation et de dispersion.<\/div>\n\u00c0 l\u2019occasion du centenaire de l\u2019essai de Siegfried Kracauer, \u00ab Le Culte de la distraction \u00bb (\u00ab Kult der Zerstreuung<\/i> \u00bb), publi\u00e9 dans la Frankfurter Zeitung<\/i>\u00a0le 4 mars 1926, il importe toutefois de s\u2019interroger : comment repenser et reformuler aujourd\u2019hui notre rapport \u00e0 la distraction, en tenant compte de la pluralit\u00e9 des temporalit\u00e9s, des contextes m\u00e9diaculturels et des g\u00e9n\u00e9alogies critiques qui la traversent ? Que pouvons-nous apprendre, par exemple, d\u2019un r\u00e9examen des discours de la premi\u00e8re modernit\u00e9 sur l\u2019inattention, la concentration et l\u2019imagination ? Comment les conditions du capitalisme des plateformes ont-elles transform\u00e9 les mat\u00e9rialit\u00e9s incarn\u00e9es et les r\u00e9gimes affectifs de la distraction ? Quelles op\u00e9rations m\u00e9diatiques et quelles infrastructures deviennent alors visibles ? Enfin, quelles tactiques et quelles techniques de la distraction \u00e9mergent \u00e0 l\u2019\u00e8re des environnements automatis\u00e9s, fond\u00e9s sur l\u2019invisibilisation d\u2019un travail num\u00e9rique genr\u00e9 et racialis\u00e9 ? Quels futurs la distraction permet-elle d\u2019envisager, notamment lorsqu\u2019elle est abord\u00e9e depuis des perspectives queer, migrantes et non chrononormatives ? Enfin, comment les approches interm\u00e9diales, qui mettent en lumi\u00e8re les transferts et les circulations entre des pratiques mat\u00e9rielles, institutionnelles et artistiques diverses, peuvent-elles contribuer \u00e0 repenser la distraction comme cat\u00e9gorie analytique ?<\/div>\nCe num\u00e9ro d\u2019Interm\u00e9dialit\u00e9s<\/i>\u00a0se propose de resituer la distraction au croisement de multiples discours culturels et configurations m\u00e9diatechnologiques, tout en r\u00e9fl\u00e9chissant \u00e0 sa capacit\u00e9 persistante de d\u00e9placer, de r\u00e9organiser, de mobiliser et de r\u00e9orienter les objets m\u00eames qu\u2019elle prend pour objet d\u2019\u00e9tude. Nous invitons des propositions en fran\u00e7ais ou en anglais portant notamment, sans s\u2019y limiter, sur les axes th\u00e9matiques et interventions critiques suivants :<\/div>\n\nhistoires culturelles et m\u00e9diatiques alternatives de la distraction ;<\/li>\ndistraction et nouvelles formes d\u2019exp\u00e9rience ;<\/li>\ndistraction et non-chrononormativit\u00e9 ;<\/li>\nperspectives queer sur la distraction ;<\/li>\n\u00e9conomies politiques de la distraction ;<\/li>\ncapitalisme num\u00e9rique et distraction ;<\/li>\nla distraction et\/ou la distraction comme travail ;<\/li>\nles futurs de la distraction.<\/li>\n<\/ul>\nLe visuel de l\u2019appel \u00e0 contributions : Jerry Pethick, Snow Screen and Parka, 1977, graphite and ink on paper. Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, purchased with support from Rojeanne and Jim Allworth, the Morris and Helen Belkin Foundation and the Morris and Helen Belkin Art Gallery Acquisitions Fund, 2015.\nPhoto : SITE Photography, Scott Massey.<\/div>\n<\/div>\n\n\nDate de soumission des propositions : <\/b>10 janvier 2027<\/li>\nAnnonce des r\u00e9sultats de la s\u00e9lection des propositions : <\/b>1er f\u00e9vrier 2027<\/li>\nSoumission des textes complets aux fins d\u2019\u00e9valuation : <\/b>1 ao\u00fbt 2027<\/li>\nPublication des textes retenus par le comit\u00e9 de r\u00e9daction : <\/b>Printemps 2028<\/li>\n<\/ul>\n<\/div>\n\nInterm\u00e9dialit\u00e9s<\/i> est une revue scientifique semestrielle qui publie en fran\u00e7ais et en anglais des articles in\u00e9dits \u00e9valu\u00e9s de fa\u00e7on anonyme par des pairs.<\/div>\nLes propositions d\u2019articles (350 \u00e0 400 mots) doivent \u00eatre achemin\u00e9es avant le 10 janvier 2027 <\/b>aux adresses suivantes : ilinca.iurascu@ubc.ca<\/a> et dante.prado@ubc.ca<\/a>. En plus du r\u00e9sum\u00e9 de la proposition, une bibliographie pr\u00e9liminaire (cinq\u00a0livres ou articles) ainsi qu\u2019une br\u00e8ve notice biographique (discipline, champs d\u2019int\u00e9r\u00eat, 5 \u00e0 10\u00a0lignes) sont demand\u00e9es. Les propositions seront \u00e9valu\u00e9es en fonction de l\u2019originalit\u00e9 de l\u2019approche, de la pertinence de la probl\u00e9matique et de l\u2019ad\u00e9quation avec la revue.<\/div>\nLes articles d\u00e9finitifs seront \u00e0 soumettre le 1er ao\u00fbt 2027<\/b>. Ils devront avoisiner les 6\u00a0000 mots (40\u00a0000 caract\u00e8res, espaces comprises) et pourront comporter des illustrations (sonores, visuelles, fixes ou anim\u00e9es), dont l\u2019auteur\u00b7e de l\u2019article aura pris soin de demander les droits de publication.<\/div>\nPour de plus amples informations sur la revue, consultez les num\u00e9ros accessibles en ligne sur la plateforme \u00c9rudit : www.erudit.org\/fr\/revues\/im\/<\/a><\/div>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nCulture<\/span><\/a><\/li>\nDistraction<\/span><\/a><\/li>\nInterm\u00e9dialit\u00e9<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 29 octobre 2026 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 10\/01\/2027 Type de r\u00e9ponse R\u00e9sum\u00e9 Type de […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[382,1013,631],"thematique":[38,39],"sfsic":[],"class_list":["post-36701","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-culture","tag-distraction","tag-intermedialite","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"\nDistraire \/ Distracting<\/title>\n<meta name=\"description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Distraire \/ Distracting\" \/>\n<meta property=\"og:description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-29T19:01:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-29T19:03:08+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"author\":{\"name\":\"Axelle Martin\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\"},\"headline\":\"Distraire \\\/ Distracting\",\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"wordCount\":957,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"keywords\":[\"Culture\",\"Distraction\",\"Interm\u00e9dialit\u00e9\"],\"articleSection\":[\"AAC