{"id":26340,"date":"2022-10-31T15:55:01","date_gmt":"2022-10-31T14:55:01","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=26340"},"modified":"2022-10-31T15:55:33","modified_gmt":"2022-10-31T14:55:33","slug":"rap-queer-francophone-formes-et-enjeux","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/aac-evenement\/rap-queer-francophone-formes-et-enjeux\/","title":{"rendered":"Rap queer francophone : formes et enjeux"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> 31 octobre 2022\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>R\u00e9ponse attendue pour le<\/span><span class=\"doubledot\"><\/span> <strong>15\/11\/2022<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Type de r\u00e9ponse<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type d\u2019\u00e9v\u00e9nement<\/span><span class=\"doubledot\"><\/span> <strong>Journ\u00e9e d\u2019\u00e9tude<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateurs<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Sylvie <\/span> <span>Brodziak<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, <a class=\"zn-singledetail-coordinators-mail prettylink\" href=\"mailto:sylvie.brodziak@cyu.fr\">sylvie.brodziak@cyu.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Marion <\/span> <span>Coste<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t\t, <a class=\"zn-singledetail-coordinators-mail prettylink\" href=\"mailto:marion.coste@cyu.fr\">marion.coste@cyu.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/umrheritages.hypotheses.org\/\" title=\"UMRH\u00e9ritages\" target=\"_blank\" rel=\"noopener\">UMRH\u00e9ritages<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-eventinfo\">\n<div class=\"zn-singledetail-eventinfo-inner\">\n<div class=\"zn-singledetail-eventdates\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Dates de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><\/p>\n<ul class=\"zn-singledetail-eventdates-list\">\n<li class=\"zn-singledetail-eventdates-item\">\n\t\t\t\t\t\t\t\tLe 14\/04\/2023\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<p class=\"zn-singledetail-eventplace\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Lieu de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><br \/>\n\t\t\t\t\t\t<span class=\"zn-singledetail-eventplace-adr\"><\/p>\n<p>\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"adr-place\">Cergy Paris Universit\u00e9 (CY Universit\u00e9)<\/span>,<\/p>\n<p>\t\t\t\t\t\t<\/span>\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-annonce wig-content\">\n<p>Le rap est un genre r\u00e9put\u00e9 misogyne, qui met souvent \u00e0 l\u2019honneur des hommes performant une forme de masculinit\u00e9 h\u00e9g\u00e9monique. Pourtant, de nombreux travaux universitaires se sont attel\u00e9s \u00e0 l\u2019analyse de ces performances de genre, pour montrer principalement la fa\u00e7on dont les rappeuses se font une place dans ce milieu (Djavadzadeh, 2021&#160;; \u00a0Ghio, 2020&#160;; \u00a0Bertot, 2019, Bettina Ghio). D\u2019autres ont aussi pu montrer que les masculinit\u00e9s du rap sont vari\u00e9es et largement construites par un discours ext\u00e9rieur et racialisant (Dalibert, 2018).<\/p>\n<p>Cependant, depuis quelques ann\u00e9es un certain nombre de rappeurs et rappeuses semblent sortir, dans un m\u00eame mouvement, de la binarit\u00e9 de genre et d\u2019un discours opposant f\u00e9minisme \u00a0et misogynie, pour se revendiquer du queer. Au Etats-Unis d\u2019abord, avec par exemple Princess Nokia, Mikky Blanco, Big Freedia, Zebra Katz, Youg M.A., Tylor the creator, Lil Nas X ou Franck Ocean&#160;; puis en France, avec entre autres Lalla Rami, Turtle white, Shany Da Flava, Illustre, Lala &amp;ce ou Nyoko Bokbae.