{"id":35226,"date":"2025-12-08T14:16:36","date_gmt":"2025-12-08T13:16:36","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=35226"},"modified":"2025-12-08T14:16:37","modified_gmt":"2025-12-08T13:16:37","slug":"les-plateformes-de-videos-a-la-demande-en-france-au-dela-de-netflix-et-youtube","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/publication\/les-plateformes-de-videos-a-la-demande-en-france-au-dela-de-netflix-et-youtube\/","title":{"rendered":"Les plateformes de vid\u00e9os \u00e0 la demande en France : au-del\u00e0 de Netflix et YouTube"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> 8 d\u00e9cembre 2025\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de publication<\/span><span class=\"doubledot\"><\/span> <strong>Ouvrage collectif<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-edition\">\n\t\t\t\t\t\t\t<span>\u00c9dition<\/span><span class=\"doubledot\"><\/span> <strong>Edition des Archives Contemporaines<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<div class=\"\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-35227 aligncenter\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2025\/12\/028575-212x300.png\" alt=\"\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2025\/12\/028575-212x300.png 212w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2025\/12\/028575-226x320.png 226w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2025\/12\/028575-200x283.png 200w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2025\/12\/028575.png 642w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><\/p>\n<p>Cet ouvrage vise \u00e0 croiser les regards et les analyses sur les services de vid\u00e9o \u00e0 la demande disponibles en France, lesquels apparaissent comme des alternatives, voire des concurrents aux g\u00e9ants du secteur tels que Netflix, Disney+ ou encore Amazon Prime. Mobilisant 31 chercheur.se.s issus de disciplines vari\u00e9es (sciences de l\u2019information et de la communication, sciences de gestion, sociologie, \u00e9tudes cin\u00e9matographiques et \u00e9conomie), ainsi que des membres des principaux acteurs institutionnels du secteur (l\u2019Arcom et le CNC), il se situe au croisement de perspectives diversifi\u00e9es, conjuguant approches th\u00e9oriques, d\u00e9marches m\u00e9thodologiques et \u00e9l\u00e9ments empiriques afin de composer un tableau synoptique et compr\u00e9hensif, une analyse transversale et multi-dimensionnelle \u00e0 m\u00eame de circonscrire un ph\u00e9nom\u00e8ne parfois d\u00e9sign\u00e9 par le terme de \u00ab&#160;plateformisation&#160;\u00bb de l\u2019audiovisuel et du cin\u00e9ma.<\/p>\n<p>Les 24 chapitres propos\u00e9s explorent la diversit\u00e9 des organisations, des strat\u00e9gies et des mod\u00e8les \u00e9conomiques, ainsi que des positionnements \u00e9ditoriaux. Ils d\u00e9taillent la multiplicit\u00e9 des acteurs et des activit\u00e9s qui int\u00e8grent un m\u00eame r\u00e9seau de co-op\u00e9ration \u00e0 la fois labile et dynamique. Ils exposent \u00e9galement les principales caract\u00e9ristiques des dispositifs en ligne ainsi que les principaux enjeux de m\u00e9diations qui leur sont associ\u00e9s. Ils analysent, ensuite, les modalit\u00e9s de recommandation et les logiques de prescription visant \u00e0 orienter les publics, qu\u2019ils soient imagin\u00e9s ou r\u00e9els. Ils \u00e9clairent, enfin, les processus contemporains de r\u00e9ception, ainsi que les pratiques et usages aff\u00e9rents.<br \/>\nEn d\u00e9finitive, ces diff\u00e9rents chapitres entendent rendre compte d\u2019un \u00ab&#160;monde&#160;\u00bb en pleine effervescence et se combinent au sein d\u2019un ouvrage susceptible d\u2019int\u00e9resser aussi bien les chercheur.se.s que les professionnel.le.s, les \u00e9tudiant.e.s que les passionn\u00e9.e.s de ces questions m\u00ealant cin\u00e9ma ou audiovisuel et num\u00e9rique.