Publications\",\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"name\":\"Distraire \\\/ Distracting\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"description\":\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \\\"Distraire \\\/ Distracting\\\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Calls for Papers\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Article\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/article-en\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Distraire \\\/ Distracting\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"name\":\"SFSIC\",\"description\":\"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\",\"name\":\"SFSIC\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"width\":1085,\"height\":1080,\"caption\":\"SFSIC\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\",\"name\":\"Axelle Martin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"caption\":\"Axelle Martin\"},\"sameAs\":[\"@antropocominside\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Distraire \/ Distracting","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_locale":"en_US","og_type":"article","og_title":"Distraire \/ Distracting","og_description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","og_url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_site_name":"SFSIC","article_published_time":"2026-10-29T19:01:55+00:00","article_modified_time":"2026-10-29T19:03:08+00:00","author":"Axelle Martin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#article","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"author":{"name":"Axelle Martin","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b"},"headline":"Distraire \/ Distracting","datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"wordCount":957,"publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"keywords":["Culture","Distraction","Interm\u00e9dialit\u00e9"],"articleSection":["AAC Publications","Article"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","name":"Distraire \/ Distracting","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/#website"},"datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","breadcrumb":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.sfsic.org\/en\/"},{"@type":"ListItem","position":2,"name":"Calls for Papers","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/"},{"@type":"ListItem","position":3,"name":"Article","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/article-en\/"},{"@type":"ListItem","position":4,"name":"Distraire \/ Distracting"}]},{"@type":"WebSite","@id":"https:\/\/www.sfsic.org\/en\/#website","url":"https:\/\/www.sfsic.org\/en\/","name":"SFSIC","description":"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication","publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sfsic.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.sfsic.org\/en\/#organization","name":"SFSIC","url":"https:\/\/www.sfsic.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","width":1085,"height":1080,"caption":"SFSIC"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b","name":"Axelle Martin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","caption":"Axelle Martin"},"sameAs":["@antropocominside"]}]}},"_links":{"self":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/comments?post=36701"}],"version-history":[{"count":2,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions"}],"predecessor-version":[{"id":36703,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions\/36703"}],"wp:attachment":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/media?parent=36701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/categories?post=36701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/tags?post=36701"},{"taxonomy":"thematique","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/thematique?post=36701"},{"taxonomy":"sfsic","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/sfsic?post=36701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\t\t\t\tType de r\u00e9ponse<\/span><\/span> R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateurs<\/h3>\n\n\n\t\t\t\t\t\t\tIlinca <\/span> Iurascu<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tDante <\/span> Prado<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tDante Prado<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tdante.prado@ubc.ca<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nAujourd\u2019hui, nous passons une grande partie de notre temps \u00e0 invoquer la distraction. Peu de notions semblent mieux rendre compte de l\u2019\u00e9tat actuel de notre \u00e9conomie de l\u2019attention, tant elle permet de saisir aussi bien la prolif\u00e9ration des contenus g\u00e9n\u00e9r\u00e9s par l\u2019IA (\u00ab AI slop \u00bb) que les strat\u00e9gies de diversion politique ou encore la logique extractive de la consommation m\u00e9diatis\u00e9e. Omnipr\u00e9sente et incessante, la distraction sollicite sans rel\u00e2che notre engagement, pr\u00e9tendant expliquer notre rapport aux m\u00e9dias, \u00e0 l\u2019art, \u00e0 la technologie, \u00e0 l\u2019id\u00e9ologie et au travail. Mais, fid\u00e8le \u00e0 son nom, elle nous entra\u00eene \u00e9galement loin de nos pr\u00e9occupations imm\u00e9diates, nous d\u00e9signant sans cesse un ailleurs : un catalogue de spectacles annonc\u00e9s, un d\u00e9fil\u00e9 ininterrompu de redirections.<\/div>\nDepuis plus d\u2019un si\u00e8cle, la distraction accompagne les r\u00e9flexions esth\u00e9tiques et m\u00e9diatiques : elle constitue \u00e0 la fois une cat\u00e9gorie d\u2019analyse et un objet privil\u00e9gi\u00e9 de la pens\u00e9e sur la modernit\u00e9 et les exp\u00e9riences collectives. Au c\u0153ur du canon de l\u2019\u00c9cole de Francfort, ses formes et ses espaces de manifestation ont r\u00e9guli\u00e8rement servi de plateformes critiques pour l\u2019\u00e9tude des ph\u00e9nom\u00e8nes de masse, pris entre torpeur organis\u00e9e et fr\u00e9missement \u00e9mancipateur. Signe et sympt\u00f4me des crises historiques, la distraction a \u00e9t\u00e9 interpr\u00e9t\u00e9e aussi bien \u00e0 l\u2019aune des processus de rationalisation qu\u2019\u00e0 travers les techniques de d\u00e9placement, de rupture, de fragmentation et de dispersion.