{"id":34327,"date":"2025-06-17T20:12:35","date_gmt":"2025-06-17T18:12:35","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=34327"},"modified":"2025-06-17T20:12:52","modified_gmt":"2025-06-17T18:12:52","slug":"34327","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/evenement\/34327\/","title":{"rendered":"Le tournant des \u00e9com\u00e9dias"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2025-06-17T20:12:35+02:00\">17 juin 2025<\/time>\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-medias-et-journalisme\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/medias-et-journalisme\/\" title=\"M\u00e9dias et journalisme\"><span class=\"termslist-itemname\">M\u00e9dias et journalisme<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type d\u2019\u00e9v\u00e9nement<\/span><span class=\"doubledot\"><\/span> <strong>Colloque<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-eventinfo\">\n<div class=\"zn-singledetail-eventinfo-inner\">\n<div class=\"zn-singledetail-eventdates\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Dates de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><\/p>\n<ul class=\"zn-singledetail-eventdates-list\">\n<li class=\"zn-singledetail-eventdates-item\">\n\t\t\t\t\t\t\t\tDu <time class=\"event-start-time\" datetime=\"2024-12-12T00:00:00+00:00\">12\/12\/2024<\/time> au <time class=\"event-end-time\" datetime=\"2024-12-13T00:00:00+00:00\">13\/12\/2024<\/time>\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<p class=\"zn-singledetail-eventplace\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Lieu de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><br \/>\n\t\t\t\t\t\t<span class=\"zn-singledetail-eventplace-adr\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"adr-name\">Universit\u00e9 Catholique de l&#8217;Ouest<\/span>,<\/p>\n<p>\t\t\t\t\t\t<span class=\"adr-city\">Angers<\/span><br \/>\n\t\t\t\t\t\t<\/span>\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-annonce wig-content\">\n<p>Luigi Russi et Anh-Ngoc Hoang proposent un r\u00e9sum\u00e9 de la conf\u00e9rence r\u00e9alis\u00e9e \u00e0 l\u2019UCO Angers en d\u00e9cembre dernier par le Prof. John Durham Peters de Yale, dont un texte est de prochaine publication en fran\u00e7ais pour Les presses du r\u00e9el. Ce texte est intitul\u00e9 \u00ab&#160;Le tournant des \u00e9com\u00e9dias&#160;\u00bb<\/p>\n<h2 style=\"font-weight: 400;\">Le tournant des \u00e9com\u00e9dias<\/h2>\n<p style=\"font-weight: 400;\">John Durham Peters est titulaire de la chaire \u201cMar\u00eda Rosa Menocal\u201d en Anglais, Film et M\u00e9dias de l\u2019Universit\u00e9 de Yale aux \u00c9tats-Unis. Il est l\u2019auteur du texte <em>The Marvelous Clouds&#160;: Toward a Philosophy of Elemental Media<\/em> [Les merveilleux nuages\u00a0: vers une philosophie des m\u00e9dias \u00e9l\u00e9mentaires] (University of Chicago Press, 2015), dont une publication en fran\u00e7ais est pr\u00e9vue en d\u00e9but 2025 chez <em>Les Presses du R\u00e9el.<\/em><\/p>\n<p style=\"font-weight: 400;\">Le Professeur Peters a \u00e9t\u00e9 invit\u00e9 en tant que conf\u00e9rencier d\u2019honneur au colloque international intitul\u00e9\u00a0 \u00ab&#160;La Communication environnementale&#160;: des racines d\u2019hier aux horizons de demain. Pour la construction \u00e9pist\u00e9mologique d\u2019un nouveau champ acad\u00e9mique et de pratiques&#160;\u00bb qui a eu lieu du 12 au 13 d\u00e9cembre \u00e0 l\u2019Universit\u00e9 Catholique de l\u2019Ouest \u00e0 Angers. Le but de son intervention, qui portait le titre \u00ab&#160;<em>\u00a0Infrastructures of Being&#160;: Reflections on Elemental Media\u00a0<\/em>&#160;\u00bb (Infrastructures de l\u2019\u00eatre&#160;: R\u00e9flexions sur les m\u00e9dia \u00e9l\u00e9mentaires), \u00e9tait d\u2019illustrer le \u00ab&#160;tournant des \u00e9com\u00e9dias&#160;\u00bb comme un nouveau paradigme possible pour les Sciences de l\u2019Information et de la Communication en France.