{"id":24685,"date":"2022-05-20T10:00:53","date_gmt":"2022-05-20T08:00:53","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=24685"},"modified":"2022-05-19T17:51:28","modified_gmt":"2022-05-19T15:51:28","slug":"la-bande-dessinee-numerique-espagne-portugal-amerique-latine","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/","title":{"rendered":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> 20 mai 2022\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/images-cinema-audiovisual-media-and-cultural-industries\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-numerique-strategies-dispositifs-et-usages\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/digital-strategies-devices-and-uses-en\/\" title=\"Num\u00e9rique : strat\u00e9gies, dispositifs et usages\"><span class=\"termslist-itemname\">Num\u00e9rique : strat\u00e9gies, dispositifs et usages<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>R\u00e9ponse attendue pour le<\/span><span class=\"doubledot\"><\/span> <strong>31\/08\/2022<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Type de r\u00e9ponse<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type d\u2019\u00e9v\u00e9nement<\/span><span class=\"doubledot\"><\/span> <strong>Colloque<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateurs<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Viviane<\/span> <span>Alary<\/span>, <span>Universit\u00e9 Clermont Auvergne<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Virginie<\/span> <span>Giuliana<\/span>, <span>Universit\u00e9 Clermont Auvergne<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-contacts\">\n<h3 class=\"zn-singledetail-section-title\">Contacts<\/h3>\n<ul class=\"zn-singledetail-contacts-list\">\n<li class=\"zn-singledetail-contact\">\n\t\t\t\t\t\t\t<span class=\"zn-singledetail-contact-name\">Viviane Aary et Virginie Giuliana<\/span><span class=\"doubledot\"><\/span><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"zn-singledetail-contact-mail prettylink\" href=\"mailto:uca.comicdigital@gmail.com\">uca.comicdigital@gmail.com<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/comicdigitalucafr.wordpress.com\/\" title=\"Site du colloque\" target=\"_blank\" rel=\"noopener\">Site du colloque <\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-eventinfo\">\n<div class=\"zn-singledetail-eventinfo-inner\">\n<div class=\"zn-singledetail-eventdates\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Dates de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><\/p>\n<ul class=\"zn-singledetail-eventdates-list\">\n<li class=\"zn-singledetail-eventdates-item\">\n\t\t\t\t\t\t\t\tDu 08\/12\/2022 au 09\/12\/2022\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<p class=\"zn-singledetail-eventplace\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Lieu de l\u2019\u00e9v\u00e9nement<span class=\"doubledot\"><\/span><\/span><br \/>\n\t\t\t\t\t\t<span class=\"zn-singledetail-eventplace-adr\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"adr-name\">Universit\u00e9 Clermont Auvergne<\/span>,<\/p>\n<p>\t\t\t\t\t\t<\/span>\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-annonce wig-content\">\n<p>La r\u00e9volution num\u00e9rique que nous vivons a modifi\u00e9 en profondeur le neuvi\u00e8me art tant en Europe qu\u2019en Am\u00e9rique Latine. L\u2019invention d\u2019un nouveau syst\u00e8me technologique a aliment\u00e9 la cr\u00e9ation num\u00e9rique en bande dessin\u00e9e (logiciels graphiques, tablettes, technologies web, etc.) et les auteurs, les \u00e9diteurs, s\u2019appropriant ces nouvelles technologies, font preuve d\u2019innovation (BAUDRY, 2018) dans deux directions qui peuvent para\u00eetre contradictoires&#160;: la standardisation et l\u2019exp\u00e9rimentation.