<\/p>\n<p>Il s\u2019agira d\u2019\u00e9tudier la fa\u00e7on dont ce rap, qui se revendique comme queer, invente de nouvelles formes, sur le plan visuel (clip), musical, textuel&#160;; on pourra par exemple \u00e9tudier la fa\u00e7on dont les clips de ces artistes font de la performance de genre un espace ludique et color\u00e9 d\u2019expression de soi&#160;; \u00e9tudier la place qu\u2019occupe, ou pas, la d\u00e9nonciation des discriminations de genre&#160;: on pourra \u00e0 ce sujet montrer que certain.es conservent un discours de d\u00e9nonciation explicite (Illustre, \u00ab&#160;Type Chelou&#160;\u00bb), quand d\u2019autres font du clip un espace non conflictuel dans lequel l\u2019expression de soi se fait librement&#160;; on pourra s\u2019attacher \u00e0 analyser une possible correspondance entre la performance de la non-binarit\u00e9 des artistes, dans les clip, et leur musique&#160;: Lala &amp;ce et Nyoko Bokbae font ainsi le choix du \u00ab&#160;cloud rap&#160;\u00bb, sous-cat\u00e9gorie du rap caract\u00e9ris\u00e9 par un tempo assez lent et une instrumentation a\u00e9rienne, ainsi que des paroles volontiers absurdes ou d\u00e9cousues. Se jouerait alors une esth\u00e9tique ambigu\u00eb et ludique, loin du militantisme f\u00e9ministe et explicite d\u2019autres rappeuses (Chilla, Sale chienne&#160;; Meryl et Rachelle Allison Ma Petite).<\/p>\n<p>On pourra aussi interroger la fa\u00e7on dont ces artistes cherchent \u00e0 se situer dans la soci\u00e9t\u00e9 \u00a0(Hammou, 2012&#160;: 221), en \u00e9tudiant par exemple les pochettes d\u2019album, les interviews, ou les autres formes d\u2019expression publique, pour voir si on peut rep\u00e9rer des tendances sp\u00e9cifiques \u00e0 ce rap queer. Existe-t-il entre elles et eux des strat\u00e9gies de soutien, par exemple par le biais du featuring, dont Karim Hammou a montr\u00e9 qu\u2019il fonctionne dans le rap comme un r\u00e9seau de l\u00e9gitimation par les pairs&#160;? Tentent-ils et elles de se d\u00e9marquer d\u2019une g\u00e9n\u00e9ration pr\u00e9c\u00e9dente&#160;? Cherchent-ils et elles \u00e0 \u00eatre associ\u00e9.es les un.es aux autres&#160;? Mettent-ils et elles en avant leur identit\u00e9 de genre et revendiquent-ils et elles de faire un rap queer&#160;?<\/p>\n<p>Un titre et un r\u00e9sum\u00e9 d\u2019environ 150 mots en fran\u00e7ais, accompagn\u00e9s d\u2019une br\u00e8ve notice bio-bibliographique devront \u00eatre envoy\u00e9s avant <strong>le 15 novembre 2022<\/strong> aux adresses suivantes&#160;: <a href=\"mailto:sylvie.brodziak@cyu.fr\">sylvie.brodziak@cyu.fr<\/a> et <a href=\"mailto:marion.coste@cyu.fr\">marion.coste@cyu.fr<\/a>. Les personnes dont les propositions auront \u00e9t\u00e9 retenues seront inform\u00e9es en <strong>d\u00e9cembre 2022<\/strong>.<\/p>\n<h2><strong>Bibliographie indicative\u00a0<\/strong><\/h2>\n<p>Bertot, Sylvain, <em>Ladies first, Une anthologie du rap f\u00e9minin en 100 albums<\/em>, Marseille, Le Mot et le reste, 2019.<\/p>\n<p>Bouton, Elo\u00efse, <em>Madame Rap, Homepage &#8211; Le premier m\u00e9dia d\u00e9di\u00e9 aux femmes et aux LGBT+ dans le hip hop<\/em> (madamerap.com).<\/p>\n<p>Carinos, Emmanuelle, Hammou, Karim (\u00e9d.), <em>Perspectives esth\u00e9tiques sur les musiques hip-hop<\/em>, Aix-en-Provence, Presses Universitaires de Provence, 2020.