<\/p>\n
\n\t\t\t\t\t\t\tType de publication<\/span><\/span> Num\u00e9ro de revue<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> M\u00e9moires du livre\/Studies in book culture<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\t\u00c9dition<\/span><\/span> Universit\u00e9 de Sherbrooke<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateur(s) \/ Auteur(s)<\/h3>\n\n\n\t\t\t\t\t\t\tMa\u00ebl<\/span> Rannou<\/span>, Universit\u00e9 de Versailles Saint-Quentin en Yvelines<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, maelrannou@lilo.org<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tRioux<\/span> Philippe<\/span>, Universit\u00e9 de Sherbrooke<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tLe num\u00e9ro en ligne sur \u00e9rudit !<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nLe num\u00e9ro 14\/1 de M\u00e9moires du livre\/Studies in book culture est paru. Il est consacr\u00e9 \u00e0 \u00bb La bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations \u00bb et codirig\u00e9 par Ma\u00ebl Rannou et Philippe Rioux. Ce num\u00e9ro \u00e9tudie le neuvi\u00e8me sous l’angle des circulations, g\u00e9ographiques comme de styles, avec des axes d’analyses vari\u00e9s, allant de la science de l’information et de la communication \u00e0 la litt\u00e9rature compar\u00e9e, en passant par l’histoire culturelle et les Fan studies.<\/div>\n<\/div>\nPr\u00e9sentation<\/h2>\nCe riche num\u00e9ro comporte douze articles avec un nombre de regards diff\u00e9rents (litt\u00e9rature compar\u00e9e, science de l’information et de la communication, histoire culturelle, etc.) pour \u00e9tudier la bande dessin\u00e9e mondiale dans sa vari\u00e9t\u00e9 et le jeu des croisements et \u00e9changes plus ou moins volontaires. Comme toujours avec cette revue, le num\u00e9ro est en ligne gratuitement sur \u00e9rudit : https:\/\/www.erudit.org\/fr\/revues\/memoires\/2023-v14-n1-memoires08590\/<\/a><\/div>\nSommaire<\/h2>\n La bande dessin\u00e9e vagabond<\/a>, <\/span>Ma\u00ebl Rannou et Philippe Rioux <\/span><\/h6>\nPep<\/em>, ou les cousins n\u00e9erlandai<\/a>, <\/span>Cl\u00e9ment Lemoine et Micha\u00ebl Baril <\/span><\/h6>\n Les mangas amateurs fran\u00e7ais dans les fanzines de 1995 \u00e0 1997,<\/a> <\/span>Delphine Ya-Chee-Chan <\/span><\/h6>\n \u00c0 l\u2019Ouest, rien de nouveau ? Les \u00e9ditions fran\u00e7aises de la collection \u00ab Marvel Graphic Novel \u00bb et la circulation contrast\u00e9e de l\u2019\u00e9tiquette graphic novel<\/em><\/a>, <\/em><\/span>Jean-Matthieu M\u00e9on <\/span><\/h6>\n Vegeta l\u2019Alg\u00e9rien : r\u00e9interpr\u00e9tations et appropriation du manga Dragon Ball<\/em> d\u2019Akira Toriyama par les communaut\u00e9s musulmanes en France et en Afrique du Nord<\/a>, <\/span>Samuel L\u00e9v\u00eaque <\/span><\/h6>\n Des centres et des marges. La trajectoire de Julie Doucet<\/a>, <\/span>Izabeau Legendre et Julien Lefort-Favreau <\/span><\/h6>\n Lorsque les mangas sont per\u00e7us comme des produits d\u00e9riv\u00e9s : les adaptations de s\u00e9ries anim\u00e9es (France, Italie et Espagne),<\/a> <\/span>Bounthavy Suvilay <\/span><\/h6>\n De Jessie \u00e0 Muriel, super-h\u00e9ro\u00efnes tch\u00e8ques face \u00e0 la normalisation. Sur l\u2019oeuvre transm\u00e9diatique du dessinateur tch\u00e8que K\u00e1ja Saudek,<\/a> <\/span>Garance Fromont <\/span><\/h6>\n Les \u00e9diteurs alternatifs et la traduction : une r\u00e9publique mondiale de la bande dessin\u00e9e alternative ?<\/a>, <\/span>K\u00e9vin Le Bruchec <\/span><\/h6>\n Bringing Up Mischievous Strips : The Katzenjammer Kids\u2019 <\/em>Domestication in Spanish and Italian Children\u2019s Comics Magazines<\/a>, <\/span>Eva Van de Wiele et Ivan Pintor Iranzo <\/span><\/h6>\n Vers Les Nombrils<\/em> universels : transformations et marqueurs d\u2019une s\u00e9rie qu\u00e9b\u00e9coise en Europe francophone<\/a>, <\/span>Ma\u00ebl Rannou et No\u00e9mie Sirat <\/span><\/h6>\n Dante global : adaptations, transpositions, transnationalisations d\u2019un imaginaire \u00ab pop \u00bb<\/a>, <\/span>Alessandro Benucci <\/span><\/h6>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nAnalyse