<\/div>\n\u00c0 l\u2019occasion du centenaire de l\u2019essai de Siegfried Kracauer, \u00ab Le Culte de la distraction \u00bb (\u00ab Kult der Zerstreuung<\/i> \u00bb), publi\u00e9 dans la Frankfurter Zeitung<\/i>\u00a0le 4 mars 1926, il importe toutefois de s\u2019interroger : comment repenser et reformuler aujourd\u2019hui notre rapport \u00e0 la distraction, en tenant compte de la pluralit\u00e9 des temporalit\u00e9s, des contextes m\u00e9diaculturels et des g\u00e9n\u00e9alogies critiques qui la traversent ? Que pouvons-nous apprendre, par exemple, d\u2019un r\u00e9examen des discours de la premi\u00e8re modernit\u00e9 sur l\u2019inattention, la concentration et l\u2019imagination ? Comment les conditions du capitalisme des plateformes ont-elles transform\u00e9 les mat\u00e9rialit\u00e9s incarn\u00e9es et les r\u00e9gimes affectifs de la distraction ? Quelles op\u00e9rations m\u00e9diatiques et quelles infrastructures deviennent alors visibles ? Enfin, quelles tactiques et quelles techniques de la distraction \u00e9mergent \u00e0 l\u2019\u00e8re des environnements automatis\u00e9s, fond\u00e9s sur l\u2019invisibilisation d\u2019un travail num\u00e9rique genr\u00e9 et racialis\u00e9 ? Quels futurs la distraction permet-elle d\u2019envisager, notamment lorsqu\u2019elle est abord\u00e9e depuis des perspectives queer, migrantes et non chrononormatives ? Enfin, comment les approches interm\u00e9diales, qui mettent en lumi\u00e8re les transferts et les circulations entre des pratiques mat\u00e9rielles, institutionnelles et artistiques diverses, peuvent-elles contribuer \u00e0 repenser la distraction comme cat\u00e9gorie analytique ?<\/div>\nCe num\u00e9ro d\u2019Interm\u00e9dialit\u00e9s<\/i>\u00a0se propose de resituer la distraction au croisement de multiples discours culturels et configurations m\u00e9diatechnologiques, tout en r\u00e9fl\u00e9chissant \u00e0 sa capacit\u00e9 persistante de d\u00e9placer, de r\u00e9organiser, de mobiliser et de r\u00e9orienter les objets m\u00eames qu\u2019elle prend pour objet d\u2019\u00e9tude. Nous invitons des propositions en fran\u00e7ais ou en anglais portant notamment, sans s\u2019y limiter, sur les axes th\u00e9matiques et interventions critiques suivants :<\/div>\n\nhistoires culturelles et m\u00e9diatiques alternatives de la distraction ;<\/li>\ndistraction et nouvelles formes d\u2019exp\u00e9rience ;<\/li>\ndistraction et non-chrononormativit\u00e9 ;<\/li>\nperspectives queer sur la distraction ;<\/li>\n\u00e9conomies politiques de la distraction ;<\/li>\ncapitalisme num\u00e9rique et distraction ;<\/li>\nla distraction et\/ou la distraction comme travail ;<\/li>\nles futurs de la distraction.<\/li>\n<\/ul>\nLe visuel de l\u2019appel \u00e0 contributions : Jerry Pethick, Snow Screen and Parka, 1977, graphite and ink on paper. Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, purchased with support from Rojeanne and Jim Allworth, the Morris and Helen Belkin Foundation and the Morris and Helen Belkin Art Gallery Acquisitions Fund, 2015.\nPhoto : SITE Photography, Scott Massey.<\/div>\n<\/div>\n\n\nDate de soumission des propositions : <\/b>10 janvier 2027<\/li>\nAnnonce des r\u00e9sultats de la s\u00e9lection des propositions : <\/b>1er f\u00e9vrier 2027<\/li>\nSoumission des textes complets aux fins d\u2019\u00e9valuation : <\/b>1 ao\u00fbt 2027<\/li>\nPublication des textes retenus par le comit\u00e9 de r\u00e9daction : <\/b>Printemps 2028<\/li>\n<\/ul>\n<\/div>\n\nInterm\u00e9dialit\u00e9s<\/i> est une revue scientifique semestrielle qui publie en fran\u00e7ais et en anglais des articles in\u00e9dits \u00e9valu\u00e9s de fa\u00e7on anonyme par des pairs.<\/div>\nLes propositions d\u2019articles (350 \u00e0 400 mots) doivent \u00eatre achemin\u00e9es avant le 10 janvier 2027 <\/b>aux adresses suivantes : ilinca.iurascu@ubc.ca<\/a> et dante.prado@ubc.ca<\/a>. En plus du r\u00e9sum\u00e9 de la proposition, une bibliographie pr\u00e9liminaire (cinq\u00a0livres ou articles) ainsi qu\u2019une br\u00e8ve notice biographique (discipline, champs d\u2019int\u00e9r\u00eat, 5 \u00e0 10\u00a0lignes) sont demand\u00e9es. Les propositions seront \u00e9valu\u00e9es en fonction de l\u2019originalit\u00e9 de l\u2019approche, de la pertinence de la probl\u00e9matique et de l\u2019ad\u00e9quation avec la revue.<\/div>\nLes articles d\u00e9finitifs seront \u00e0 soumettre le 1er ao\u00fbt 2027<\/b>. Ils devront avoisiner les 6\u00a0000 mots (40\u00a0000 caract\u00e8res, espaces comprises) et pourront comporter des illustrations (sonores, visuelles, fixes ou anim\u00e9es), dont l\u2019auteur\u00b7e de l\u2019article aura pris soin de demander les droits de publication.<\/div>\nPour de plus amples informations sur la revue, consultez les num\u00e9ros accessibles en ligne sur la plateforme \u00c9rudit : www.erudit.org\/fr\/revues\/im\/<\/a><\/div>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nCulture<\/span><\/a><\/li>\nDistraction<\/span><\/a><\/li>\nInterm\u00e9dialit\u00e9<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 29 octobre 2026 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 10\/01\/2027 Type de r\u00e9ponse R\u00e9sum\u00e9 Type de […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[382,1013,631],"thematique":[38,39],"sfsic":[],"class_list":["post-36701","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-culture","tag-distraction","tag-intermedialite","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"\nDistraire \/ Distracting<\/title>\n<meta name=\"description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Distraire \/ Distracting\" \/>\n<meta property=\"og:description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-29T19:01:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-29T19:03:08+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"author\":{\"name\":\"Axelle