<\/p>\n<p>Cet \u00e9largissement du champ de la bande dessin\u00e9e, qui \u00ab&#160;recouvre des r\u00e9alit\u00e9s crois\u00e9es et prot\u00e9iformes&#160;\u00bb (ESCANDE-GAUQUIE &amp; SOUCHIER, 2011), pose la question des d\u00e9passements suppos\u00e9s de fronti\u00e8res, si l\u2019on veut bien consid\u00e9rer la bande dessin\u00e9e num\u00e9rique du point de vue de son appropriation et de sa r\u00e9ception. D\u00e9passement des fronti\u00e8res g\u00e9n\u00e9riques, d\u2019une part, dans la mesure o\u00f9 le num\u00e9rique favorise la multimodalit\u00e9 \u2013 un des champs les plus dynamiques de la narratologie (RYAN, 2014) \u2013, et ouvre sur de multiples possibilit\u00e9s inter et transm\u00e9diatiques&#160;; d\u00e9passement des fronti\u00e8res d\u2019audience, d\u2019autre part, puisqu\u2019elle offre la possibilit\u00e9 d\u2019une expression et d\u2019une communication \u00ab&#160;d\u00e9territorialis\u00e9es&#160;\u00bb, tout en \u00e9tant propice \u00e0 la cr\u00e9ation de petits espaces d\u2019expression localis\u00e9s, regroupant une communaut\u00e9 autour d\u2019un int\u00e9r\u00eat commun.<\/p>\n<p>Dans le prolongement du colloque de la Ghent University (\u00ab&#160;Comics strike back&#160;: Digital Comics, Digital Audiences, Digital Practices&#160;\u00bb) qui invite \u00e0 \u00ab&#160;recadrer la bande dessin\u00e9e num\u00e9rique dans une perspective holistique qui rende compte des particularit\u00e9s du m\u00e9dium tout en parvenant \u00e0 les placer dans un contexte plus large envisag\u00e9 dans une perspective multidisciplinaire<sup>[1]<\/sup>&#160;\u00bb, le colloque international organis\u00e9 \u00e0 l\u2019Universit\u00e9 Clermont Auvergne (Clermont-Ferrand) mettra au centre de ses interrogations la cr\u00e9ation, les pratiques et les usages de la bande dessin\u00e9e num\u00e9rique de l\u2019espace culturel ib\u00e9rique et d\u2019Am\u00e9rique Latine, sans exclure toutefois d\u2019autres productions dans une optique comparatiste.<\/p>\n<h2><strong>Cadre g\u00e9n\u00e9ral <\/strong><\/h2>\n<p>Il s\u2019agira de voir comment et dans quel but les diff\u00e9rents acteurs se sont appropri\u00e9s la bande dessin\u00e9e num\u00e9rique dans des contextes \u00e9ditoriaux, culturels, socio-politiques sp\u00e9cifiques en Espagne, au Portugal ou en Am\u00e9rique Latine. Ainsi, les conf\u00e9rences pourront \u00e9tudier la bande dessin\u00e9e num\u00e9rique de l\u2019aire culturelle ib\u00e9rique comme support privil\u00e9gi\u00e9 d\u2019expression et de combinaisons originales et singuli\u00e8res, reflet de pratiques nouvelles favoris\u00e9es par le d\u00e9veloppement d\u2019Internet, des supports techniques et des r\u00e9seaux sociaux, sachant que les cr\u00e9ateurs de bande dessin\u00e9e num\u00e9rique se pr\u00e9sentent \u00e0 la fois comme \u00ab&#160;h\u00e9riti[er(e)s] des formes du r\u00e9cit telles que la bande dessin\u00e9e les a construites depuis le XIXe si\u00e8cle, mais aussi des formes telles que l\u2019hypertexte propres \u00e0 la culture informatique dans laquelle nous baignons&#160;\u00bb (Molina Fern\u00e1ndez, 2020&#160;: 57).<\/p>\n<p>Dans le prolongement de l\u2019appel \u00e0 communications du colloque de Gand, nous chercherons \u00e0 \u00e9clairer \u00ab&#160;le potentiel d\u2019innovation s\u00e9miotique&#160;\u00bb de la bande dessin\u00e9e num\u00e9rique ib\u00e9rique, et sa capacit\u00e9 \u00e0 d\u00e9velopper \u00ab&#160;des dynamiques et processus sociaux contemporains&#160;\u00bb. Les chercheurs seront invit\u00e9s \u00e0 s\u2019interroger sur les probl\u00e9matiques suivantes selon trois axes&#160;:<\/p>\n<h2><strong>Axe 1. Appropriation et impact social et culturel<\/strong><\/h2>\n<ul>\n<li>R\u00e9alit\u00e9s de la \u00ab&#160;d\u00e9mocratisation&#160;\u00bb affirm\u00e9e de la bande dessin\u00e9e num\u00e9rique (fruit d\u2019une double repr\u00e9sentation du caract\u00e8re d\u00e9mocratique d\u2019Internet conjugu\u00e9 \u00e0 la bande dessin\u00e9e, tous deux r\u00e9put\u00e9s \u00e0 la port\u00e9e de tous).