<\/p>\n<p>Dalibert, Marion, \u00ab&#160;Les masculinit\u00e9s ethnoracialis\u00e9es des rappeur.euse.s dans la presse&#160;\u00bb, \u00a0dans Marion Carrel, Julienne Flori, Ir\u00e8ne Jami, Patricia Osganian, Patrick Simon, Anna Zielinska (dir.) , dossier \u00ab&#160;La battle du rap&#160;: genre, classe, race&#160;\u00bb, revue <em>Mouvements <\/em>n\u00b0 96, La D\u00e9couverte, 2018.<\/p>\n<p>Djavadzadeh, Keivan, <em>Hot, Cool &amp; Vicious. Genre, race et sexualit\u00e9 dans le rap \u00e9tats-unien<\/em>, Paris, Amsterdam \u00e9ditions, coll. \u00ab&#160;Les Prairies ordinaires&#160;\u00bb, 2021.<\/p>\n<p>Djavadzadeh, Keivan, \u00ab&#160;<em>The motherfucking bitch era<\/em>&#160;: la transition hardcore du rap f\u00e9minin&#160;\u00bb, dans Marion Carrel, Julienne Flori, Ir\u00e8ne Jami, Patricia Osganian, Patrick Simon, Anna Zielinska (dir.) , dossier \u00ab&#160;La battle du rap&#160;: genre, classe, race&#160;\u00bb, revue <em>Mouvements <\/em>n\u00b0 96, La D\u00e9couverte, 2018.<\/p>\n<p>Hammou, Karim, <em>Une histoire du rap en France<\/em>, Paris, La D\u00e9couverte, 2012.<\/p>\n<p>Hammou, Karim, Sonnette, Marie, <em>40 ans de musique hip hop en France<\/em>, Paris, Presses de Science Po, 2022.<\/p>\n<p>[Rediffusion] Table ronde&#160;: f\u00e9minit\u00e9s et masculinit\u00e9s dans le rap et le hip hop.<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-partners\">\n<h3 class=\"zn-singledetail-section-title\">Partenaires<\/h3>\n<div class=\"zn-singledetail-partners-list row small-up-2 medium-up-3 large-up-5 partnerlist\" data-equalizer data-equalize-on=\"medium\">\n<article class=\"summarypartner partner-5802 column\">\n\t<a class=\"summarypartner-box\" href=\"https:\/\/www.u-cergy.fr\" title=\"CY Cergy Paris Universit\u00e9\">\t\t<\/p>\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo20cy20ucp202-1-320x153.jpg\" alt=\"Logo Universit\u00e9 Cergy\"><br \/>\n\t\t\t\t\t\t\t\t\t<\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tCY Cergy Paris Universit\u00e9\t\t\t\t\t\t<\/h3>\n<p class=\"summarypartner-acronym\">\n\t\t\t\t\t\t\tCY\t\t\t\t\t\t<\/p>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>\t<\/a><\/article>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-genre\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/genre\/\" title=\"Genre\"><span class=\"termslist-itemname\">Genre<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-musique\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/musique\/\" title=\"Musique\"><span class=\"termslist-itemname\">Musique<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-queer-studies\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/queer-studies\/\" title=\"queer studies\"><span class=\"termslist-itemname\">queer studies<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 31 octobre 2022 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles R\u00e9ponse attendue pour le 15\/11\/2022 Type de r\u00e9ponse R\u00e9sum\u00e9 Type d\u2019\u00e9v\u00e9nement Journ\u00e9e d\u2019\u00e9tude Coordinateurs Sylvie [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29,58],"tags":[120,327,780],"thematique":[35],"sfsic":[],"class_list":["post-26340","post","type-post","status-publish","format-standard","hentry","category-aac-evenement","category-journee-etude","tag-genre","tag-musique","tag-queer-studies","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Rap queer francophone : formes et enjeux<\/title>\n<meta name=\"description\" content=\"Appel \u00e0 contributions pour une journ\u00e9e d&#039;\u00e9tude sur le &quot;Rap queer francophone : formes et enjeux&quot;.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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