{"id":20685,"date":"2021-12-05T12:00:42","date_gmt":"2021-12-05T11:00:42","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=20685"},"modified":"2021-12-04T19:48:34","modified_gmt":"2021-12-04T18:48:34","slug":"patrimonialisations-de-la-litterature","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/publication\/patrimonialisations-de-la-litterature\/","title":{"rendered":"Patrimonialisations de la litt\u00e9rature"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> 4 d\u00e9cembre 2021\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-mediations-memorielles-culturelles-et-patrimoniales\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/memorial-cultural-and-heritage-mediation\/\" title=\"M\u00e9diations m\u00e9morielles, culturelles et patrimoniales\"><span class=\"termslist-itemname\">M\u00e9diations m\u00e9morielles, culturelles et patrimoniales<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de publication<\/span><span class=\"doubledot\"><\/span> <strong>Num\u00e9ro de revue<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-name\">\n\t\t\t\t\t\t\t<span>Nom de la publication<\/span><span class=\"doubledot\"><\/span> <strong>Culture &amp; Mus\u00e9es<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-edition\">\n\t\t\t\t\t\t\t<span>\u00c9dition<\/span><span class=\"doubledot\"><\/span> <strong>OpenEditions Journal<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateur(s) \/ Auteur(s)<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Marcela<\/span> <span>Scibiorska<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Mathilde<\/span> <span>Labbe <\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>David <\/span> <span>Martens<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"https:\/\/journals.openedition.org\/culturemusees\/6543\" title=\"En ligne sur OpenEdition\" target=\"_blank\" rel=\"noopener\">En ligne sur OpenEdition<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<div id=\"publiIntroduction\">\n<div id=\"intro-6543-fr\" class=\"tabContent ltr\" lang=\"fr\" xml:lang=\"fr\">\n<p><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-20691 aligncenter\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-189x300.png\" alt=\"\" width=\"189\" height=\"300\" srcset=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-189x300.png 189w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-646x1024.png 646w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-768x1218.png 768w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-968x1536.png 968w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-1291x2048.png 1291w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-202x320.png 202w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-1600x2538.png 1600w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-1920x3045.png 1920w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-780x1237.png 780w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38-200x317.png 200w, https:\/\/www.sfsic.org\/wp-inside\/uploads\/2021\/12\/culturemusees_38.png 2000w\" sizes=\"auto, (max-width: 189px) 100vw, 189px\" \/><\/p>\n<ul>\n<li>\n<div class=\"author\"><strong>Dominique <span class=\"familyName\">Poulot<\/span> et \u00c9ric <span class=\"familyName\">Triquet<\/span><\/strong><\/div>\n<div class=\"title\">\u00c9ditorial<\/div>\n<\/li>\n<\/ul>\n<p>Parmi les domaines caract\u00e9ris\u00e9s par une charge patrimoniale forte, la litt\u00e9rature continue d\u2019occuper une position de premier plan dans les soci\u00e9t\u00e9s contemporaines. Si nous connaissons la litt\u00e9rature du pass\u00e9 et lui accordons une valeur, c\u2019est en effet dans une large mesure parce qu\u2019elle fait l\u2019objet de processus de patrimonialisation multiples, qui lui conf\u00e8rent sa place en la dotant de fonctions et valeurs sp\u00e9cifiques. Les modes de patrimonialisation de la litt\u00e9rature reposent sur un panel d\u2019articulations entre la constitution d\u2019un savoir historique et l\u2019affectivit\u00e9 sp\u00e9cifique que suscite un pass\u00e9 rendu pr\u00e9sent, disponible et l\u00e9gitime. L\u2019une des principales finalit\u00e9s de ce dossier est d\u2019identifier certaines des lignes de force de ce processus multiforme et de contribuer ainsi au dialogue et \u00e0 la convergence de recherches \u00e9manant de champs disciplinaires rest\u00e9s longtemps relativement \u00e9tanches, en raison de la diversit\u00e9 des types de discours, de m\u00e9diums et d\u2019institutions qui font de la litt\u00e9rature et des \u00e9crivains des \u00ab&#160;\u00eatres culturels&#160;\u00bb investis d\u2019une valeur patrimoniale.