de l’image<\/span><\/a><\/li>\nBande dessin\u00e9e<\/span><\/a><\/li>\nDiscours m\u00e9diatiques<\/span><\/a><\/li>\n\u00c9dition<\/span><\/a><\/li>\nImage<\/span><\/a><\/li>\nInternational<\/span><\/a><\/li>\nInternationalisation<\/span><\/a><\/li>\nLitt\u00e9rature<\/span><\/a><\/li>\nPresse<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 22 septembre 2023 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Information, documents et \u00e9critures M\u00e9dias et journalisme Type de publication Num\u00e9ro de revue Nom de […]<\/p>\n","protected":false},"author":1572,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,31],"tags":[113,377,528,314,165,408,119,192,378],"thematique":[35,40,34],"sfsic":[],"class_list":["post-29366","post","type-post","status-publish","format-standard","hentry","category-numero-revue","category-publication","tag-analyse-de-limage","tag-bande-dessinee","tag-discours-mediatiques","tag-edition","tag-image","tag-international","tag-internationalisation","tag-litterature","tag-presse","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-information-documents-et-ecritures","thematique-medias-et-journalisme","wp-sticky"],"acf":[],"yoast_head":"\nLa bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations<\/title>\n<meta name=\"description\" content=\"Le nouveau num\u00e9ro de la revue M\u00e9moires du livre\/Studies in book culture est paru. 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\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> M\u00e9moires du livre\/Studies in book culture<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\t\u00c9dition<\/span><\/span> Universit\u00e9 de Sherbrooke<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateur(s) \/ Auteur(s)<\/h3>\n\n\n\t\t\t\t\t\t\tMa\u00ebl<\/span> Rannou<\/span>, Universit\u00e9 de Versailles Saint-Quentin en Yvelines<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, maelrannou@lilo.org<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tRioux<\/span> Philippe<\/span>, Universit\u00e9 de Sherbrooke<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tLe num\u00e9ro en ligne sur \u00e9rudit !<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nLe num\u00e9ro 14\/1 de M\u00e9moires du livre\/Studies in book culture est paru. Il est consacr\u00e9 \u00e0 \u00bb La bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations \u00bb et codirig\u00e9 par Ma\u00ebl Rannou et Philippe Rioux. Ce num\u00e9ro \u00e9tudie le neuvi\u00e8me sous l’angle des circulations, g\u00e9ographiques comme de styles, avec des axes d’analyses vari\u00e9s, allant de la science de l’information et de la communication \u00e0 la litt\u00e9rature compar\u00e9e, en passant par l’histoire culturelle et les Fan studies.<\/div>\n<\/div>\nPr\u00e9sentation<\/h2>\nCe riche num\u00e9ro comporte douze articles avec un nombre de regards diff\u00e9rents (litt\u00e9rature compar\u00e9e, science de l’information et de la communication, histoire culturelle, etc.) pour \u00e9tudier la bande dessin\u00e9e mondiale dans sa vari\u00e9t\u00e9 et le jeu des croisements et \u00e9changes plus ou moins volontaires. Comme toujours avec cette revue, le num\u00e9ro est en ligne gratuitement sur \u00e9rudit : https:\/\/www.erudit.org\/fr\/revues\/memoires\/2023-v14-n1-memoires08590\/<\/a><\/div>\nSommaire<\/h2>\n La bande dessin\u00e9e vagabond<\/a>, <\/span>Ma\u00ebl Rannou et Philippe Rioux <\/span><\/h6>\nPep<\/em>, ou les cousins n\u00e9erlandai<\/a>, <\/span>Cl\u00e9ment Lemoine et Micha\u00ebl Baril <\/span><\/h6>\n Les mangas amateurs fran\u00e7ais dans les fanzines de 1995 \u00e0 1997,<\/a> <\/span>Delphine Ya-Chee-Chan <\/span><\/h6>\n \u00c0 l\u2019Ouest, rien de nouveau ? Les \u00e9ditions fran\u00e7aises de la collection \u00ab Marvel Graphic Novel \u00bb et la circulation contrast\u00e9e de l\u2019\u00e9tiquette graphic novel<\/em><\/a>, <\/em><\/span>Jean-Matthieu M\u00e9on <\/span><\/h6>\n Vegeta l\u2019Alg\u00e9rien : r\u00e9interpr\u00e9tations et appropriation du manga Dragon Ball<\/em> d\u2019Akira Toriyama par les communaut\u00e9s musulmanes en France et en Afrique du