{"id":24297,"date":"2022-05-18T09:44:12","date_gmt":"2022-05-18T07:44:12","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=24297"},"modified":"2022-05-06T09:50:26","modified_gmt":"2022-05-06T07:50:26","slug":"guerre-et-patrimoine","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/aac-publication\/guerre-et-patrimoine\/","title":{"rendered":"Guerre et patrimoine"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2022-05-18T09:44:12+02:00\">18 mai 2022<\/time>\t\t\t\t<\/div>\n<p class=\"zn-singledetail-calenda-info\">\n\t\t\t\t\t\tInformations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce <a class=\"calenda-link prettylink\" href=\"https:\/\/calenda.org\/990353\" target=\"_blank\" rel=\"noopener\"><strong>Calenda<\/strong><\/a>.\t\t\t\t\t<\/p>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-medias-et-journalisme\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/media-and-journalism\/\" title=\"M\u00e9dias et journalisme\"><span class=\"termslist-itemname\">M\u00e9dias et journalisme<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-mediations-memorielles-culturelles-et-patrimoniales\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/memorial-cultural-and-heritage-mediation\/\" title=\"M\u00e9diations m\u00e9morielles, culturelles et patrimoniales\"><span class=\"termslist-itemname\">M\u00e9diations m\u00e9morielles, culturelles et patrimoniales<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>R\u00e9ponse attendue pour le<\/span><span class=\"doubledot\"><\/span> <strong>14\/06\/2022<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Type de r\u00e9ponse<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de contribution attendue<\/span><span class=\"doubledot\"><\/span> <strong>Article<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-name\">\n\t\t\t\t\t\t\t<span>Nom de la publication<\/span><span class=\"doubledot\"><\/span> <strong>Lettre de l&#8217;Ocim<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/ocim.fr\/lettre\/\" title=\"Site de la revue\" target=\"_blank\" rel=\"noopener\">Site de la revue<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<div id=\"annonce-990353-fr\" class=\"tabContent\" lang=\"fr\" xml:lang=\"fr\">\n<p>La lettre de l&rsquo;Ocim est une revue professionnelle qui s&rsquo;adresse \u00e0 tous les acteurs du milieu mus\u00e9al. Un AAC est lanc\u00e9 pour un num\u00e9ro \u00ab&#160;Guerre et patrimoine&#160;\u00bb.<\/p>\n<h2>Pr\u00e9sentation<\/h2>\n<p>L\u2019Ocim (observation, coop\u00e9ration, information mus\u00e9ales) est un centre national d\u2019id\u00e9ation, de savoirs partag\u00e9s et de r\u00e9f\u00e9rence pour les professionnels et chercheurs des mus\u00e9es, du patrimoine et des cultures scientifiques et techniques.<\/p>\n<p>Cr\u00e9\u00e9 en 1985, il est plac\u00e9 sous la double tutelle de l\u2019universit\u00e9 de Bourgogne et du minist\u00e8re de l\u2019\u00c9ducation Sup\u00e9rieure, de la Recherche et de l\u2019Innovation.<\/p>\n<p>\u00c0 l\u2019interface du terrain et de la recherche, il accompagne les acteurs dans l\u2019\u00e9volution de leurs pratiques, \u00e0 travers formations, rencontres et travaux d\u2019observation. Il produit et diffuse savoirs et synth\u00e8ses sous forme d\u2019articles, d\u2019ouvrages, d\u2019outils et de supports num\u00e9riques.<\/p>\n<p>Dans l\u2019ensemble de ses actions, l\u2019Ocim cultive les coop\u00e9rations dans le monde mus\u00e9al. Il privil\u00e9gie le travail en r\u00e9seau avec les acteurs professionnels, institutionnels et associatifs.<\/p>\n<p>Pour en savoir plus sur l&rsquo;Ocim, ses missions et sa gouvernance&#160;: <a href=\"https:\/\/ocim.fr\/presentation\/organisation\/\">https:\/\/ocim.fr\/presentation\/organisation\/<\/a><\/p>\n<p>La lettre de l&rsquo;Ocim est une revue professionnelle qui s&rsquo;adresse \u00e0 tous les acteurs du milieu mus\u00e9al. Tous les deux mois, elle pr\u00e9sente l&rsquo;actualit\u00e9 de ce milieu et propose des articles de fond sur la mus\u00e9ologie, la mus\u00e9ographie, la m\u00e9diation, la conservation-restauration, les relations science-recherche-soci\u00e9t\u00e9.