Martin\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\"},\"headline\":\"Distraire \\\/ Distracting\",\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"wordCount\":957,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"keywords\":[\"Culture\",\"Distraction\",\"Interm\u00e9dialit\u00e9\"],\"articleSection\":[\"AAC Publications\",\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"name\":\"Distraire \\\/ Distracting\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"description\":\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \\\"Distraire \\\/ Distracting\\\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Calls for Papers\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Article\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/article-en\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Distraire \\\/ Distracting\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"name\":\"SFSIC\",\"description\":\"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\",\"name\":\"SFSIC\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"width\":1085,\"height\":1080,\"caption\":\"SFSIC\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\",\"name\":\"Axelle Martin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"caption\":\"Axelle Martin\"},\"sameAs\":[\"@antropocominside\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Distraire \/ Distracting","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_locale":"en_US","og_type":"article","og_title":"Distraire \/ Distracting","og_description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","og_url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_site_name":"SFSIC","article_published_time":"2026-10-29T19:01:55+00:00","article_modified_time":"2026-10-29T19:03:08+00:00","author":"Axelle Martin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#article","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"author":{"name":"Axelle Martin","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b"},"headline":"Distraire \/ Distracting","datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"wordCount":957,"publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"keywords":["Culture","Distraction","Interm\u00e9dialit\u00e9"],"articleSection":["AAC Publications","Article"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","name":"Distraire \/ Distracting","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/#website"},"datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","breadcrumb":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.sfsic.org\/en\/"},{"@type":"ListItem","position":2,"name":"Calls for Papers","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/"},{"@type":"ListItem","position":3,"name":"Article","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/article-en\/"},{"@type":"ListItem","position":4,"name":"Distraire \/ Distracting"}]},{"@type":"WebSite","@id":"https:\/\/www.sfsic.org\/en\/#website","url":"https:\/\/www.sfsic.org\/en\/","name":"SFSIC","description":"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication","publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sfsic.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.sfsic.org\/en\/#organization","name":"SFSIC","url":"https:\/\/www.sfsic.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","width":1085,"height":1080,"caption":"SFSIC"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b","name":"Axelle Martin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","caption":"Axelle Martin"},"sameAs":["@antropocominside"]}]}},"_links":{"self":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/comments?post=36701"}],"version-history":[{"count":2,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions"}],"predecessor-version":[{"id":36703,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions\/36703"}],"wp:attachment":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/media?parent=36701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/categories?post=36701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/tags?post=36701"},{"taxonomy":"thematique","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/thematique?post=36701"},{"taxonomy":"sfsic","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/sfsic?post=36701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateurs<\/h3>\n\n\n\t\t\t\t\t\t\tIlinca <\/span> Iurascu<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tDante <\/span> Prado<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tDante Prado<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tdante.prado@ubc.ca<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nAujourd\u2019hui, nous passons une grande partie de notre temps \u00e0 invoquer la distraction. Peu de notions semblent mieux rendre compte de l\u2019\u00e9tat actuel de notre \u00e9conomie de l\u2019attention, tant elle permet de saisir aussi bien la prolif\u00e9ration des contenus g\u00e9n\u00e9r\u00e9s par l\u2019IA (\u00ab AI slop \u00bb) que les strat\u00e9gies de diversion politique ou encore la logique extractive de la consommation m\u00e9diatis\u00e9e. Omnipr\u00e9sente et incessante, la distraction sollicite sans rel\u00e2che notre engagement, pr\u00e9tendant expliquer notre rapport aux m\u00e9dias, \u00e0 l\u2019art, \u00e0 la technologie, \u00e0 l\u2019id\u00e9ologie et au travail. Mais, fid\u00e8le \u00e0 son nom, elle nous entra\u00eene \u00e9galement loin de nos pr\u00e9occupations imm\u00e9diates, nous d\u00e9signant sans cesse un ailleurs : un catalogue de spectacles annonc\u00e9s, un d\u00e9fil\u00e9 ininterrompu de redirections.<\/div>\nDepuis plus d\u2019un si\u00e8cle, la distraction accompagne les r\u00e9flexions esth\u00e9tiques et m\u00e9diatiques : elle constitue \u00e0 la fois une cat\u00e9gorie d\u2019analyse et un objet privil\u00e9gi\u00e9 de la pens\u00e9e sur la modernit\u00e9 et les exp\u00e9riences collectives. Au c\u0153ur du canon de l\u2019\u00c9cole de Francfort, ses formes et ses espaces de manifestation ont r\u00e9guli\u00e8rement servi de plateformes critiques pour l\u2019\u00e9tude des ph\u00e9nom\u00e8nes de masse, pris entre torpeur organis\u00e9e et fr\u00e9missement \u00e9mancipateur. Signe et sympt\u00f4me des crises historiques, la distraction a \u00e9t\u00e9 interpr\u00e9t\u00e9e aussi bien \u00e0 l\u2019aune des processus de rationalisation qu\u2019\u00e0 travers les techniques de d\u00e9placement, de rupture, de fragmentation et de dispersion.