- \n
- Th\u00e9matiques<\/span><\/span><\/li>\n
- M\u00e9dias et journalisme<\/span><\/a><\/li>\n
- M\u00e9diations m\u00e9morielles, culturelles et patrimoniales<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n\n\n\n\n\t\t\t\t\t\t\tType de publication<\/span><\/span> Num\u00e9ro de revue<\/strong>\n\t\t\t\t\t<\/p>\n
\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00c9tudes de communication<\/strong>\n\t\t\t\t\t<\/p>\n
\n\t\t\t\t\t\t\t\u00c9dition<\/span><\/span> OpenEditions Journal<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n
\nCoordinateur(s) \/ Auteur(s)<\/h3>\n
- \n
- \n\t\t\t\t\t\t\tH\u00e9l\u00e8ne <\/span> Breda<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n
- \n\t\t\t\t\t\t\tM\u00e9lanie <\/span> Bourdaa<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n
\nSites internet de r\u00e9f\u00e9rence<\/h3>\n
- \n
- \n\t\t\t\t\t\t\tEn ligne sur OpenEdition Journal<\/a>\n\t\t\t\t\t\t<\/li>\n
- \n\t\t\t\t\t\t\tEn ligne sur Cairn.info<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n
\n\n\n\n![\"\"](\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2023\/01\/edc_59_couv_pantonenumerique-201x300.jpg\")
<\/p>\nLe num\u00e9ro 59 d\u2019\u00c9tudes de communication<\/em> explore la question des repr\u00e9sentations m\u00e9diatiques et leurs r\u00e9ceptions. Il propose de d\u00e9velopper des pistes de r\u00e9flexion et d\u2019analyse autour de l\u2019articulation dialectique entre des repr\u00e9sentations m\u00e9diatiques et leurs r\u00e9ceptions actives par les publics qui les \u00ab consomment \u00bb, les interpr\u00e8tent et se les approprient.<\/p>\n
La dimension dialogique des relations entre des industries culturelles h\u00e9g\u00e9moniques et leurs r\u00e9cepteur\u00b7ice\u00b7s est bien \u00e9loign\u00e9e du paradigme des m\u00e9dias de masse ali\u00e9nants. Les \u00e9tudes culturelles men\u00e9es ces derni\u00e8res d\u00e9cennies ont insist\u00e9, \u00e0 l\u2019inverse, sur la richesse des lectures r\u00e9sistantes ou oppositionnelles de contenus m\u00e9diatiques, des pratiques braconni\u00e8res, par des amateur\u00b7ice\u00b7s, sur l\u2019\u00e9mergence de \u00ab fans prescripteur.rice.s \u00bb et de \u00ab critiques […] profanes \u00bb.<\/p>\n
Le num\u00e9ro s\u2019attachera \u00e0 analyser les probl\u00e9matiques sous l\u2019angle des extensions narratives et du Transmedia Storytelling, des approches culturelles et identitaires et de la culture de la participation et de l\u2019engagement politique.<\/p>\n<\/div>\n
\nDossier<\/span><\/h2>\n
- \n
- \nH\u00e9l\u00e8ne Breda<\/span> et M\u00e9lanie Bourdaa<\/span><\/strong><\/div>\nIntroduction<\/a> [Texte int\u00e9gral] <\/span><\/div>\n<\/li>\n<\/ul>\n
World-Making<\/em> et extensions narratives<\/span><\/h3>\n
- \n
- \nCamille Nicol<\/span> et M\u00e9lanie Millette<\/span><\/strong><\/div>\nFanfictions audiovisuelles d\u2019Harry Potter<\/em> : co-cr\u00e9ation et espaces blancs<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nHarry Potter <\/em>audiovisual fan fiction : co-creation and blank spaces<\/span><\/div>\n<\/li>\n
- \n
Julie Escurignan<\/span><\/strong><\/div>\nRecreating, remodeling and expanding the Game\u00a0of\u00a0Thrones<\/em> universe through cosplay<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nRecr\u00e9er, remodeler et \u00e9tendre l\u2019univers de Game\u00a0of\u00a0Thrones : le cas des cosplayers de la s\u00e9rie<\/span><\/div>\n<\/li>\n- \n
Alexis Trepier<\/span><\/strong><\/div>\nLes publics face aux pratiques de queerbaiting<\/em> : le cas de la s\u00e9rie Gotham <\/em>(Warner,\u00a02014-2019)<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nAudiences\u2019 reactions to queerbating : a case study of the television series Gotham (Warner,\u00a02014-2019)<\/span><\/div>\n<\/li>\n<\/ul>\nApproches culturelles et identitaires<\/span><\/h3>\n
- \n
- \nDimitra\u00a0Laurence Larochelle<\/span><\/strong><\/div>\nIdentit\u00e9 culturelle, culture populaire et r\u00e9sistance : la r\u00e9ception des feuilletons turcs par les publics grecs<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nCultural identity, popular culture and resistance : the reception of Turkish soap operas by Greek audiences<\/span><\/div>\n<\/li>\n
