<\/p>\n
\n\t\t\t\t\t\t\tType de publication<\/span><\/span> Num\u00e9ro de revue<\/strong>\n\t\t\t\t\t<\/p>\n \n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Actes s\u00e9miotiques<\/strong>\n\t\t\t\t\t<\/p>\n \n\t\t\t\t\t\t\t\u00c9dition<\/span><\/span> Universit\u00e9 de Limoges<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n Stefania Caliandro<\/span><\/span> et Angela Mengoni<\/span><\/span><\/p>\n S\u00e9miotique de l\u2019art. L\u2019\u00e9paisseur \u00e0 l\u2019\u0153uvre<\/span><\/a><\/p>\n<\/li>\n Maria Cristina Addis<\/span><\/span><\/p>\n Iconoclastie del s\u00e9. Pratiche della verit\u00e0 e ideologia della rappresentazione nell\u2019arte comportamentale<\/em> di Marina Abramovi\u0107<\/span><\/a><\/p>\n<\/li>\n Lucia Corrain<\/span><\/span><\/p>\n Un dialogo fra il Beato Angelico e Giulio Paolini <\/span><\/a><\/p>\n A dialogue between Fra Angelico and Giulio Paolini<\/span> <\/small><\/p>\n <\/a><\/span><\/p>\n Stefania Caliandro<\/span><\/span><\/p>\n Entretien avec Francis \u00c9deline<\/span><\/a><\/p>\n Interview with Francis \u00c9deline<\/span> <\/small><\/p>\n <\/a><\/span><\/li>\n Ver\u00f3nica Estay Stange<\/span><\/span><\/p>\n Art, litt\u00e9rature et post-m\u00e9moire : enjeux s\u00e9miotiques<\/span><\/a><\/p>\n Art, literature and post-memory : a semiotic approach \u00bb<\/span> <\/small><\/p>\n<\/li>\n Tarcisio Lancioni<\/span><\/span><\/p>\n La peste de la citation. Quelques r\u00e9flexions sur la peinture de Jasper Johns, \u00e0 partir de Louis Marin<\/span><\/a><\/p>\n The plague of the quotation. Some reflections on the painting of Jasper Johns, departing from Louis Marin<\/span> <\/small><\/p>\n<\/li>\n Helga Lutz<\/span><\/span><\/p>\n Tableaux tress\u00e9s. Hubert Damisch, l\u2019art et la topologie<\/span><\/a><\/p>\n Woven Paintings. Hubert Damisch, Art and Topology<\/span> <\/small><\/p>\n<\/li>\n Lucien Massaert<\/span><\/span><\/p>\n Et la figure va en s\u2019amenuisant<\/span><\/a><\/p>\n And the figure keeps dwindling<\/span> <\/small><\/p>\n<\/li>\n Angela Mengoni<\/span><\/span><\/p>\n Wunderbare Kombinationen. <\/em>Figurabilit\u00e9 des guerres du Golfe chez Gerhard Richter et Werner Herzog<\/span><\/a><\/p>\n Wunderbare Kombinationen. <\/em>Figurability and the Gulf Wars according to Gerhard Richter and Werner Herzog<\/span> <\/small><\/p>\n<\/li>\n Herman Parret<\/span><\/span><\/p>\n \u00c9l\u00e9ments d\u2019une s\u00e9mio-esth\u00e9tique de l\u2019inconsistance<\/span><\/a><\/p>\n Elements of a semio-aesthetics of inconsistency<\/span> <\/small><\/p>\n<\/li>\n<\/ul>\n Eduardo C. B. Bittar<\/span><\/span><\/p>\n Les sir\u00e8nes de police dans la ville : un essai \u00e0 la crois\u00e9e des S\u00e9miotiques du Droit, des Objets et de la Ville<\/span><\/a><\/p>\n The police sirens in the city : an essay between the Semiotics of Law, Semiotics of the Objects and Semiotics of the City<\/span> <\/small><\/p>\n<\/li>\n Pierre-Antoine Navarette<\/span><\/span><\/p>\n Du discours aux repr\u00e9sentations du coaching : s\u00e9miotique d\u2019une pratique prot\u00e9iforme<\/span><\/a><\/p>\n From discourse to representations of coaching : semiotics of a protean practice <\/span> <\/small><\/p>\n \n<\/li>\n<\/ul>\n Jacques Fontanille<\/span><\/span> et Ivan Darrault-Harris<\/span><\/span><\/p>\n Hommage \u00e0 Desiderio Blanco<\/span><\/a><\/p>\n S\u00e9mir Badir, Magritte et les philosophes<\/em>, Bruxelles, Les impressions nouvelles, 2021, 172\u00a0p.<\/span><\/a><\/p>\n Denis Bertrand<\/span><\/span> <\/a><\/span><\/p>\n<\/li>\n Amir Biglari et Marion Colas Blaise (dir.), Les d\u00e9ictiques \u00e0 l\u2019\u00e9preuve des discours et des pratiques<\/em>, Paris, Classiques Garnier, coll. \u00ab Rencontres \u00bb, 2021.<\/span><\/a><\/p>\n Pierre Halt\u00e9<\/span><\/span> <\/a><\/span><\/p>\n<\/li>\n Denis Bertrand & Rapha\u00ebl Horrein (dirs.), \u00ab Litt\u00e9rature et surveillance : transversalit\u00e9s s\u00e9miotiques \u00bb, Litt\u00e9rature<\/em>, n\u00b0\u00a0204, Paris, Armand Colin, d\u00e9cembre 2021.<\/span><\/a><\/p>\n Jacques Fontanille<\/span><\/span><\/a><\/span><\/p>\n<\/li>\n Marta Grabocz (dir.), Narratologie musicale. Topiques, th\u00e9ories et strat\u00e9gies analytiques<\/em>, Paris, Hermann, 2021, 567\u00a0p.<\/span><\/a><\/p>\n Anne H\u00e9nault<\/span><\/span><\/p>\n<\/li>\n Les rep\u00e8res de la s\u00e9miotique Paul Hermans<\/span><\/span> <\/a><\/span><\/p>\n<\/li>\nCoordinateur(s) \/ Auteur(s)<\/h3>\n
\n
Sites internet de r\u00e9f\u00e9rence<\/h3>\n
\n
Au sommaire de ce num\u00e9ro 127<\/h2>\n
\n
Recherches et analyses s\u00e9miotiques<\/h3>\n
\n
Hommage<\/h3>\n
Comptes rendus<\/h3>\n
\n
\nJuan Alonso Aldama, Denis Bertrand, Bernard Darras, Flore Di Sciullo (\u00e9ds.), S\u00e9miotique impliqu\u00e9e. L\u2019engagement du chercheur face aux sujets br\u00fblants<\/em>, Paris, L\u2019Harmattan, coll.\u00a0\u00ab S\u00e9mioses \u00bb, 2021.<\/span><\/a><\/p>\n