<\/p>\n<p style=\"font-weight: 400;\">Peters a commenc\u00e9 sa conf\u00e9rence par une courte synth\u00e8se d\u2019une riche litt\u00e9rature en communication qui pousse l\u2019id\u00e9e des m\u00e9dias comme environnements jusqu\u2019au point d\u2019interroger un grand nombre de milieux fa\u00e7onn\u00e9s par le vivant <em>comme s\u2019ils \u00e9taient aussi des m\u00e9dias<\/em>. La litt\u00e9rature \u00e0 laquelle Peters fait r\u00e9f\u00e9rence est ancr\u00e9e dans des auteurs classiques en SIC, et principalement dans les travaux d\u2019auteurs comme Harold Innis et Marshall McLuhan. Notamment, Innis (et McLuhan avec lui) ont ax\u00e9 la notion de m\u00e9dia autour de la <em>capacit\u00e9 \u00e0 \u00ab&#160;biaiser&#160;\u00bb la perception de l\u2019espace et du temps<\/em>. Innis, pour sa part, a introduit aussi la notion de \u00ab&#160;<em>staples\u00a0<\/em>&#160;\u00bb (mati\u00e8res premi\u00e8res) pour \u00e9voquer le fait que c\u2019est le propre d\u2019un m\u00e9dia de faire \u00ab&#160;appara\u00eetre&#160;\u00bb certaines composantes du monde comme \u00ab&#160;allant de soi&#160;\u00bb. Ceci est le pouvoir structurant des m\u00e9dias. Aujourd\u2019hui, l\u2019approch\u00e9 \u00ab&#160;\u00e9comediale&#160;\u00bb a \u00e9t\u00e9 d\u00e9velopp\u00e9e par un grand nombre d\u2019auteurs contemporains, tels que Bernhard Siegert, \u00a0Jussi Parikka, Eva Horn, Birgit Schneider, Paolo Granata, Yuriko Furuhata, Melody Jue, Weihong Bao, Nicole Starosielski, Stefan Helmreich, Adam Wickberg, Johan Gardeb\u00f6 et Michele Cometa (qui a invent\u00e9 la d\u00e9nomination \u00ab&#160;tournant des \u00e9comedia&#160;\u00bb dans son livre <em>La svolta ecomediale<\/em>, actuellement disponible seulement en Italien), entre autres. \u00c0 pr\u00e9sent, juste une petite partie de ces textes ont commenc\u00e9 \u00e0 para\u00eetre en fran\u00e7ais.<\/p>\n<p style=\"font-weight: 400;\">Peters motive sa proposition de consid\u00e9rer les environnements comme des m\u00e9dias par trois pr\u00e9occupations propres \u00e0 notre temps&#160;: premi\u00e8rement, la crise plan\u00e9taire, qui demande de resituer la place de l\u2019humain d\u2019une mani\u00e8re utile \u00e0 la r\u00e9g\u00e9n\u00e9ration du syst\u00e8me Terre&#160;; deuxi\u00e8mement, il \u00e9voque les m\u00e9dias num\u00e9riques et, plus g\u00e9n\u00e9ralement, le constat de l\u2019Anthropoc\u00e8ne qui rend de plus en plus difficile de rep\u00e9rer des endroits qui puissent se dire \u00ab&#160;non-anthropis\u00e9s&#160;\u00bb. La troisi\u00e8me raison est l\u2019attention croissante vers l\u2019id\u00e9e <em>d\u2019infrastructure<\/em>, qui s\u2019attache au constat que nous sommes <em>de facto<\/em> immerg\u00e9s dans des assemblages dont on ne se rend compte qu\u2019au moment o\u00f9 ils arr\u00eatent de fonctionner. \u00c0 ce sujet, il cite \u00ab&#160;<em>A<\/em> <em>Vast machin<\/em>e&#160;\u00bb de Paul N. Edwards qui lui a sugg\u00e9r\u00e9 l\u2019id\u00e9e que la nature peut se penser comme une <em>esp\u00e8ce d\u2019infrastructure<\/em>.<\/p>\n<p style=\"font-weight: 400;\">Apr\u00e8s avoir essay\u00e9 de motiver pourquoi il faudrait s\u2019int\u00e9resser \u00e0 cette perspective \u00ab&#160;\u00e9comediale&#160;\u00bb, Peters est rentr\u00e9 dans le noyau conceptuel&#160;: c\u2019est-\u00e0-dire les implications de penser les m\u00e9dias comme des \u00e9cologies. Cela implique d\u2019abandonner une vision instrumentale des m\u00e9dias comme des \u00ab&#160;transporteurs&#160;\u00bb de messages ou des \u00ab&#160;simples&#160;\u00bb outils technologiques. <em>Les m\u00e9dias fa\u00e7onnent simultan\u00e9ment les \u00eatres et leurs