- \n
M\u00e9lanie Lallet<\/span>, \u00c9milie Marolleau<\/span> et Kaja Skowro\u0144ska<\/span><\/strong><\/div>\nL\u2019appropriation des th\u00e8mes du f\u00e9minisme intersectionnel par la production et par les fans de la s\u00e9rie anim\u00e9e Miraculous : Les Aventures de Ladybug et Chat Noir<\/em><\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nAppropriation of intersectional feminist themes by production teams and fans : The case of the animated series Miraculous : Tales of Ladybug & Cat Noir<\/span><\/div>\n<\/li>\n- \n
Sandra Hamiche<\/span><\/strong><\/div>\nR\u00e9ception des repr\u00e9sentations de genre des dystopies jeunes adultes Hunger\u00a0Games<\/em>, Divergente<\/em> et Le\u00a0Labyrinthe<\/em><\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nReception of gender representations in young adult dystopias : The Hunger\u00a0Games, Divergent and The Maze Runner<\/span><\/div>\n<\/li>\n<\/ul>\nCulture de la participation, engagements communautaires et politiques<\/span><\/h3>\n
- \n
- \nMarta Lopera-M\u00e1rmol<\/span> et Marine Malet<\/span><\/strong><\/div>\nTrouble du spectre de l\u2019autisme et empowerment<\/em> : les r\u00e9ceptions de la s\u00e9rie Atypical<\/em> par les fans (Netflix, 2017-2021)<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nAutism Spectrum Disorder and empowerment : fans\u2019 reception of the series Atypical (Netflix, 2017-2021)<\/span><\/div>\n<\/li>\n
- \n
Maude Bonenfant<\/span>, Patrick Deslauriers<\/span> et J\u00e9r\u00e9mie Pelletier-Gagnon<\/span><\/strong><\/div>\nControverse Blitzchung : \u00e9tude de l\u2019activisme fan au sein d\u2019une communaut\u00e9 de joueurs de jeux vid\u00e9o<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nThe Blitzchung controversy : A study of fan activism within a community of video game players<\/span><\/div>\n<\/li>\n<\/ul>\nVaria<\/span><\/h2>\n
- \n
- \nC\u00e9line S\u00e9gur<\/span><\/strong><\/div>\nUn tournant participatif dans le monde de la t\u00e9l\u00e9vision ?<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nA participatory turn in the world of television ?<\/span><\/div>\n<\/li>\n
- \n
Julien Gaillard<\/span> et Delphine Saurier<\/span><\/strong><\/div>\nEn qu\u00eate d\u2019h\u00e9t\u00e9rotopie. La zad de Notre-Dame-des-Landes et la prison<\/a> [R\u00e9sum\u00e9\u00a0| Acc\u00e8s restreint] <\/span><\/div>\nIn search of heterotopia. The Notre-Dame-des-Landes \u201czad\u201d and prisons<\/span><\/div>\n<\/li>\n<\/ul>\nNotes de lecture<\/span><\/h2>\n
- \n
- \nAnne-Coralie Bonnaire<\/span><\/strong><\/div>\nBruneel, E. (2022). Genre et m\u00e9dias. Quelles repr\u00e9sentations ?<\/em><\/a> [Texte int\u00e9gral] <\/span><\/div>\n<\/li>\n
- \n
Bernadette N’kpedji<\/span><\/strong><\/div>\nDelamotte, E. (dir.) (2020). Recherches francophones sur les \u00e9ducations aux m\u00e9dias, \u00e0 l\u2019information et au num\u00e9rique<\/em><\/a> [Texte int\u00e9gral] <\/span><\/div>\n<\/li>\n- \n
Joachim Sch\u00f6pfel<\/span><\/strong><\/div>\nGalvez-Behar, G. (2022). Histoire de la propri\u00e9t\u00e9 intellectuelle<\/em><\/a> [Texte int\u00e9gral] <\/span><\/div>\n<\/li>\n<\/ul>\n<\/div>\n\nNotes de la r\u00e9daction<\/h2>\n
\nComit\u00e9 de lecture du num\u00e9ro 59 (Dossier)
\n<\/strong>Anne Besson (Textes et Cultures \u2013 Universit\u00e9 d\u2019Artois \u2013 France)
\nMarta Boni (Universit\u00e9 de Montr\u00e9al \u2013 Qu\u00e9bec, Canada)
\nPaul Booth (DePaul University \u2013 USA)
\nClaire Cornillon (RIRRA 21 \u2013 Universit\u00e9 de N\u00eemes)
\nLaurence Corroy (CREM \u2013 Universit\u00e9 de Lorraine \u2013 France)
\nMarion Coville (Universit\u00e9 de Poitiers \u2013 France)
\nMarion Dalibert (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nTh\u00e9odore Dehgan (Universit\u00e9 Paris Nanterre \u2013 France)