<\/li>\n<li>Nouveaux rapports entre auteurs et lecteurs et entre les lecteurs eux-m\u00eames. Cr\u00e9ations d\u2019espaces pour une \u00e9criture collaborative et participative (via les r\u00e9seaux sociaux et sites).<\/li>\n<li>Nouvelles \u00ab&#160;sociabilit\u00e9s&#160;\u00bb num\u00e9riques autour de la bande dessin\u00e9e ib\u00e9rique et d\u2019Am\u00e9rique Latine.<\/li>\n<li>La bande dessin\u00e9e num\u00e9rique et ses diff\u00e9rentes d\u00e9clinaisons comme outil de m\u00e9diation et de rem\u00e9diation dans des contextes \u00e9ducatifs, scientifiques, militants.<\/li>\n<li>Artivisme \u00e0 l\u2019\u00e8re du num\u00e9rique<\/li>\n<\/ul>\n<h2><strong>Axe 2. Porosit\u00e9 des fronti\u00e8res entre les diverses formes de pratique artistique, fabrication et \u00e9dition<\/strong><\/h2>\n<ul>\n<li>Porosit\u00e9 m\u00e9diatique&#160;: multimodalit\u00e9, interm\u00e9dialit\u00e9.<\/li>\n<li>Reconfiguration des r\u00e9cits et transm\u00e9dialit\u00e9<\/li>\n<li>Exp\u00e9rimentations artistiques et litt\u00e9raires<\/li>\n<li>Place du num\u00e9rique \u00e0 divers stades du processus de cr\u00e9ation<\/li>\n<li>R\u00e9ponses \u00e9ditoriales, exemples de nouvelles politiques \u00e9ditoriales prenant en compte le num\u00e9rique<\/li>\n<li>Monde amateur\/professionnel. Brouillages, nouveaux acteurs num\u00e9riques dans l\u2019aire culturelle ib\u00e9rique.<\/li>\n<\/ul>\n<h2><strong>Axe 3. Lecture, fandom, audience, communication<\/strong><\/h2>\n<ul>\n<li>Modes de lecture, r\u00e9ception et interactivit\u00e9<\/li>\n<li>Fanzine\/prozine en ligne<\/li>\n<li>Ramifications sur le web et les r\u00e9seaux sociaux.<\/li>\n<li>D\u00e9fi de l\u2019accessibilit\u00e9, la bande dessin\u00e9e num\u00e9rique comme acc\u00e9l\u00e9rateur dans la carri\u00e8re d\u2019un auteur. Mais Internet donne-t-il de la visibilit\u00e9 ou noie-t-il la production&#160;?<\/li>\n<li>Rem\u00e9diatisation des \u0153uvres papier pour les \u00e9crans et ses enjeux patrimoniaux<\/li>\n<\/ul>\n<p>Nous souhaitons, \u00e0 travers ce colloque, analyser le dynamisme de la bande dessin\u00e9e num\u00e9rique de cette aire culturelle ib\u00e9rique, ses atouts et ses faiblesses, ses sp\u00e9cificit\u00e9s et ses r\u00e9alit\u00e9s, qu\u2019elles soient confidentielles ou <em>mainstream<\/em>, exp\u00e9rimentales ou hyper standardis\u00e9es, spontan\u00e9es ou m\u00fbrement r\u00e9fl\u00e9chies, recherchant une audience cibl\u00e9e, locale, nationale ou transnationale.<\/p>\n<p>Ce colloque international s\u2019inscrit dans l\u2019axe \u00ab&#160;Interactions sociales et interm\u00e9dialit\u00e9s&#160;\u00bb du CELIS. Il devra \u00e9galement permettre le lancement d\u2019une activit\u00e9 inscrite dans la programmation du projet europ\u00e9en iCOn-MICs (COST Action CA19119 <em>Investigation on Comics and Graphic Novels from the Iberian Cultural Area<\/em>) sur les nouvelles tendances de la bande dessin\u00e9e de l\u2019aire culturelle ib\u00e9rique et plus particuli\u00e8rement dans l\u2019axe <em>Digital Comic in the Iberian Cultural Area<\/em>. Il s\u2019agira de prendre en compte les avanc\u00e9es de la recherche francophone et ib\u00e9rique, europ\u00e9enne et am\u00e9ricaine sur le sujet, de confronter les m\u00e9thodologies et th\u00e9ories afin de permettre, entre autres, une \u00e9tude optimale