<\/p>\n<p>Vous pouvez le d\u00e9couvrir en acc\u00e8s libre ici&#160;:\u00a0<span id=\"OBJ_PREFIX_DWT3939_com_zimbra_url\" class=\"Object\" role=\"link\"><span id=\"OBJ_PREFIX_DWT3940_com_zimbra_url\" class=\"Object\" role=\"link\"><a href=\"https:\/\/eac.ac\/publications\/9782813005298\" target=\"_blank\" rel=\"noopener\">https:\/\/eac.ac\/publications\/9782813005298<\/a><\/span><\/span><\/p>\n<p>Avec les contributions de&#160;:<br \/>\nLucie Alexis, Pierre-Jean Benghozi, Julia Bonaccorsi, Vincent Bullich, \u00c9lise Butel, Bruno Cailler, Marie Cambone, Benjamin Campion, Laurent Creton, Val\u00e9rie Croissant, Chlo\u00e9 Delaporte, Manuel Dupuy-Salle, Samuel Gantier, Thomas Guignard, Sophie Jardillier, Camille Jutant, Marine Malet, Emmanuel Marty, Quentin Mazel, Bernard Mi\u00e8ge, Thomas Paris, Lucien Perticoz, Danielle Sartori, Laurie Schmitt, C\u00e9line S\u00e9gur, Virginie Sonet, William Spano, Christel Taillibert, Olivier Thuilas, Valentine Tucoulat, Louis Wiart.<\/p>\n<blockquote>\n<p>Cet ouvrage cl\u00f4t le programme de recherche Paradicc (Plateformes en Auvergne- Rh\u00f4ne-Alpes de Diffusion des Contenus Culturels) d\u00e9but\u00e9 en 2018, r\u00e9unissant 12 chercheur.se.s de 3 universit\u00e9s (Grenoble Alpes, Lumi\u00e8re Lyon 2 et Jean Moulin Lyon 3) et financ\u00e9 par la R\u00e9gion Auvergne-Rh\u00f4ne-Alpes ainsi que le laboratoire Gresec.<\/p>\n<\/blockquote>\n<\/div><\/div>\n<div class=\"zn-singledetail-attachedfiles\">\n<h3 class=\"zn-singledetail-section-title\">Fichier(s) attach\u00e9(s)<\/h3>\n<ul class=\"zn-singledetail-attachedfiles-list\">\n<li class=\"zn-singledetail-attachedfiles-item\">\n\t\t\t\t\t\t\t<a class=\"zn-singledetail-attachedfiles-link button outline for-download\" href=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/flyer_plateformisation.pdf\" title=\"T\u00e9l\u00e9charger : \u00ab flyer_plateformisation.pdf \u00bb\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t<span class=\"button-txt\">Flyer_plateformisation<span class=\"button-txt-type\"> (pdf)<\/span><\/span><br \/>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-economie-des-medias\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/economie-des-medias\/\" title=\"Economie des m\u00e9dias\"><span class=\"termslist-itemname\">Economie des m\u00e9dias<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/industries-culturelles\/\" title=\"Industries culturelles\"><span class=\"termslist-itemname\">Industries culturelles<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-mediation\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/mediation\/\" title=\"M\u00e9diation\"><span class=\"termslist-itemname\">M\u00e9diation<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-plateformes-numeriques\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/plateformes-numeriques\/\" title=\"Plateformes num\u00e9riques\"><span class=\"termslist-itemname\">Plateformes num\u00e9riques<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 8 d\u00e9cembre 2025 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Type de publication Ouvrage collectif \u00c9dition Edition des Archives Contemporaines Cet ouvrage vise \u00e0 croiser [&hellip;]<\/p>\n","protected":false},"author":970,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[72,31],"tags":[458,108,129,328],"thematique":[35],"sfsic":[],"class_list":["post-35226","post","type-post","status-publish","format-standard","hentry","category-ouvrage-collectif","category-publication","tag-economie-des-medias","tag-industries-culturelles","tag-mediation","tag-plateformes-numeriques","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les plateformes de vid\u00e9os \u00e0 la demande en France : au-del\u00e0 de Netflix et YouTube<\/title>\n<meta name=\"description\" content=\"Cet ouvrage vise \u00e0 croiser les regards et les analyses sur les services de vid\u00e9o 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