<\/div>\n\u00c0 l\u2019occasion du centenaire de l\u2019essai de Siegfried Kracauer, \u00ab Le Culte de la distraction \u00bb (\u00ab Kult der Zerstreuung<\/i> \u00bb), publi\u00e9 dans la Frankfurter Zeitung<\/i>\u00a0le 4 mars 1926, il importe toutefois de s\u2019interroger : comment repenser et reformuler aujourd\u2019hui notre rapport \u00e0 la distraction, en tenant compte de la pluralit\u00e9 des temporalit\u00e9s, des contextes m\u00e9diaculturels et des g\u00e9n\u00e9alogies critiques qui la traversent ? Que pouvons-nous apprendre, par exemple, d\u2019un r\u00e9examen des discours de la premi\u00e8re modernit\u00e9 sur l\u2019inattention, la concentration et l\u2019imagination ? Comment les conditions du capitalisme des plateformes ont-elles transform\u00e9 les mat\u00e9rialit\u00e9s incarn\u00e9es et les r\u00e9gimes affectifs de la distraction ? Quelles op\u00e9rations m\u00e9diatiques et quelles infrastructures deviennent alors visibles ? Enfin, quelles tactiques et quelles techniques de la distraction \u00e9mergent \u00e0 l\u2019\u00e8re des environnements automatis\u00e9s, fond\u00e9s sur l\u2019invisibilisation d\u2019un travail num\u00e9rique genr\u00e9 et racialis\u00e9 ? Quels futurs la distraction permet-elle d\u2019envisager, notamment lorsqu\u2019elle est abord\u00e9e depuis des perspectives queer, migrantes et non chrononormatives ? Enfin, comment les approches interm\u00e9diales, qui mettent en lumi\u00e8re les transferts et les circulations entre des pratiques mat\u00e9rielles, institutionnelles et artistiques diverses, peuvent-elles contribuer \u00e0 repenser la distraction comme cat\u00e9gorie analytique ?<\/div>\nCe num\u00e9ro d\u2019Interm\u00e9dialit\u00e9s<\/i>\u00a0se propose de resituer la distraction au croisement de multiples discours culturels et configurations m\u00e9diatechnologiques, tout en r\u00e9fl\u00e9chissant \u00e0 sa capacit\u00e9 persistante de d\u00e9placer, de r\u00e9organiser, de mobiliser et de r\u00e9orienter les objets m\u00eames qu\u2019elle prend pour objet d\u2019\u00e9tude. Nous invitons des propositions en fran\u00e7ais ou en anglais portant notamment, sans s\u2019y limiter, sur les axes th\u00e9matiques et interventions critiques suivants :<\/div>\n\nhistoires culturelles et m\u00e9diatiques alternatives de la distraction ;<\/li>\ndistraction et nouvelles formes d\u2019exp\u00e9rience ;<\/li>\ndistraction et non-chrononormativit\u00e9 ;<\/li>\nperspectives queer sur la distraction ;<\/li>\n\u00e9conomies politiques de la distraction ;<\/li>\ncapitalisme num\u00e9rique et distraction ;<\/li>\nla distraction et\/ou la distraction comme travail ;<\/li>\nles futurs de la distraction.<\/li>\n<\/ul>\nLe visuel de l\u2019appel \u00e0 contributions : Jerry Pethick, Snow Screen and Parka, 1977, graphite and ink on paper. Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, purchased with support from Rojeanne and Jim Allworth, the Morris and Helen Belkin Foundation and the Morris and Helen Belkin Art Gallery Acquisitions Fund, 2015.\nPhoto : SITE Photography, Scott Massey.<\/div>\n<\/div>\n\n\nDate de soumission des propositions : <\/b>10 janvier 2027<\/li>\nAnnonce des r\u00e9sultats de la s\u00e9lection des propositions : <\/b>1er f\u00e9vrier 2027<\/li>\nSoumission des textes complets aux fins d\u2019\u00e9valuation : <\/b>1 ao\u00fbt 2027<\/li>\nPublication des textes retenus par le comit\u00e9 de r\u00e9daction : <\/b>Printemps 2028<\/li>\n<\/ul>\n<\/div>\n\nInterm\u00e9dialit\u00e9s<\/i> est une revue scientifique semestrielle qui publie en fran\u00e7ais et en anglais des articles in\u00e9dits \u00e9valu\u00e9s de fa\u00e7on anonyme par des pairs.<\/div>\nLes propositions d\u2019articles (350 \u00e0 400 mots) doivent \u00eatre achemin\u00e9es avant le 10 janvier 2027 <\/b>aux adresses suivantes : ilinca.iurascu@ubc.ca<\/a> et dante.prado@ubc.ca<\/a>. En plus du r\u00e9sum\u00e9 de la proposition, une bibliographie pr\u00e9liminaire (cinq\u00a0livres ou articles) ainsi qu\u2019une br\u00e8ve notice biographique (discipline, champs d\u2019int\u00e9r\u00eat, 5 \u00e0 10\u00a0lignes) sont demand\u00e9es. Les propositions seront \u00e9valu\u00e9es en fonction de l\u2019originalit\u00e9 de l\u2019approche, de la pertinence de la probl\u00e9matique et de l\u2019ad\u00e9quation avec la revue.<\/div>\nLes articles d\u00e9finitifs seront \u00e0 soumettre le 1er ao\u00fbt 2027<\/b>. Ils devront avoisiner les 6\u00a0000 mots (40\u00a0000 caract\u00e8res, espaces comprises) et pourront comporter des illustrations (sonores, visuelles, fixes ou anim\u00e9es), dont l\u2019auteur\u00b7e de l\u2019article aura pris soin de demander les droits de publication.<\/div>\nPour de plus amples informations sur la revue, consultez les num\u00e9ros accessibles en ligne sur la plateforme \u00c9rudit : www.erudit.org\/fr\/revues\/im\/<\/a><\/div>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nCulture<\/span><\/a><\/li>\nDistraction<\/span><\/a><\/li>\nInterm\u00e9dialit\u00e9<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 29 octobre 2026 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 10\/01\/2027 Type de r\u00e9ponse R\u00e9sum\u00e9 Type de […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[382,1013,631],"thematique":[38,39],"sfsic":[],"class_list":["post-36701","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-culture","tag-distraction","tag-intermedialite","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"\nDistraire \/ Distracting<\/title>\n<meta name=\"description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Distraire \/ Distracting\" \/>\n<meta property=\"og:description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-29T19:01:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-29T19:03:08+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"author\":{\"name\":\"Axelle