Nord<\/a>, <\/span>Samuel L\u00e9v\u00eaque <\/span><\/h6>\n Des centres et des marges. La trajectoire de Julie Doucet<\/a>, <\/span>Izabeau Legendre et Julien Lefort-Favreau <\/span><\/h6>\n Lorsque les mangas sont per\u00e7us comme des produits d\u00e9riv\u00e9s : les adaptations de s\u00e9ries anim\u00e9es (France, Italie et Espagne),<\/a> <\/span>Bounthavy Suvilay <\/span><\/h6>\n De Jessie \u00e0 Muriel, super-h\u00e9ro\u00efnes tch\u00e8ques face \u00e0 la normalisation. Sur l\u2019oeuvre transm\u00e9diatique du dessinateur tch\u00e8que K\u00e1ja Saudek,<\/a> <\/span>Garance Fromont <\/span><\/h6>\n Les \u00e9diteurs alternatifs et la traduction : une r\u00e9publique mondiale de la bande dessin\u00e9e alternative ?<\/a>, <\/span>K\u00e9vin Le Bruchec <\/span><\/h6>\n Bringing Up Mischievous Strips : The Katzenjammer Kids\u2019 <\/em>Domestication in Spanish and Italian Children\u2019s Comics Magazines<\/a>, <\/span>Eva Van de Wiele et Ivan Pintor Iranzo <\/span><\/h6>\n Vers Les Nombrils<\/em> universels : transformations et marqueurs d\u2019une s\u00e9rie qu\u00e9b\u00e9coise en Europe francophone<\/a>, <\/span>Ma\u00ebl Rannou et No\u00e9mie Sirat <\/span><\/h6>\n Dante global : adaptations, transpositions, transnationalisations d\u2019un imaginaire \u00ab pop \u00bb<\/a>, <\/span>Alessandro Benucci <\/span><\/h6>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nAnalyse de l’image<\/span><\/a><\/li>\nBande dessin\u00e9e<\/span><\/a><\/li>\nDiscours m\u00e9diatiques<\/span><\/a><\/li>\n\u00c9dition<\/span><\/a><\/li>\nImage<\/span><\/a><\/li>\nInternational<\/span><\/a><\/li>\nInternationalisation<\/span><\/a><\/li>\nLitt\u00e9rature<\/span><\/a><\/li>\nPresse<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 22 septembre 2023 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Information, documents et \u00e9critures M\u00e9dias et journalisme Type de publication Num\u00e9ro de revue Nom de […]<\/p>\n","protected":false},"author":1572,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,31],"tags":[113,377,528,314,165,408,119,192,378],"thematique":[35,40,34],"sfsic":[],"class_list":["post-29366","post","type-post","status-publish","format-standard","hentry","category-numero-revue","category-publication","tag-analyse-de-limage","tag-bande-dessinee","tag-discours-mediatiques","tag-edition","tag-image","tag-international","tag-internationalisation","tag-litterature","tag-presse","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-information-documents-et-ecritures","thematique-medias-et-journalisme","wp-sticky"],"acf":[],"yoast_head":"\nLa bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations<\/title>\n<meta name=\"description\" content=\"Le nouveau num\u00e9ro de la revue M\u00e9moires du livre\/Studies in book culture est paru. 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\n\t\t\t\t\t\t\t\u00c9dition<\/span><\/span> Universit\u00e9 de Sherbrooke<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nCoordinateur(s) \/ Auteur(s)<\/h3>\n\n\n\t\t\t\t\t\t\tMa\u00ebl<\/span> Rannou<\/span>, Universit\u00e9 de Versailles Saint-Quentin en Yvelines<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, maelrannou@lilo.org<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n\n\t\t\t\t\t\t\tRioux<\/span> Philippe<\/span>, Universit\u00e9 de Sherbrooke<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tLe num\u00e9ro en ligne sur \u00e9rudit !<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nLe num\u00e9ro 14\/1 de M\u00e9moires du livre\/Studies in book culture est paru. Il est consacr\u00e9 \u00e0 \u00bb La bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations \u00bb et codirig\u00e9 par Ma\u00ebl Rannou et Philippe Rioux. Ce num\u00e9ro \u00e9tudie le neuvi\u00e8me sous l’angle des circulations, g\u00e9ographiques comme de styles, avec des axes d’analyses vari\u00e9s, allant de la science de l’information et de la communication \u00e0 la litt\u00e9rature compar\u00e9e, en passant par l’histoire culturelle et les Fan studies.