environnements<\/em>. Une fois qu\u2019ils aboutissent \u00e0 cela, ils deviennent comme transparents et d\u00e9ploient ainsi un <em>effet anesth\u00e9siant<\/em>. La question pour Peters est la suivante&#160;: comment s\u2019\u00e9veiller de cet effet anesth\u00e9siant&#160;? Le paradoxe autour duquel tourne la perspective \u00e9comediale est que, \u00e0 la fois, les environnements ont une importance vitale pour nous et, simultan\u00e9ment, nous perdons notre sensibilit\u00e9 par rapport \u00e0 l\u2019environnement au fur et \u00e0 mesure que celui ci devient \u00ab&#160;atmosph\u00e9rique&#160;\u00bb &#8211; qu\u2019il se fait \u00e9comedia.<\/p>\n<p style=\"font-weight: 400;\">Une fois que l\u2019on commence \u00e0 consid\u00e9rer des ph\u00e9nom\u00e8nes environnementaux comme des m\u00e9dias, et cela est le passage ult\u00e9rieur du tournant \u00e9comediale, on acquiert \u00e9galement la capacit\u00e9 de commencer \u00e0 <em>lire ce qui n\u2019a jamais \u00e9t\u00e9 \u00e9crit pour les yeux humains<\/em> (on peut penser \u00e0 des pratiques comme la dendrochronologie qui lit l\u2019\u00e2ge des arbres par leurs cercles, qui n\u2019ont justement jamais \u00e9t\u00e9 \u00e9crits mais qui peuvent n\u00e9anmoins \u00eatre interpr\u00e9t\u00e9s comme ayant un sens). Enfin, il devient possible, d\u2019apr\u00e8s cette perspective, de faire rentrer dans le domaine des SIC des ph\u00e9nom\u00e8nes que, jusque l\u00e0, n\u2019avaient pas encore \u00e9t\u00e9 pens\u00e9s comme \u00e9tant issus de m\u00e9diations. C\u2019est l\u00e0 que Peters s\u2019arr\u00eate sur le travail de Melody Jue (<em>Wild Blue Media&#160;: Thinking Through Seawater<\/em>) sur l\u2019oc\u00e9an comme m\u00e9dia. Son point d\u2019entr\u00e9e est la condition cetac\u00e9enne,\u00a0qu\u2019il compare avec la condition humaine&#160;: qu\u2019est-ce que les dauphins peuvent nous apprendre par rapport \u00e0 leur environnement&#160;? Peters observe que les habitants des oc\u00e9ans n\u2019ont pas de technologie \u00e0 proprement parler, si par technologie on entend une modification durable de son milieu. Il y a certaines esp\u00e8ces de poissons qui peuvent am\u00e9nager temporairement le fond de la mer, mais autrement les poissons n\u2019ont que des <em>techniques<\/em> (comme les bulles d\u2019air) sans avoir des <em>technologies<\/em>. Les poissons ne s\u2019appuient pas sur une infrastructure qu\u2019ils mettent en place par eux m\u00eames. Par rapport \u00e0 la condition humaine, telle que l\u2019a d\u00e9crite Hannah Arendt comme \u00e9tant ax\u00e9e autour du travail, de l\u2019\u0153uvre et de l\u2019action, la condition cetac\u00e9enne manque d\u2019\u0153uvres\u2014les c\u00e9tac\u00e9s comme les dauphins ne changent pas leur environnement de mani\u00e8re durable. En revanche, l\u2019oc\u00e9an ne peut devenir un m\u00e9dia pour les humains que par la m\u00e9diation d\u2019une technologie (le bateau) qui le rende accessible pour nous. En ce sens, <em>le bateau offre une m\u00e9taphore de base pour signifier la condition humaine et sa relation \u00e0 la technologie<\/em>. Les \u00eatres humains, en d\u2019autres termes, ne surgissent qu\u2019en concert avec la technologie, comme le feu et le langage. Peters s\u2019appuie l\u00e0 sur l\u2019id\u00e9e de corpor\u00e9it\u00e9, telle que l\u2019a pr\u00e9sent\u00e9 Andr\u00e9 Leroi-Gouhan, pour qui la forme m\u00eame de notre crane serait d\u00e9j\u00e0 li\u00e9e au d\u00e9veloppement de pratiques technologiques&#160;!