Martin\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\"},\"headline\":\"Distraire \\\/ Distracting\",\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"wordCount\":957,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"keywords\":[\"Culture\",\"Distraction\",\"Interm\u00e9dialit\u00e9\"],\"articleSection\":[\"AAC Publications\",\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"name\":\"Distraire \\\/ Distracting\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"description\":\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \\\"Distraire \\\/ Distracting\\\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Calls for Papers\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Article\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/article-en\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Distraire \\\/ Distracting\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"name\":\"SFSIC\",\"description\":\"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\",\"name\":\"SFSIC\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"width\":1085,\"height\":1080,\"caption\":\"SFSIC\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\",\"name\":\"Axelle Martin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"caption\":\"Axelle Martin\"},\"sameAs\":[\"@antropocominside\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Distraire \/ Distracting","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_locale":"en_US","og_type":"article","og_title":"Distraire \/ Distracting","og_description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","og_url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_site_name":"SFSIC","article_published_time":"2026-10-29T19:01:55+00:00","article_modified_time":"2026-10-29T19:03:08+00:00","author":"Axelle Martin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#article","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"author":{"name":"Axelle Martin","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b"},"headline":"Distraire \/ Distracting","datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"wordCount":957,"publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"keywords":["Culture","Distraction","Interm\u00e9dialit\u00e9"],"articleSection":["AAC Publications","Article"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","name":"Distraire \/ Distracting","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/#website"},"datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","breadcrumb":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.sfsic.org\/en\/"},{"@type":"ListItem","position":2,"name":"Calls for Papers","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/"},{"@type":"ListItem","position":3,"name":"Article","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/article-en\/"},{"@type":"ListItem","position":4,"name":"Distraire \/ Distracting"}]},{"@type":"WebSite","@id":"https:\/\/www.sfsic.org\/en\/#website","url":"https:\/\/www.sfsic.org\/en\/","name":"SFSIC","description":"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication","publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sfsic.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.sfsic.org\/en\/#organization","name":"SFSIC","url":"https:\/\/www.sfsic.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","width":1085,"height":1080,"caption":"SFSIC"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b","name":"Axelle Martin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","caption":"Axelle Martin"},"sameAs":["@antropocominside"]}]}},"_links":{"self":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/comments?post=36701"}],"version-history":[{"count":2,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions"}],"predecessor-version":[{"id":36703,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions\/36703"}],"wp:attachment":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/media?parent=36701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/categories?post=36701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/tags?post=36701"},{"taxonomy":"thematique","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/thematique?post=36701"},{"taxonomy":"sfsic","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/sfsic?post=36701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateurs<\/h3>\n\n\n\t\t\t\t\t\t\tIlinca <\/span> Iurascu<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tDante <\/span> Prado<\/span>, University of British Columbia<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tDante Prado<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\tdante.prado@ubc.ca<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nAujourd\u2019hui, nous passons une grande partie de notre temps \u00e0 invoquer la distraction. Peu de notions semblent mieux rendre compte de l\u2019\u00e9tat actuel de notre \u00e9conomie de l\u2019attention, tant elle permet de saisir aussi bien la prolif\u00e9ration des contenus g\u00e9n\u00e9r\u00e9s par l\u2019IA (\u00ab AI slop \u00bb) que les strat\u00e9gies de diversion politique ou encore la logique extractive de la consommation m\u00e9diatis\u00e9e. Omnipr\u00e9sente et incessante, la distraction sollicite sans rel\u00e2che notre engagement, pr\u00e9tendant expliquer notre rapport aux m\u00e9dias, \u00e0 l\u2019art, \u00e0 la technologie, \u00e0 l\u2019id\u00e9ologie et au travail. Mais, fid\u00e8le \u00e0 son nom, elle nous entra\u00eene \u00e9galement loin de nos pr\u00e9occupations imm\u00e9diates, nous d\u00e9signant sans cesse un ailleurs : un catalogue de spectacles annonc\u00e9s, un d\u00e9fil\u00e9 ininterrompu de redirections.