des corpus ib\u00e9riques. Enfin, ce colloque s\u2019inscrit dans le programme d\u2019activit\u00e9s autour de la bande dessin\u00e9e \u00e0 l\u2019Universit\u00e9 Clermont Auvergne, dans le sillage de l\u2019action minist\u00e9rielle \u00ab&#160;BD 2021&#160;\u00bb et de \u00ab&#160;Sciences en bulles&#160;\u00bb. Sont envisag\u00e9es l\u2019organisation d\u2019une table ronde avec invitation d\u2019auteurs, ouverte \u00e0 un plus large public, ainsi qu\u2019une exposition virtuelle sur la bande dessin\u00e9e num\u00e9rique (P\u00e9ninsule Ib\u00e9rique, Am\u00e9rique Latine) avec le Service Universit\u00e9 Culture (SUC) de l\u2019UCA.<\/p>\n<p>Les propositions de contribution seront r\u00e9dig\u00e9es en fran\u00e7ais, en espagnol ou en portugais. Les auteurs devront envoyer un r\u00e9sum\u00e9 d\u2019environ 300-350 mots (bibliographie exclue) accompagn\u00e9 d\u2019une br\u00e8ve biobibliographie d\u2019ici <strong>le 31 ao\u00fbt 2022<\/strong> \u00e0 l\u2019adresse suivante&#160;: <a href=\"mailto:uca.comicdigital@gmail.com\">uca.comicdigital@gmail.com<\/a> ou en remplissant le formulaire disponible sur <a href=\"https:\/\/comicdigitalucafr.wordpress.com\/\">https:\/\/comicdigitalucafr.wordpress.com\/<\/a><\/p>\n<p>La r\u00e9ponse sera communiqu\u00e9e aux participants le 15 septembre 2022.<\/p>\n<p>Les articles d\u00e9finitifs sont attendus pour le 01 f\u00e9vrier 2023. Une publication est pr\u00e9vue en 2023.<\/p>\n<h2>Bibliographie<\/h2>\n<p>BAUDRY, Julien (2012), \u00ab&#160;Bande dessin\u00e9e num\u00e9rique et standard&#160;\u00bb, <em>du9<\/em>, URL&#160;: <a href=\"https:\/\/www.du9.org\/dossier\/bande-dessinee-numerique-et-standard\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/www.du9.org\/dossier\/bande-dessinee-numerique-et-standard\/<\/a><\/p>\n<p>BAUDRY, Julien (2018), <em>Cases-Pixels&#160;: une histoire de la bande dessin\u00e9e num\u00e9rique en France<\/em>, Tours, Presses universitaires Fran\u00e7ois-Rabelais.<\/p>\n<p>BOUDISSA, Magali (2014), \u00ab&#160;La bande dessin\u00e9e num\u00e9rique&#160;\u00bb, in Dacheux, \u00c9ric (\u00e9d.), <em>Bande dessin\u00e9e et lien social,<\/em>\u00a0CNRS \u00c9ditions. URL&#160;: <a href=\"http:\/\/dx.doi.org\/10.4000\/books.editionscnrs.19938\" name=\"SMASHVisited\">10.4000\/books.editionscnrs.19938<\/a><a class=\"smash-link\" href=\"https:\/\/sh2hh6qx2e.search.serialssolutions.com\/?rft_id=info:doi\/10.4000\/books.editionscnrs.19938&amp;sid=lama-browser-addon\" target=\"_blank\" rel=\"noopener\" name=\"SMASHLink\"> SMASH<\/a><\/p>\n<p>BUKATMAN Scott (2011), \u00ab&#160;Online Comics and the Framing of the Moving Image&#160;\u00bb, in D. Harries (dir.), <em>The New Media Book<\/em>, Londres, British Film Institute Publishing, p. 133- 143.<\/p>\n<p>CRESPO FAJARDO, Jos\u00e9 Luis (2012), \u00ab&#160;C\u00f3mic y cultura digital&#160;\u00bb, in <em>Bellas Artes y Sociedad digital<\/em>, La Laguna, Sociedad Latina de Comunicaci\u00f3n Social.<\/p>\n<p>CRUCIFIX, Beno\u00eet &amp; DOZO Bj\u00f6rn-Olav (2018), \u00ab&#160;E-graphic novels&#160;\u00bb, in J. Baetens, H. Frey, S. Tabachnick (eds.), <em>The Cambridge History of the Graphic Novel<\/em>, Cambridge University Press, 2018, p. 574-590.<\/p>\n<p>CRUCIFIX, Beno\u00eet &amp; DOZO Bj\u00f6rn-Olav (2018), \u00ab&#160;Qui m\u00e8ne la danse&#160;? La bande dessin\u00e9e \u00e0 l\u2019\u00e8re du num\u00e9rique, une question de (gestion du) temps&#160;\u00bb, <em>Art&amp;fact<\/em>, p. 17-25.