<\/p>\n<h2 class=\"section\"><span class=\"text\">Dossier<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Marcela <span class=\"familyName\">Scibiorska<\/span>, Mathilde <span class=\"familyName\">Labb\u00e9<\/span> et David <span class=\"familyName\">Martens<\/span><\/strong><\/div>\n<div class=\"title\">Introduction. Patrimonialisations de la litt\u00e9rature. Institutions, m\u00e9diations, instrumentalisations<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Jordi <span class=\"familyName\">Brahamcha-Marin<\/span><\/strong><\/div>\n<div class=\"title\">Victor Hugo entre r\u00e9ception patrimoniale et r\u00e9ception politique (1902-1944)<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Victor Hugo between heritage and political receptions (1902-1944)<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Sylvia <span class=\"familyName\">Chassaing<\/span><\/strong><\/div>\n<div class=\"title\">L\u2019Institut litt\u00e9raire Gorki \u00e0 Moscou&#160;: la patrimonialisation de la cr\u00e9ation litt\u00e9raire<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">The Gorky Literature Institute in Moscow&#160;: from patrimonialisation to literary creation<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">El Instituto Literario Gorki de Mosc\u00fa&#160;: la patrimonializaci\u00f3n de la creaci\u00f3n literaria<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Emmanuelle <span class=\"familyName\">Guittet<\/span><\/strong><\/div>\n<div class=\"title\">L\u2019enseignement litt\u00e9raire \u00e0 l\u2019\u00e9cole. Quand la transmission du go\u00fbt pour la lecture c\u00e8de le pas \u00e0 la valorisation du patrimoine litt\u00e9raire<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Literary education in schools. When transmitting taste gives way to highlighting literary heritage<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">La educaci\u00f3n literaria en la escuela. Cuando la transmisi\u00f3n del gusto por la lectura da paso a la valorizaci\u00f3n del patrimonio literario<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Lilas <span class=\"familyName\">Bass<\/span><\/strong><\/div>\n<div class=\"title\">La classicisation des \u00e9crivaines \u00e0 la Biblioth\u00e8que nationale de France&#160;: \u00e9tude des politiques d\u2019acquisition et de valorisation des \u0153uvres produites par des femmes<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Female authors become classics at the Biblioth\u00e8que Nationale de France&#160;: a study in acquisition policy and the promotion of women\u2019s works<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">La clasicizaci\u00f3n de las escritoras en la Biblioteca Nacional de Francia&#160;: an\u00e1lisis de las pol\u00edticas de adquisici\u00f3n y puesta en valor de las obras producidas por mujeres<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Selina <span class=\"familyName\">Follonier<\/span><\/strong><\/div>\n<div class=\"title\">Le patrimoine audiovisuel de la litt\u00e9rature&#160;: temps et contretemps m\u00e9moriel<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Literature\u2019s audiovisual heritage&#160;: time and countertime of memory <\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">El patrimonio audiovisual de la literatura&#160;: tiempo y contratiempo memorial<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Jessica de <span class=\"familyName\">Bideran<\/span><\/strong><\/div>\n<div class=\"title\">Num\u00e9risation et mise en sc\u00e8ne du patrimoine litt\u00e9raire dans les maisons d\u2019\u00e9crivains&#160;: la visite virtuelle du Centre Fran\u00e7ois-Mauriac de Malagar<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Digitization and staging of literary heritage in authors\u2019 homes&#160;: the virtual visit of the Centre Fran\u00e7ois Mauriac in Malagar <\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">Digitalizaci\u00f3n y puesta en escena del patrimonio literario en las casas de escritores&#160;: la visita virtual del Centro Fran\u00e7ois Mauriac de Malagar<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Anna <span class=\"familyName\">Iuso<\/span><\/strong><\/div>\n<div