{"id":27213,"date":"2022-12-30T14:04:59","date_gmt":"2022-12-30T13:04:59","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=27213"},"modified":"2022-12-30T21:02:29","modified_gmt":"2022-12-30T20:02:29","slug":"corpus-audiovisuels-quelles-approches-quels-usages-editions-les-archives-contemporaines","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/publication\/corpus-audiovisuels-quelles-approches-quels-usages-editions-les-archives-contemporaines\/","title":{"rendered":"Corpus audiovisuels &#8211; Quelles approches ? Quels usages ?"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> 30 d\u00e9cembre 2022\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-mediations-memorielles-culturelles-et-patrimoniales\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/mediations-memorielles-culturelles-et-patrimoniales\/\" title=\"M\u00e9diations m\u00e9morielles, culturelles et patrimoniales\"><span class=\"termslist-itemname\">M\u00e9diations m\u00e9morielles, culturelles et patrimoniales<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-organisation-des-connaissances\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/organisation-des-connaissances\/\" title=\"Organisation des connaissances\"><span class=\"termslist-itemname\">Organisation des connaissances<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de publication<\/span><span class=\"doubledot\"><\/span> <strong>Ouvrage collectif<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-edition\">\n\t\t\t\t\t\t\t<span>\u00c9dition<\/span><span class=\"doubledot\"><\/span> <strong>\u00c9ditions les Archives contemporaines<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateur(s) \/ Auteur(s)<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span> Louise <\/span> <span>Ouvrard <\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Odile <\/span> <span>Farge<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/eac.ac\/books\/9782813003799\" title=\"Ouvrage disponible en open access sur le site des \u00e9ditions les Archives contemporaines\" target=\"_blank\" rel=\"noopener\">Ouvrage disponible en open access sur le site des \u00e9ditions les Archives contemporaines<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-27216 aligncenter\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-213x300.png\" alt=\"\" width=\"213\" height=\"300\" srcset=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-213x300.png 213w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-726x1024.png 726w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-768x1083.png 768w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-227x320.png 227w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-780x1100.png 780w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022-200x282.png 200w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2022\/12\/ouvrage_corpus-audiovisuels_2022.png 802w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/>Cet ouvrage r\u00e9unit dix contributions pr\u00e9sent\u00e9es lors du colloque international <em>Le corpus audiovisuel \u2013 Quelles approches&#160;? Quels usages<\/em> qui s\u2019est tenu en juin 2019 \u00e0 l&rsquo;INaLCO \u00e0 Paris et a \u00e9t\u00e9 organis\u00e9 par Odile Farge, Louise Ouvrard et Peter Stockinger de l\u2019\u00e9quipe Plidam (EA 4514 &#8211; Pluralit\u00e9 des langues et des identit\u00e9s&#160;: didactique, acquisition et m\u00e9diations). Depuis plusieurs ann\u00e9es d\u00e9j\u00e0, l\u2019\u00e9quipe Plidam est activement engag\u00e9e dans une s\u00e9rie de recherches portant sur la constitution et l\u2019exploitation de corpus audiovisuels, visuels, sonores documentant d\u2019une part la recherche en didactique des langues et des cultures et d\u2019autre part les enqu\u00eates men\u00e9es en communication interculturelle sur les pratiques et activit\u00e9s quotidiennes.