{"id":28034,"date":"2023-03-17T17:13:53","date_gmt":"2023-03-17T16:13:53","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=28034"},"modified":"2023-03-17T09:19:21","modified_gmt":"2023-03-17T08:19:21","slug":"geopolitique-du-cinema","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/publication\/geopolitique-du-cinema\/","title":{"rendered":"G\u00e9opolitique du cin\u00e9ma"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2023-03-17T17:13:53+01:00\">17 mars 2023<\/time>\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/images-cinema-audiovisual-media-and-cultural-industries\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de publication<\/span><span class=\"doubledot\"><\/span> <strong>Ouvrage<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-edition\">\n\t\t\t\t\t\t\t<span>\u00c9dition<\/span><span class=\"doubledot\"><\/span> <strong>Le Cavalier Bleu<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateur(s) \/ Auteur(s)<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Chlo\u00e9<\/span> <span>Delaporte<\/span>, <span>Universit\u00e9 Paul-Val\u00e9ry Montpellier 3 (RIRRA)<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, <a class=\"zn-singledetail-coordinators-mail prettylink\" href=\"mailto:chloe.delaporte@gmail.com\">chloe.delaporte@gmail.com<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"http:\/\/www.lecavalierbleu.com\/livre\/geopolitique-du-cinema\/\" title=\"Pr\u00e9sentation de l'ouvrage sur le site de l'\u00e9diteur\" target=\"_blank\" rel=\"noopener\">Editions Le Cavalier Bleu<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<p>L&rsquo;ouvrage \u00ab&#160;G\u00e9opolitique du cin\u00e9ma &#8211; De la mondialisation \u00e0 la plateformisation&#160;\u00bb, par Chlo\u00e9 Delaporte, est paru aux \u00e9ditions du Cavalier Bleu. Il propose une analyse g\u00e9opolitique du cin\u00e9ma au XXI\u00e8me si\u00e8cle, en insistant sur les enjeux li\u00e9s \u00e0 l&rsquo;\u00e9mergence des plateformes de vid\u00e9o \u00e0 la demande dans le march\u00e9 mondialis\u00e9 du film.<\/p>\n<p style=\"text-align: center;\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-28045 aligncenter\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023-193x300.png\" alt=\"\" width=\"193\" height=\"300\" srcset=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023-193x300.png 193w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023-206x320.png 206w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023-200x310.png 200w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023.png 382w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/p>\n<h2>Pr\u00e9sentation<\/h2>\n<p>Le boycott r\u00e9cent de certains films et acteurs russes lors des derniers festivals rappelle combien le cin\u00e9ma se trouve au c\u0153ur d\u2019enjeux g\u00e9opolitiques, \u00e0 la fois parce qu\u2019il est utilis\u00e9 comme arme de\u00a0<em>soft power<\/em>, voire de propagande, et peut \u00eatre censur\u00e9, mais aussi parce qu\u2019il repr\u00e9sente une activit\u00e9 tr\u00e8s lucrative pour certains \u00c9tats.<br \/>\n\u00c0 la crois\u00e9e de nombreuses disciplines \u2013 \u00e9conomie, sociologie, sciences politiques, histoire, etc. \u2013, et d\u2019\u00e9chelles g\u00e9ographiques multiples, du local \u00e0 l\u2019international, la g\u00e9opolitique du cin\u00e9ma convoque \u00e9galement une grande vari\u00e9t\u00e9 d\u2019acteurs tant publics que priv\u00e9s.<br \/>\nEt, au-del\u00e0 des enjeux \u00ab&#160;historiques&#160;\u00bb de puissance \u00e9conomique et culturelle, de nouveaux d\u00e9fis se font jour&#160;: diversit\u00e9 et inclusion, mais aussi lutte contre le changement climatique que cette industrie au lourd bilan carbone peine \u00e0 engager. La r\u00e9ponse propos\u00e9e par Netflix en est l\u2019ironique illustration&#160;:\u00a0<em>Don\u2019t look up<\/em>&#160;!<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a class=\"button outline with-arrow\" href=\"http:\/\/www.lecavalierbleu.com\/livre\/geopolitique-du-cinema\/\" target=\"_blank\" rel=\"noopener\">En savoir plus sur le site de l&rsquo;\u00e9diteur<\/a><\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-attachedfiles\">\n<h3 class=\"zn-singledetail-section-title\">Fichier(s) attach\u00e9(s)<\/h3>\n<ul class=\"zn-singledetail-attachedfiles-list\">\n<li class=\"zn-singledetail-attachedfiles-item\">\n\t\t\t\t\t\t\t<a class=\"zn-singledetail-attachedfiles-link button outline for-download\" href=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/cp_geopolitique-du-cinema_delaporte.pdf\" title=\"T\u00e9l\u00e9charger : \u00ab cp_geopolitique-du-cinema_delaporte.pdf \u00bb\" target=\"_blank\" rel=\"noopener\"><br \/>\n\t\t\t\t\t\t\t\t<span class=\"button-txt\">Communiqu\u00e9 de presse G\u00e9opolitique du cin\u00e9ma Chlo\u00e9 Delaporte 2023<span class=\"button-txt-type\"> (pdf)<\/span><\/span><br \/>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-cinema\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/cinema-en\/\" title=\"Cin\u00e9ma\"><span class=\"termslist-itemname\">Cin\u00e9ma<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-internationalisation\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/internationalization\/\" title=\"Internationalisation\"><span class=\"termslist-itemname\">Internationalisation<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-plateformes\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/plateformes-en\/\" title=\"Plateformes\"><span class=\"termslist-itemname\">Plateformes<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-politiques-publiques\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/politiques-publiques\/\" title=\"Politiques publiques\"><span class=\"termslist-itemname\">Politiques publiques<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 17 mars 2023 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Type de publication Ouvrage \u00c9dition Le Cavalier Bleu Coordinateur(s) \/ Auteur(s) Chlo\u00e9 Delaporte, Universit\u00e9 Paul-Val\u00e9ry [&hellip;]<\/p>\n","protected":false},"author":772,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[71,31],"tags":[375,119,695,443],"thematique":[35],"sfsic":[],"class_list":["post-28034","post","type-post","status-publish","format-standard","hentry","category-ouvrage","category-publication","tag-cinema","tag-internationalisation","tag-plateformes","tag-politiques-publiques","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>G\u00e9opolitique du cin\u00e9ma<\/title>\n<meta name=\"description\" content=\"L&#039;ouvrage &quot;G\u00e9opolitique du cin\u00e9ma - De la mondialisation \u00e0 la plateformisation&quot;, par Chlo\u00e9 Delaporte, est paru aux \u00e9ditions du Cavalier Bleu. Il propose une analyse g\u00e9opolitique du cin\u00e9ma au XXI\u00e8me si\u00e8cle, en insistant sur les enjeux li\u00e9s \u00e0 l&#039;\u00e9mergence des plateformes de vid\u00e9o \u00e0 la demande dans le march\u00e9 mondialis\u00e9 du film.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/publication\/geopolitique-du-cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"G\u00e9opolitique du cin\u00e9ma\" \/>\n<meta property=\"og:description\" content=\"L&#039;ouvrage &quot;G\u00e9opolitique du cin\u00e9ma - De la mondialisation \u00e0 la plateformisation&quot;, par Chlo\u00e9 Delaporte, est paru aux \u00e9ditions du Cavalier Bleu. Il propose une analyse g\u00e9opolitique du cin\u00e9ma au XXI\u00e8me si\u00e8cle, en insistant sur les enjeux li\u00e9s \u00e0 l&#039;\u00e9mergence des plateformes de vid\u00e9o \u00e0 la demande dans le march\u00e9 mondialis\u00e9 du film.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/publication\/geopolitique-du-cinema\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2023-03-17T16:13:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/03\/couverture-geopolitique-du-cinema-2023-193x300.png\" \/>\n<meta name=\"author\" content=\"Chlo\u00e9 Delaporte\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/\"},\"author\":{\"name\":\"Chlo\u00e9 Delaporte\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d2e238a26c1e54d3cb07a8dfa9dba745\"},\"headline\":\"G\u00e9opolitique du cin\u00e9ma\",\"datePublished\":\"2023-03-17T16:13:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/\"},\"wordCount\":307,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2023\\\/03\\\/couverture-geopolitique-du-cinema-2023-193x300.png\",\"keywords\":[\"Cin\u00e9ma\",\"Internationalisation\",\"Plateformes\",\"Politiques publiques\"],\"articleSection\":[\"Ouvrage\",\"Publications\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/\",\"name\":\"G\u00e9opolitique du cin\u00e9ma\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/publication\\\/geopolitique-du-cinema\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2023\\\/03\\\/couverture-geopolitique-du-cinema-2023-193x300.png\",\"datePublished\":\"2023-03-17T16:13:53+00:00\",\"description\":\"L'ouvrage \\\"G\u00e9opolitique du cin\u00e9ma - De la mondialisation \u00e0 la plateformisation\\\", par Chlo\u00e9 Delaporte, est paru aux \u00e9ditions du Cavalier Bleu. 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