<\/p>\n<p>ESCANDE-GAUQUIE, Pauline &amp; SOUCHIER, Emmanuel (2011), \u00ab&#160;Mati\u00e8res et supports, la bande dessin\u00e9e dans tous ses \u00e9tats&#160;\u00bb, <em>Communication &amp; langages<\/em>, 167, 17- 29. URL&#160;: <a href=\"https:\/\/doi.org\/10.4074\/S0336150011011021\" name=\"SMASHVisited\">https:\/\/doi.org\/10.4074\/S0336150011011021<\/a><a class=\"smash-link\" href=\"https:\/\/sh2hh6qx2e.search.serialssolutions.com\/?rft_id=info:doi\/10.4074\/S0336150011011021&amp;sid=lama-browser-addon\" target=\"_blank\" rel=\"noopener\" name=\"SMASHLink\"> SMASH<\/a><\/p>\n<p>GROENSTEEN, Thierry (2011), <em>Bande dessin\u00e9e et narration, syst\u00e8me de la bande dessin\u00e9e 2<\/em>, Paris, Presses Universitaires de France.<\/p>\n<p>JIM\u00c9NEZ-VAREA, Jes\u00fas (2004), \u00ab&#160;Construcci\u00f3n-lectura del c\u00f3mic digital&#160;\u00bb, in M.A. Muro Munilla (coord..), <em>Arte y nuevas tecnolog\u00edas<\/em>, Logro\u00f1o, Universidad de la Rioja, p. 660-667.<\/p>\n<p>KASHTAN, Aaron (2018), <em>Between pen and pixels Comics, Materiality, and the Book of the Future<\/em>, Colombus, Ohio State University Press.<\/p>\n<p>KIRCHOFF Jeffrey &amp; COOK Mike P. (2019), <em>Perspectives on Digital Comics&#160;: Theoretical, Critical, and Pedagogical Essays<\/em>, Jefferson, McFarland &amp; Co Inc.<\/p>\n<p>KLEEFELD, Sean (2020), <em>Webcomics,<\/em> Londres, Bloomsbury Publishing.<\/p>\n<p>MARION Philippe (1997), \u00ab&#160;Narratologie m\u00e9diatique et m\u00e9diag\u00e9nie des r\u00e9cits&#160;\u00bb, <em>Recherches en communication<\/em>, 7, p. 61-88.<\/p>\n<p>McCLOUD, Scott (2000), <em>Reinventing Comics<\/em>, New York, Paradox Press.<\/p>\n<p>MOLINA FERN\u00c1NDEZ, Margarita (2019), \u00ab&#160;Imagen, movimiento e interactividad en el c\u00f3mic digital&#160;\u00bb, <em>EME Experimental Illustration, Art &amp;Design<\/em>, 7 (7), p. 44-51. URL&#160;: <a href=\"https:\/\/doi.org\/10.4995\/eme.2019.11360\" name=\"SMASHVisited\">https:\/\/doi.org\/10.4995\/eme.2019.11360<\/a><a class=\"smash-link\" href=\"https:\/\/sh2hh6qx2e.search.serialssolutions.com\/?rft_id=info:doi\/10.4995\/eme.2019.11360&amp;sid=lama-browser-addon\" target=\"_blank\" rel=\"noopener\" name=\"SMASHLink\"> SMASH<\/a><\/p>\n<p>MOLINA FERN\u00c1NDEZ, Margarita (2020), \u00ab&#160;2&#160;: exp\u00e9rimenter l\u2019hyperm\u00e9dia dans la bande dessin\u00e9e num\u00e9rique&#160;\u00bb, <em>Alternative Francophone<\/em>, 2 (7), p. 56-77. URL&#160;: <a href=\"https:\/\/doi.org\/10.29173\/af29407\" name=\"SMASHVisited\">https:\/\/doi.org\/10.29173\/af29407<\/a><a class=\"smash-link\" href=\"https:\/\/sh2hh6qx2e.search.serialssolutions.com\/?rft_id=info:doi\/10.29173\/af29407&amp;sid=lama-browser-addon\" target=\"_blank\" rel=\"noopener\" name=\"SMASHLink\"> SMASH<\/a><\/p>\n<p>MU\u00d1OZ, Edward Leandro (2017), \u00ab&#160;El c\u00f3mic como lenguaje visual h\u00edbrido y su vigencia en la era digital contempor\u00e1nea&#160;\u00bb, <em>CuCo, Cuadernos de c\u00f3mic<\/em>, 8, p. 7-30.<\/p>\n<p>P\u00c9REZ, Pepo (coord.) (2016), <em>C\u00f3mic digital hoy. Una introducci\u00f3n en presente<\/em>, ACDC\u00f3mic. URL&#160;: <a href=\"https:\/\/www.acdcomic.es\/comicdigitalhoy\/\">https:\/\/www.acdcomic.es\/comicdigitalhoy\/<\/a><\/p>\n<p>RAGEUL, Anthony (2020), \u00ab&#160;R\u00e9cit-interface&#160;: Une cat\u00e9gorie pour penser les r\u00e9cits num\u00e9riques&#160;\u00bb, Ligeia, 181-184, p. 122-131. URL&#160;: <a href=\"https:\/\/doi.org\/10.3917\/lige.181.0122\" name=\"SMASHVisited\">https:\/\/doi.org\/10.3917\/lige.181.0122<\/a><a class=\"smash-link\" href=\"https:\/\/sh2hh6qx2e.search.serialssolutions.com\/?rft_id=info:doi\/10.3917\/lige.181.0122&amp;sid=lama-browser-addon\" target=\"_blank\" rel=\"noopener\" name=\"SMASHLink\"> SMASH<\/a><\/p>\n<p>RAUSCHER, Andreas, STEIN, Daniel &amp; THON Jan-No\u00ebl (2020), <em>Comics and Videogames. From Hybrid Medialities to Transmedia Expansions<\/em>, London, Routledge.