<\/p>\n<h2>Num\u00e9ro th\u00e9matique<\/h2>\n<p>Le dossier \u00e9tudiera les enjeux mus\u00e9aux vis-\u00e0-vis de la protection du patrimoine en temps de guerre ainsi que la patrimonialisation de la m\u00e9moire des conflits. Pour ce num\u00e9ro, <em>La lettre<\/em> s\u2019inspirera \u00e9galement du 30e anniversaire de l\u2019album <em>Amused to death<\/em> de Roger Waters pour explorer les liens entre la guerre et le spectacle m\u00e9diatique, dans le contexte des m\u00e9dias de masse.<\/p>\n<h2>Modalit\u00e9s de soumission et d&rsquo;\u00e9valuation<\/h2>\n<p>Les auteurs et autrices qui souhaitent contribuer au num\u00e9ro sont invit\u00e9s \u00e0 nous soumettre un r\u00e9sum\u00e9 de 500 mots maximum en pr\u00e9cisant leur affiliation scientifique, \u00e0 david.fernandes@u-bourgogne.fr <strong>avant le 14 juin 2022<\/strong><\/p>\n<p>Ce num\u00e9ro est coordonn\u00e9 par Mathieu Viau-Courville, directeur de l&rsquo;Ocim, et David Fernandes, charg\u00e9 d&rsquo;\u00e9dition. Les propositions d&rsquo;articles sont \u00e9valu\u00e9es par la direction de l&rsquo;Ocim en lien avec le comit\u00e9 de lecture de <em>La lettre de l&rsquo;Ocim<\/em>.<\/p>\n<p>Pour plus d\u2019informations&#160;:<\/p>\n<ul>\n<li>david.fernandes@u-bourgogne.fr<\/li>\n<li><a class=\"moz-txt-link-freetext\" href=\"https:\/\/bit.ly\/contribuer-LO\">https:\/\/bit.ly\/contribuer-LO<\/a><\/li>\n<\/ul>\n<h2>Comit\u00e9 de lecture<\/h2>\n<ul>\n<li>Andr\u00e9e Bergeron, Centre Alexandre-Koyr\u00e9, MNHN, Paris<\/li>\n<li>Marie-Charlotte Calafat, Mucem, Marseille<\/li>\n<li>Rapha\u00ebl Chanay, Universcience, Paris<\/li>\n<li>Laurent Chicoineau, Quai des Savoirs, Toulouse<\/li>\n<li>Olivier Cogne, mus\u00e9e Dauphinois, Grenoble<\/li>\n<li>Francis Duranthon, mus\u00e9um de Toulouse<\/li>\n<li>Catherine Gauthier, universit\u00e9 Grenoble Alpes<\/li>\n<li>Daniel Jacobi, universit\u00e9 d\u2019Avignon<\/li>\n<li>Bruno Jacomy, Lyon<\/li>\n<li>Ludovic Maggioni, mus\u00e9um de Neuch\u00e2tel<\/li>\n<li>Fran\u00e7ois Mairesse, universit\u00e9 Sorbonne Nouvelle<\/li>\n<li>Nicolas Morel, mus\u00e9e Vert V\u00e9ron-de-Forbonnais, Le Mans<\/li>\n<li>Judith Pargamin, mus\u00e9e d\u2019Histoire naturelle de Lille<\/li>\n<li>Val\u00e9rie Perl\u00e8s, minist\u00e8re de La Poste<\/li>\n<li>Marion Sabourdy, Echosciences Grenoble<\/li>\n<\/ul>\n<\/div><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-guerre\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/war\/\" title=\"Guerre\"><span class=\"termslist-itemname\">Guerre<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-medias\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/medias-en\/\" title=\"M\u00e9dias\"><span class=\"termslist-itemname\">M\u00e9dias<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-musees\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/museums\/\" title=\"Mus\u00e9es\"><span class=\"termslist-itemname\">Mus\u00e9es<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-patrimoine-culturel\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/patrimoine-culturel\/\" title=\"Patrimoine culturel\"><span class=\"termslist-itemname\">Patrimoine culturel<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 18 mai 2022 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques M\u00e9dias et journalisme M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 14\/06\/2022 Type de [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[463,390,175,367],"thematique":[34,38],"sfsic":[],"class_list":["post-24297","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-guerre","tag-medias","tag-musees","tag-patrimoine-culturel","thematique-medias-et-journalisme","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Guerre et patrimoine<\/title>\n<meta name=\"description\" content=\"La lettre de l&#039;Ocim est une revue professionnelle qui s&#039;adresse \u00e0 tous les acteurs du milieu mus\u00e9al. 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