<\/div>\nDepuis plus d\u2019un si\u00e8cle, la distraction accompagne les r\u00e9flexions esth\u00e9tiques et m\u00e9diatiques : elle constitue \u00e0 la fois une cat\u00e9gorie d\u2019analyse et un objet privil\u00e9gi\u00e9 de la pens\u00e9e sur la modernit\u00e9 et les exp\u00e9riences collectives. Au c\u0153ur du canon de l\u2019\u00c9cole de Francfort, ses formes et ses espaces de manifestation ont r\u00e9guli\u00e8rement servi de plateformes critiques pour l\u2019\u00e9tude des ph\u00e9nom\u00e8nes de masse, pris entre torpeur organis\u00e9e et fr\u00e9missement \u00e9mancipateur. Signe et sympt\u00f4me des crises historiques, la distraction a \u00e9t\u00e9 interpr\u00e9t\u00e9e aussi bien \u00e0 l\u2019aune des processus de rationalisation qu\u2019\u00e0 travers les techniques de d\u00e9placement, de rupture, de fragmentation et de dispersion.<\/div>\n\u00c0 l\u2019occasion du centenaire de l\u2019essai de Siegfried Kracauer, \u00ab Le Culte de la distraction \u00bb (\u00ab Kult der Zerstreuung<\/i> \u00bb), publi\u00e9 dans la Frankfurter Zeitung<\/i>\u00a0le 4 mars 1926, il importe toutefois de s\u2019interroger : comment repenser et reformuler aujourd\u2019hui notre rapport \u00e0 la distraction, en tenant compte de la pluralit\u00e9 des temporalit\u00e9s, des contextes m\u00e9diaculturels et des g\u00e9n\u00e9alogies critiques qui la traversent ? Que pouvons-nous apprendre, par exemple, d\u2019un r\u00e9examen des discours de la premi\u00e8re modernit\u00e9 sur l\u2019inattention, la concentration et l\u2019imagination ? Comment les conditions du capitalisme des plateformes ont-elles transform\u00e9 les mat\u00e9rialit\u00e9s incarn\u00e9es et les r\u00e9gimes affectifs de la distraction ? Quelles op\u00e9rations m\u00e9diatiques et quelles infrastructures deviennent alors visibles ? Enfin, quelles tactiques et quelles techniques de la distraction \u00e9mergent \u00e0 l\u2019\u00e8re des environnements automatis\u00e9s, fond\u00e9s sur l\u2019invisibilisation d\u2019un travail num\u00e9rique genr\u00e9 et racialis\u00e9 ? Quels futurs la distraction permet-elle d\u2019envisager, notamment lorsqu\u2019elle est abord\u00e9e depuis des perspectives queer, migrantes et non chrononormatives ? Enfin, comment les approches interm\u00e9diales, qui mettent en lumi\u00e8re les transferts et les circulations entre des pratiques mat\u00e9rielles, institutionnelles et artistiques diverses, peuvent-elles contribuer \u00e0 repenser la distraction comme cat\u00e9gorie analytique ?<\/div>\nCe num\u00e9ro d\u2019Interm\u00e9dialit\u00e9s<\/i>\u00a0se propose de resituer la distraction au croisement de multiples discours culturels et configurations m\u00e9diatechnologiques, tout en r\u00e9fl\u00e9chissant \u00e0 sa capacit\u00e9 persistante de d\u00e9placer, de r\u00e9organiser, de mobiliser et de r\u00e9orienter les objets m\u00eames qu\u2019elle prend pour objet d\u2019\u00e9tude. Nous invitons des propositions en fran\u00e7ais ou en anglais portant notamment, sans s\u2019y limiter, sur les axes th\u00e9matiques et interventions critiques suivants :<\/div>\n\nhistoires culturelles et m\u00e9diatiques alternatives de la distraction ;<\/li>\ndistraction et nouvelles formes d\u2019exp\u00e9rience ;<\/li>\ndistraction et non-chrononormativit\u00e9 ;<\/li>\nperspectives queer sur la distraction ;<\/li>\n\u00e9conomies politiques de la distraction ;<\/li>\ncapitalisme num\u00e9rique et distraction ;<\/li>\nla distraction et\/ou la distraction comme travail ;<\/li>\nles futurs de la distraction.<\/li>\n<\/ul>\nLe visuel de l\u2019appel \u00e0 contributions : Jerry Pethick, Snow Screen and Parka, 1977, graphite and ink on paper. Collection of the Morris and Helen Belkin Art Gallery, University of British Columbia, purchased with support from Rojeanne and Jim Allworth, the Morris and Helen Belkin Foundation and the Morris and Helen Belkin Art Gallery Acquisitions Fund, 2015.\nPhoto : SITE Photography, Scott Massey.<\/div>\n<\/div>\n\n\nDate de soumission des propositions : <\/b>10 janvier 2027<\/li>\nAnnonce des r\u00e9sultats de la s\u00e9lection des propositions : <\/b>1er f\u00e9vrier 2027<\/li>\nSoumission des textes complets aux fins d\u2019\u00e9valuation : <\/b>1 ao\u00fbt 2027<\/li>\nPublication des textes retenus par le comit\u00e9 de r\u00e9daction : <\/b>Printemps 2028<\/li>\n<\/ul>\n<\/div>\n\nInterm\u00e9dialit\u00e9s<\/i> est une revue scientifique semestrielle qui publie en fran\u00e7ais et en anglais des articles in\u00e9dits \u00e9valu\u00e9s de fa\u00e7on anonyme par des pairs.<\/div>\nLes propositions d\u2019articles (350 \u00e0 400 mots) doivent \u00eatre achemin\u00e9es avant le 10 janvier 2027 <\/b>aux adresses suivantes : ilinca.iurascu@ubc.ca<\/a> et dante.prado@ubc.ca<\/a>. En plus du r\u00e9sum\u00e9 de la proposition, une bibliographie pr\u00e9liminaire (cinq\u00a0livres ou articles) ainsi qu\u2019une br\u00e8ve notice biographique (discipline, champs d\u2019int\u00e9r\u00eat, 5 \u00e0 10\u00a0lignes) sont demand\u00e9es. Les propositions seront \u00e9valu\u00e9es en fonction de l\u2019originalit\u00e9 de l\u2019approche, de la pertinence de la probl\u00e9matique et de l\u2019ad\u00e9quation avec la revue.<\/div>\nLes articles d\u00e9finitifs seront \u00e0 soumettre le 1er ao\u00fbt 2027<\/b>. Ils devront avoisiner les 6\u00a0000 mots (40\u00a0000 caract\u00e8res, espaces comprises) et pourront comporter des illustrations (sonores, visuelles, fixes ou anim\u00e9es), dont l\u2019auteur\u00b7e de l\u2019article aura pris soin de demander les droits de publication.