<\/p>\n<p>ROBERT, Pascal (dir.) (2016),<em> Bande dessin\u00e9e et num\u00e9rique<\/em>, Paris, CNRS \u00c9ditions.<\/p>\n<p>RYAN, Marie-Laure (2014), \u00ab&#160;L\u2019exp\u00e9rience de l\u2019espace dans les jeux vid\u00e9o et les r\u00e9cits num\u00e9riques&#160;\u00bb, <em>Cahiers de Narratologie<\/em>, 27, URL&#160;: <a href=\"http:\/\/journals.openedition.org\/narratologie\/6997\">http:\/\/journals.openedition.org\/narratologie\/6997<\/a><\/p>\n<h2>Notes<\/h2>\n<p>[1] \u00ab&#160;Comics strike back&#160;: Digital Comics, Digital Audiences, Digital Practices&#160;\u00bb&#160;: <a href=\"https:\/\/www.digitalcomics.ugent.be\/call-for-paper\/\">https:\/\/www.digitalcomics.ugent.be\/call-for-paper\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-partners\">\n<h3 class=\"zn-singledetail-section-title\">Partenaires<\/h3>\n<div class=\"zn-singledetail-partners-list row small-up-2 medium-up-3 large-up-5 partnerlist\" data-equalizer data-equalize-on=\"medium\">\n<article class=\"summarypartner partner-5782 column\">\n\t<a class=\"summarypartner-box\" href=\"https:\/\/www.uca.fr\" title=\"Universit\u00e9 Clermont Auvergne\">\t\t<\/p>\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png\" alt=\"Logo Universit\u00e9 Clermont Auvergne\"><br \/>\n\t\t\t\t\t\t\t\t\t<\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tUniversit\u00e9 Clermont Auvergne\t\t\t\t\t\t<\/h3>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>\t<\/a><\/article>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-bande-dessinee\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/comics\/\" title=\"Bande dessin\u00e9e\"><span class=\"termslist-itemname\">Bande dessin\u00e9e<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-interaction\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/interaction-en\/\" title=\"Interaction\"><span class=\"termslist-itemname\">Interaction<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-intermedialite\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/intermedialite\/\" title=\"Interm\u00e9dialit\u00e9\"><span class=\"termslist-itemname\">Interm\u00e9dialit\u00e9<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-numerique\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/digital\/\" title=\"Num\u00e9rique\"><span class=\"termslist-itemname\">Num\u00e9rique<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 20 mai 2022 Th\u00e9matiques Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles Num\u00e9rique : strat\u00e9gies, dispositifs et usages R\u00e9ponse attendue pour le 31\/08\/2022 Type de r\u00e9ponse R\u00e9sum\u00e9 [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[29,57],"tags":[377,316,631,90],"thematique":[35,39],"sfsic":[],"class_list":["post-24685","post","type-post","status-publish","format-standard","hentry","category-aac-evenement","category-colloque","tag-bande-dessinee","tag-interaction","tag-intermedialite","tag-numerique","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","thematique-numerique-strategies-dispositifs-et-usages","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)<\/title>\n<meta name=\"description\" content=\"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique &quot;La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)&quot;. Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\" \/>\n<meta property=\"og:description\" content=\"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique &quot;La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)&quot;. Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-20T08:00:53+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/\"},\"author\":{\"name\":\"Axelle Martin\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\"},\"headline\":\"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\",\"datePublished\":\"2022-05-20T08:00:53+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/\"},\"wordCount\":1798,\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/skp-membership\\\/demande_adh\\\/logo_uca-320x310.png\",\"keywords\":[\"Bande dessin\u00e9e\",\"Interaction\",\"Interm\u00e9dialit\u00e9\",\"Num\u00e9rique\"],\"articleSection\":[\"AAC \u00c9v\u00e9nement\",\"Colloque\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/\",\"name\":\"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/skp-membership\\\/demande_adh\\\/logo_uca-320x310.png\",\"datePublished\":\"2022-05-20T08:00:53+00:00\",\"description\":\"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique \\\"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\\\". Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/skp-membership\\\/demande_adh\\\/logo_uca-320x310.png\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/skp-membership\\\/demande_adh\\\/logo_uca-320x310.png\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/aac-evenement\\\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Accueil\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Calls for Contributions\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfc-event\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Conference\",\"item\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/cfc-event\\\/conference\\\/\"},{\"@type\":\"ListItem\",\"position\":4,\"name\":\"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"name\":\"SFSIC\",\"description\":\"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l&#039;Information &amp; de la Communication\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#organization\",\"name\":\"SFSIC\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"contentUrl\":\"https:\\\/\\\/www.sfsic.org\\\/wp-inside\\\/uploads\\\/2020\\\/05\\\/logo-sfsic.jpg\",\"width\":1085,\"height\":1080,\"caption\":\"SFSIC\"},\"image\":{\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.sfsic.org\\\/en\\\/#\\\/schema\\\/person\\\/d3606993477708f4359fb9aeda58df3b\",\"name\":\"Axelle Martin\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g\",\"caption\":\"Axelle Martin\"},\"sameAs\":[\"@antropocominside\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)","description":"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique \"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\". Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/","og_locale":"en_US","og_type":"article","og_title":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)","og_description":"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique \"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\". Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.","og_url":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/","og_site_name":"SFSIC","article_published_time":"2022-05-20T08:00:53+00:00","og_image":[{"url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png","type":"","width":"","height":""}],"author":"Axelle Martin","twitter_card":"summary_large_image","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#article","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/"},"author":{"name":"Axelle Martin","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b"},"headline":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)","datePublished":"2022-05-20T08:00:53+00:00","mainEntityOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/"},"wordCount":1798,"publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#primaryimage"},"thumbnailUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png","keywords":["Bande