\nS\u00e9bastien Fran\u00e7ois (CHUS \u2013 Universit\u00e9 Catholique de l\u2019Ouest \u2013 France)
\nGino Gramaccia (Universit\u00e9 de Bordeaux \u2013 France)
\nElodie Hommel (Universit\u00e9 Paul-Val\u00e9ry Montpellier \u2013 France)
\nHenry Jenkins (University of Southern California \u2013 USA)
\nSarah L\u00e9cossais (Universit\u00e9 Sorbonne Paris Nord \u2013 France)
\nMaylis Konnecke (Universit\u00e9 Bordeaux Montaigne \u2013 France)
\nOlivier Mauco (game director \u2013 Game in Society)
\nTahar Ouchiha (Universit\u00e9 Sorbonne Paris Nord \u2013 France)
\nDavid Peyron (IMSIC \u2013 Aix-Marseille Universit\u00e9 \u2013 France)
\nSarah S\u00e9pulchre (Gircam \u2013 Universit\u00e9 catholique de Louvain \u2013 Belgique)
\nLudovica Tua (Universit\u00e9 Toulouse – Jean Jaur\u00e8s \u2013 France)Carsten Willem (Universit\u00e9 de Mulhouse \u2013 France)<\/p>\nComit\u00e9 de lecture du num\u00e9ro 59 (Varia)
\n<\/strong>Thomas Bihay (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nMarie-France Chambat-Houillon (CIM \u2013 Universit\u00e9 Sorbonne Nouvelle \u2013 France)
\nAnne Cordier (CREM \u2013 Universit\u00e9 de Lorraine \u2013 France)
\nLucile Desmoulins (DICEN-IdF \u2013 Universit\u00e9 Gustave Eiffel \u2013 France)
\n\u00c9milie Da Lage (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nKeivan Djavadzadeh (C\u00c9MTI \u2013 Universit\u00e9 Paris 8 Vincennes – Saint-Denis \u2013 France)
\nSimon Gadras (ELICO \u2013 Universit\u00e9 Lumi\u00e8re Lyon 2 \u2013 France)
\nErica Guevara (C\u00c9MTI, Universit\u00e9 Paris 8 Vincennes – Saint-Denis \u2013 France)
\nAmandine Kervella (GERiiCO \u2013 ENPJJ \u2013 France)
\nMichel Lavigne (LARA-SEPPIA \u2013 Universit\u00e9 Toulouse – Jean Jaur\u00e8s \u2013 France)
\nC\u00e9line Matuszak (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nB\u00e9atrice Micheau (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nAur\u00e9lie Olivesi (ELICO \u2013 Universit\u00e9 Claude Bernard Lyon 1 \u2013 France)
\nColin Robineau (CARISM \u2013 Universit\u00e9 Paris-Panth\u00e9on-Assas \u2013 France)
\nEmmanuelle Savignac (CERLIS \u2013 Universit\u00e9 Sorbonne Nouvelle \u2013 France)
\nPaola Sedda (GERiiCO \u2013 Universit\u00e9 de Lille \u2013 France)
\nC\u00e9cile Tardy (GERiiCO \u2013 ENPJJ \u2013 France)<\/p>\n<\/div>\n<\/div><\/div>\n\nMots-cl\u00e9s<\/h3>\n
- \n
- Mots-cl\u00e9s<\/span><\/span><\/li>\n
- Culture<\/span><\/a><\/li>\n
- Engagement<\/span><\/a><\/li>\n
- m\u00e9dia<\/span><\/a><\/li>\n
- Publics<\/span><\/a><\/li>\n
- Repr\u00e9sentations<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Mis en ligne le 7 janvier 2023 Th\u00e9matiques M\u00e9dias et journalisme M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Type de publication Num\u00e9ro de revue Nom de la publication Revue \u00c9tudes de communication […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,31],"tags":[382,182,46,383,455],"thematique":[34,38],"sfsic":[],"class_list":["post-27346","post","type-post","status-publish","format-standard","hentry","category-numero-revue","category-publication","tag-culture","tag-engagement","tag-media","tag-publics","tag-representations","thematique-medias-et-journalisme","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\n
R\u00e9ceptions des repr\u00e9sentations m\u00e9diatiques<\/title>\n<meta name=\"description\" content=\"Parution du volume 59 de la revue \u00c9tudes de communication, dont le dossier th\u00e9matique, coordonn\u00e9 par H\u00e9l\u00e8ne Breda et M\u00e9lanie Bourdaa, est intitul\u00e9 \u00ab R\u00e9ceptions des repr\u00e9sentations m\u00e9diatiques \u00bb.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/publication\/receptions-des-representations-mediatiques-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"R\u00e9ceptions des repr\u00e9sentations m\u00e9diatiques\" \/>\n<meta property=\"og:description\" content=\"Parution du volume 59 de la revue \u00c9tudes de communication, dont le dossier th\u00e9matique, coordonn\u00e9 par H\u00e9l\u00e8ne Breda 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