<\/p>\n<p style=\"font-weight: 400;\">Si les m\u00e9dias sont, donc, un ph\u00e9nom\u00e8ne environnemental, la perspective \u00e9comediale peut offrir aux chercheurs et chercheuses en SIC des rep\u00e8res fructueux pour (re)poser un certain nombre de questions&#160;: qui devrait avoir le droit de <em>concevoir et contr\u00f4ler toutes ces infrastructures\u00a0qui finiront par dispara\u00eetre de notre perception<\/em>&#160;? Si tout est m\u00e9dia, serait-il le cas qu\u2019il devienne impossible de parler de nature \u2026 ou bien est-ce que la perspective \u00e9comediale nous invite plut\u00f4t \u00e0 approcher <em>la nature m\u00eame comme l\u2019\u0153uvre du vivant<\/em> et, donc, comme technologie premi\u00e8re&#160;?<\/p>\n<p style=\"font-weight: 400;\">\n\t\t\t\t<\/div>\n<div class=\"zn-singledetail-partners\">\n<h3 class=\"zn-singledetail-section-title\">Partenaires<\/h3>\n<div class=\"zn-singledetail-partners-list row small-up-2 medium-up-3 large-up-5 partnerlist\" data-equalizer data-equalize-on=\"medium\">\n<article class=\"summarypartner partner-5458 column\">\n\t<a class=\"summarypartner-box\" href=\"https:\/\/www.uco.fr\/fr\" title=\"Universit\u00e9 Catholique de l&rsquo;Ouest\">\t\t<\/p>\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/20151124092651logo-uco-universite-catholique-de-l-ouest-164x320.png\" alt=\"Logo Universit\u00e9 catholique de l'ouest\" ><br \/>\n\t\t\t\t\t\t\t\t\t<\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tUniversit\u00e9 Catholique de l&rsquo;Ouest\t\t\t\t\t\t<\/h3>\n<p class=\"summarypartner-acronym\">\n\t\t\t\t\t\t\tUCO\t\t\t\t\t\t<\/p>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>\t<\/a><\/article>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-attachedfiles\">\n<h3 class=\"zn-singledetail-section-title\">Fichier(s) attach\u00e9(s)<\/h3>\n<ul class=\"zn-singledetail-attachedfiles-list\">\n<li class=\"zn-singledetail-attachedfiles-item\">\n\t\t\t\t\t\t\t<a class=\"zn-singledetail-attachedfiles-link button outline for-download\" href=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/le-tournant-des-ecomedias.pdf\" title=\"T\u00e9l\u00e9charger : \u00ab le-tournant-des-ecomedias.pdf \u00bb\" target=\"_blank\"><br \/>\n\t\t\t\t\t\t\t\t<span class=\"button-txt\">Le tournant des \u00e9com\u00e9dias<span class=\"button-txt-type\"> (pdf)<\/span><\/span><br \/>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-ecologie\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/ecologie\/\" title=\"Ecologie\"><span class=\"termslist-itemname\">Ecologie<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-environnement\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/environnement\/\" title=\"Environnement\"><span class=\"termslist-itemname\">Environnement<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-medias\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/medias\/\" title=\"M\u00e9dias\"><span class=\"termslist-itemname\">M\u00e9dias<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 17 juin 2025 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles M\u00e9dias et journalisme Type d\u2019\u00e9v\u00e9nement Colloque Dates de l\u2019\u00e9v\u00e9nement Du 12\/12\/2024 au 13\/12\/2024 Lieu de [&hellip;]<\/p>\n","protected":false},"author":957,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[67,30],"tags":[309,434,390],"thematique":[35,34],"sfsic":[],"class_list":["post-34327","post","type-post","status-publish","format-standard","hentry","category-colloque-2","category-evenement","tag-ecologie","tag-environnement","tag-medias","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-medias-et-journalisme","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le tournant des \u00e9com\u00e9dias<\/title>\n<meta name=\"description\" content=\"Luigi Russi et Anh-Ngoc Hoang proposent un r\u00e9sum\u00e9 de la conf\u00e9rence r\u00e9alis\u00e9e \u00e0 l\u2019UCO Angers en d\u00e9cembre dernier par le Prof. John Durham Peters de Yale, dont un texte est de prochaine publication en fran\u00e7ais pour Les presses du r\u00e9el. 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