dessin\u00e9e","Interaction","Interm\u00e9dialit\u00e9","Num\u00e9rique"],"articleSection":["AAC \u00c9v\u00e9nement","Colloque"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/","url":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/","name":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)","isPartOf":{"@id":"https:\/\/www.sfsic.org\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#primaryimage"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#primaryimage"},"thumbnailUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png","datePublished":"2022-05-20T08:00:53+00:00","description":"Appel \u00e0 contribution pour un colloque international qui traitera de la th\u00e9matique \"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)\". Ce colloque s\u2019inscrit dans l\u2019axe \u00ab Interactions sociales et interm\u00e9dialit\u00e9s \u00bb du CELIS.","breadcrumb":{"@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#primaryimage","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_uca-320x310.png"},{"@type":"BreadcrumbList","@id":"https:\/\/www.sfsic.org\/en\/aac-evenement\/la-bande-dessinee-numerique-espagne-portugal-amerique-latine\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/www.sfsic.org\/en\/"},{"@type":"ListItem","position":2,"name":"Calls for Contributions","item":"https:\/\/www.sfsic.org\/en\/cfc-event\/"},{"@type":"ListItem","position":3,"name":"Conference","item":"https:\/\/www.sfsic.org\/en\/cfc-event\/conference\/"},{"@type":"ListItem","position":4,"name":"La bande dessin\u00e9e num\u00e9rique (Espagne, Portugal, Am\u00e9rique Latine)"}]},{"@type":"WebSite","@id":"https:\/\/www.sfsic.org\/en\/#website","url":"https:\/\/www.sfsic.org\/en\/","name":"SFSIC","description":"Soci\u00e9t\u00e9 Fran\u00e7aise des Sciences de l&#039;Information &amp; de la Communication","publisher":{"@id":"https:\/\/www.sfsic.org\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.sfsic.org\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/www.sfsic.org\/en\/#organization","name":"SFSIC","url":"https:\/\/www.sfsic.org\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/","url":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","contentUrl":"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2020\/05\/logo-sfsic.jpg","width":1085,"height":1080,"caption":"SFSIC"},"image":{"@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.sfsic.org\/en\/#\/schema\/person\/d3606993477708f4359fb9aeda58df3b","name":"Axelle Martin","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/1065035eb5e480668fbf77e163c2e86f81ac342eaad4c8783acdf4a63f3c917b?s=96&d=mm&r=g","caption":"Axelle Martin"},"sameAs":["@antropocominside"]}]}},"_links":{"self":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/24685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/users\/781"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/comments?post=24685"}],"version-history":[{"count":5,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/24685\/revisions"}],"predecessor-version":[{"id":24690,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/posts\/24685\/revisions\/24690"}],"wp:attachment":[{"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/media?parent=24685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/categories?post=24685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/tags?post=24685"},{"taxonomy":"thematique","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/thematique?post=24685"},{"taxonomy":"sfsic","embeddable":true,"href":"https:\/\/www.sfsic.org\/en\/wp-json\/wp\/v2\/sfsic?post=24685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}