<\/div>\nPour de plus amples informations sur la revue, consultez les num\u00e9ros accessibles en ligne sur la plateforme \u00c9rudit : www.erudit.org\/fr\/revues\/im\/<\/a><\/div>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nCulture<\/span><\/a><\/li>\nDistraction<\/span><\/a><\/li>\nInterm\u00e9dialit\u00e9<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 29 octobre 2026 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 10\/01\/2027 Type de r\u00e9ponse R\u00e9sum\u00e9 Type de […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[382,1013,631],"thematique":[38,39],"sfsic":[],"class_list":["post-36701","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-culture","tag-distraction","tag-intermedialite","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"\nDistraire \/ Distracting<\/title>\n<meta name=\"description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Distraire \/ Distracting\" \/>\n<meta property=\"og:description\" content=\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique "Distraire \/ Distracting", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2026-10-29T19:01:55+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-29T19:03:08+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"author\":{\"name\":\"Axelle Martin\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\"},\"headline\":\"Distraire \\\/ Distracting\",\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"},\"wordCount\":957,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"keywords\":[\"Culture\",\"Distraction\",\"Interm\u00e9dialit\u00e9\"],\"articleSection\":[\"AAC Publications\",\"Article\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\",\"name\":\"Distraire \\\/ Distracting\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"datePublished\":\"2026-10-29T19:01:55+00:00\",\"dateModified\":\"2026-10-29T19:03:08+00:00\",\"description\":\"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \\\"Distraire \\\/ Distracting\\\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-publication\\\/distraire-distracting\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Calls for Papers\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Article\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfp-publication\\\/article-en\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"Distraire \\\/ Distracting\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"name\":\"SFSIC\",\"description\":\"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\",\"name\":\"SFSIC\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"width\":1085,\"height\":1080,\"caption\":\"SFSIC\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\",\"name\":\"Axelle Martin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"caption\":\"Axelle Martin\"},\"sameAs\":[\"@antropocominside\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Distraire \/ Distracting","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_locale":"en_US","og_type":"article","og_title":"Distraire \/ Distracting","og_description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","og_url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","og_site_name":"SFSIC","article_published_time":"2026-10-29T19:01:55+00:00","article_modified_time":"2026-10-29T19:03:08+00:00","author":"Axelle Martin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#article","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"author":{"name":"Axelle Martin","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b"},"headline":"Distraire \/ Distracting","datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","mainEntityOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"},"wordCount":957,"publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"keywords":["Culture","Distraction","Interm\u00e9dialit\u00e9"],"articleSection":["AAC Publications","Article"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","url":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/","name":"Distraire \/ Distracting","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/#website"},"datePublished":"2026-10-29T19:01:55+00:00","dateModified":"2026-10-29T19:03:08+00:00","description":"La revue Interm\u00e9dialit\u00e9s. Histoire et th\u00e9orie des arts, des lettres et des techniques lance un appel \u00e0 articles pour un num\u00e9ro sur la th\u00e9matique \"Distraire \/ Distracting\", sous la direction de Ilinca Iurascu, University of British Columbia et Dante Prado, University of British Columbia.","breadcrumb":{"@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.sfsic.org\/en\/aac-publication\/distraire-distracting\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.sfsic.org\/en\/"},{"@type":"ListItem","position":2,"name":"Calls for Papers","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/"},{"@type":"ListItem","position":3,"name":"Article","item":"https:\/\/www.sfsic.org\/en\/cfp-publication\/article-en\/"},{"@type":"ListItem","position":4,"name":"Distraire \/ Distracting"}]},{"@type":"WebSite","@id":"https:\/\/www.sfsic.org\/en\/#website","url":"https:\/\/www.sfsic.org\/en\/","name":"SFSIC","description":"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l'Information & de la Communication","publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sfsic.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.sfsic.org\/en\/#organization","name":"SFSIC","url":"https:\/\/www.sfsic.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","width":1085,"height":1080,"caption":"SFSIC"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b","name":"Axelle Martin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","caption":"Axelle Martin"},"sameAs":["@antropocominside"]}]}},"_links":{"self":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/comments?post=36701"}],"version-history":[{"count":2,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions"}],"predecessor-version":[{"id":36703,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/36701\/revisions\/36703"}],"wp:attachment":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/media?parent=36701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/categories?post=36701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/tags?post=36701"},{"taxonomy":"thematique","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/thematique?post=36701"},{"taxonomy":"sfsic","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/sfsic?post=36701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/p>\n","protected":false},"excerpt":{"rendered":"
Mis en ligne le 29 octobre 2026 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 10\/01\/2027 Type de r\u00e9ponse R\u00e9sum\u00e9 Type de […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[382,1013,631],"thematique":[38,39],"sfsic":[],"class_list":["post-36701","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-culture","tag-distraction","tag-intermedialite","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"\n