<br \/>\nD\u00e9di\u00e9es aux corpus audiovisuels, plus particuli\u00e8rement \u00e0 leurs utilisations et \u00e0 leurs exploitations dans le cadre de projets de recherche concrets, les contributions r\u00e9unies dans cet ouvrage se positionnent dans ce (relatif) nouveau domaine foisonnant d\u2019id\u00e9es, de propositions th\u00e9oriques, m\u00e9thodologiques et techniques que sont les humanit\u00e9s num\u00e9riques.<\/p>\n<h3>Pr\u00e9face<\/h3>\n<p>Peter STOCKINGER<\/p>\n<h3>PARTIE 1&#160;: Les corpus audiovisuels comme r\u00e9v\u00e9lateurs d\u2019usages&#160;: Environnements m\u00e9diatiques<\/h3>\n<ul>\n<li>De la s\u00e9lection \u00e0 l\u2019annotation<br \/>\nMartin BALOGE(1), Abdelkrim BELOUED(2), Nicolas HUB\u00c9(3), Steffen LALANDE(4)<\/li>\n<li>Le fonctionnement de la musique dans les clips de campagne \u00e9lectoraux<br \/>\nThibault JEANDEMANGE<\/li>\n<li>Analyser la musique dans les programmes de flux de la t\u00e9l\u00e9vision fran\u00e7aise (1949-2016)<br \/>\nGuylaine GUERAUD-PINET<\/li>\n<\/ul>\n<h3>PARTIE 2&#160;: Les corpus audiovisuels comme r\u00e9v\u00e9lateurs d\u2019usages&#160;: Approches didactiques<\/h3>\n<ul>\n<li>De la Capsule conversationnelle \u00e0 la classe<br \/>\nOlivier BAUDE(1), Catherine BRUMELOT(2)<\/li>\n<li>L\u2019usage du document authentique vid\u00e9o dans la classe invers\u00e9e<br \/>\nGe ZHANG<\/li>\n<\/ul>\n<h3>PARTIE 3&#160;: Les enjeux patrimoniaux de la constitution de corpus audiovisuels&#160;: M\u00e9diation et archivage<\/h3>\n<ul>\n<li>La plateforme Okapi pour l\u2019analyse et la publication de corpus de donn\u00e9es audiovisuelles<br \/>\nSteffen LALANDE(1), Abdelkrim BELOUED(2), Odile FARGE(3)<\/li>\n<li>Pr\u00e9server, valoriser et transmettre le patrimoine minier des Hauts-de-France<br \/>\nVirginie BLONDEAU(1), St\u00e9phane CHAUDIRON(2), Am\u00e9lie DALOZ(3), Bernard JACQUEMIN(4), \u00c9ric KERGOSIEN(5), Sylvie LELEU-MERVIEL(6), Juliette LE MARQUER(7), C\u00e9cile TARDY(8)<\/li>\n<\/ul>\n<h3>PARTIE 4&#160;: Les enjeux patrimoniaux de la constitution de corpus audiovisuels&#160;: Valorisation et pr\u00e9servation<\/h3>\n<ul>\n<li>Transcrire un corpus audio dans la perspective de la pr\u00e9servation du patrimoine culturel immat\u00e9riel.<br \/>\nMarie-Madeleine BERTUCCI(1), Mounia ILLOURMANE(2)<\/li>\n<li>S\u00e9miotique et archive d\u2019images<br \/>\nC\u00e9dric HONBA HONBA<\/li>\n<li>Valorisation des fonds Francine Lancelot<br \/>\nDenis MERCIER<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-archives\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/archives\/\" title=\"Archives\"><span class=\"termslist-itemname\">Archives<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-audiovisuel\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/audiovisuel\/\" title=\"Audiovisuel\"><span class=\"termslist-itemname\">Audiovisuel<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-corpus\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/corpus\/\" title=\"Corpus\"><span class=\"termslist-itemname\">Corpus<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 30 d\u00e9cembre 2022 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Organisation des connaissances Type de publication Ouvrage collectif \u00c9dition \u00c9ditions [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[72,31],"tags":[345,111,591],"thematique":[35,38,42],"sfsic":[],"class_list":["post-27213","post","type-post","status-publish","format-standard","hentry","category-ouvrage-collectif","category-publication","tag-archives","tag-audiovisuel","tag-corpus","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-mediations-memorielles-culturelles-et-patrimoniales","thematique-organisation-des-connaissances","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Corpus audiovisuels - Quelles approches ? 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