<\/div>\n<\/div>\nPr\u00e9sentation<\/h2>\nCe riche num\u00e9ro comporte douze articles avec un nombre de regards diff\u00e9rents (litt\u00e9rature compar\u00e9e, science de l’information et de la communication, histoire culturelle, etc.) pour \u00e9tudier la bande dessin\u00e9e mondiale dans sa vari\u00e9t\u00e9 et le jeu des croisements et \u00e9changes plus ou moins volontaires. Comme toujours avec cette revue, le num\u00e9ro est en ligne gratuitement sur \u00e9rudit : https:\/\/www.erudit.org\/fr\/revues\/memoires\/2023-v14-n1-memoires08590\/<\/a><\/div>\nSommaire<\/h2>\n La bande dessin\u00e9e vagabond<\/a>, <\/span>Ma\u00ebl Rannou et Philippe Rioux <\/span><\/h6>\nPep<\/em>, ou les cousins n\u00e9erlandai<\/a>, <\/span>Cl\u00e9ment Lemoine et Micha\u00ebl Baril <\/span><\/h6>\n Les mangas amateurs fran\u00e7ais dans les fanzines de 1995 \u00e0 1997,<\/a> <\/span>Delphine Ya-Chee-Chan <\/span><\/h6>\n \u00c0 l\u2019Ouest, rien de nouveau ? Les \u00e9ditions fran\u00e7aises de la collection \u00ab Marvel Graphic Novel \u00bb et la circulation contrast\u00e9e de l\u2019\u00e9tiquette graphic novel<\/em><\/a>, <\/em><\/span>Jean-Matthieu M\u00e9on <\/span><\/h6>\n Vegeta l\u2019Alg\u00e9rien : r\u00e9interpr\u00e9tations et appropriation du manga Dragon Ball<\/em> d\u2019Akira Toriyama par les communaut\u00e9s musulmanes en France et en Afrique du Nord<\/a>, <\/span>Samuel L\u00e9v\u00eaque <\/span><\/h6>\n Des centres et des marges. La trajectoire de Julie Doucet<\/a>, <\/span>Izabeau Legendre et Julien Lefort-Favreau <\/span><\/h6>\n Lorsque les mangas sont per\u00e7us comme des produits d\u00e9riv\u00e9s : les adaptations de s\u00e9ries anim\u00e9es (France, Italie et Espagne),<\/a> <\/span>Bounthavy Suvilay <\/span><\/h6>\n De Jessie \u00e0 Muriel, super-h\u00e9ro\u00efnes tch\u00e8ques face \u00e0 la normalisation. Sur l\u2019oeuvre transm\u00e9diatique du dessinateur tch\u00e8que K\u00e1ja Saudek,<\/a> <\/span>Garance Fromont <\/span><\/h6>\n Les \u00e9diteurs alternatifs et la traduction : une r\u00e9publique mondiale de la bande dessin\u00e9e alternative ?<\/a>, <\/span>K\u00e9vin Le Bruchec <\/span><\/h6>\n Bringing Up Mischievous Strips : The Katzenjammer Kids\u2019 <\/em>Domestication in Spanish and Italian Children\u2019s Comics Magazines<\/a>, <\/span>Eva Van de Wiele et Ivan Pintor Iranzo <\/span><\/h6>\n Vers Les Nombrils<\/em> universels : transformations et marqueurs d\u2019une s\u00e9rie qu\u00e9b\u00e9coise en Europe francophone<\/a>, <\/span>Ma\u00ebl Rannou et No\u00e9mie Sirat <\/span><\/h6>\n Dante global : adaptations, transpositions, transnationalisations d\u2019un imaginaire \u00ab pop \u00bb<\/a>, <\/span>Alessandro Benucci <\/span><\/h6>\n<\/p><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nAnalyse de l’image<\/span><\/a><\/li>\nBande dessin\u00e9e<\/span><\/a><\/li>\nDiscours m\u00e9diatiques<\/span><\/a><\/li>\n\u00c9dition<\/span><\/a><\/li>\nImage<\/span><\/a><\/li>\nInternational<\/span><\/a><\/li>\nInternationalisation<\/span><\/a><\/li>\nLitt\u00e9rature<\/span><\/a><\/li>\nPresse<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 22 septembre 2023 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Information, documents et \u00e9critures M\u00e9dias et journalisme Type de publication Num\u00e9ro de revue Nom de […]<\/p>\n","protected":false},"author":1572,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,31],"tags":[113,377,528,314,165,408,119,192,378],"thematique":[35,40,34],"sfsic":[],"class_list":["post-29366","post","type-post","status-publish","format-standard","hentry","category-numero-revue","category-publication","tag-analyse-de-limage","tag-bande-dessinee","tag-discours-mediatiques","tag-edition","tag-image","tag-international","tag-internationalisation","tag-litterature","tag-presse","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-information-documents-et-ecritures","thematique-medias-et-journalisme","wp-sticky"],"acf":[],"yoast_head":"\nLa bande dessin\u00e9e vagabonde : \u00e9changes, transferts, circulations<\/title>\n<meta name=\"description\" content=\"Le nouveau num\u00e9ro de la revue M\u00e9moires du livre\/Studies in book culture est paru. 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