class=\"title\">\u00d4 Rom\u00e9o, Rom\u00e9o&#160;! La Maison de Juliette et l\u2019illusion litt\u00e9raire<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">O Romeo, Romeo&#160;! Juliet\u2019s House and literary Illusion <\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">\u00a1Oh Romeo, Romeo&#160;! La Casa de Julieta y la ilusi\u00f3n literaria<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Luca <span class=\"familyName\">Di\u00a0Gregorio<\/span><\/strong><\/div>\n<div class=\"title\">Quand exposer, c\u2019est paysager. L\u2019\u00ab&#160;effet parc litt\u00e9raire&#160;\u00bb \u00e0 travers l\u2019exemple de Gabriele D\u2019Annunzio<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">When exhibition becomes landscaping. The \u201cliterary park effect\u201d as seen through the example of Gabriele D\u2019Annunzio<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">Cuando la exposici\u00f3n es paisajismo. El \u201cefecto parque literario\u201d a trav\u00e9s del ejemplo de Gabriele D\u2019Annunzio<\/span><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Marie-Cl\u00e9mence <span class=\"familyName\">R\u00e9gnier<\/span><\/strong><\/div>\n<div class=\"title\">Les \u00ab&#160;h\u00f4tels litt\u00e9raires&#160;\u00bb \u00e0 Paris&#160;: une patrimonialisation 4\u00a0\u00e9toiles de l\u2019objet litt\u00e9raire&#160;?<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Literary hotels in Paris&#160;: a 4 star patrimonialization of literature&#160;?<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">Hoteles literarios en Par\u00eds&#160;: \u00bfUna patrimonializaci\u00f3n 4\u00a0estrellas del objeto literario&#160;?<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Heike <span class=\"familyName\">Gfrereis<\/span>, Helmut <span class=\"familyName\">Neundlinger<\/span>, Johan <span class=\"familyName\">Schimanski<\/span> et Ulrike <span class=\"familyName\">Spring<\/span><\/strong><\/div>\n<div class=\"title\">Litt\u00e9rature, expositions et communication&#160;: une conversation<\/div>\n<div class=\"altertitle\" lang=\"en\" xml:lang=\"en\"><span lang=\"en\" xml:lang=\"en\">Literature, exhibitions and communication&#160;: a conversation<\/span><\/div>\n<div class=\"altertitle\" lang=\"es\" xml:lang=\"es\"><span lang=\"es\" xml:lang=\"es\">Literatura, exposiciones y comunicaci\u00f3n&#160;: une conversaci\u00f3n<\/span><\/div>\n<\/li>\n<\/ul>\n<\/div>\n<div id=\"intro-6543-en\" class=\"tabContent hidden ltr\" lang=\"en\" xml:lang=\"en\">\n<h2 class=\"section\"><span class=\"text\">Lectures<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Catherine <span class=\"familyName\">Gauthier<\/span><\/strong><\/div>\n<div class=\"title\"><span lang=\"en\" xml:lang=\"en\">Catherine Cuenca. <\/span>2018. <em>Une politique contemporaine du patrimoine des sciences et techniques<\/em><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Fran\u00e7oise <span class=\"familyName\">Rigat<\/span><\/strong><\/div>\n<div class=\"title\">Marie-Sylvie Poli. 2020. <em>Chercheurs \u00e0 l\u2019\u00e9coute. M\u00e9thodes qualitatives pour saisir les effets d\u2019une exp\u00e9rience culturelle<\/em><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Marie-Sylvie <span class=\"familyName\">Poli<\/span><\/strong><\/div>\n<div class=\"title\">Serge Chaumier &amp; Isabelle Roussel-Gillet. 2020.<em> Le Go\u00fbt des mus\u00e9es<\/em><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Jana\u00efne <span class=\"familyName\">Golonka<\/span><\/strong><\/div>\n<div class=\"title\">Eva Sandri. 2020. <em>Les Imaginaires num\u00e9riques au mus\u00e9e&#160;? D\u00e9bats sur les injonctions \u00e0 l\u2019innovation<\/em> <span class=\"fullText\"> [Texte<br \/>\n<\/span><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Nicolas <span class=\"familyName\">Peyre<\/span><\/strong><\/div>\n<div class=\"title\">Gwena\u00eblle de Kerret. 2019. <em>L\u2019Identit\u00e9 visuelle des mus\u00e9es \u00e0 l\u2019\u00e8re des marques<\/em><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Dominique <span class=\"familyName\">Poulot<\/span><\/strong><\/div>\n<div class=\"title\">Krzysztof Pomian. <em>Le Mus\u00e9e, une histoire mondiale<\/em>. T.\u00a02&#160;: <em>L\u2019Ancrage europ\u00e9en, 1789-1850<\/em><\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Dominique <span class=\"familyName\">Poulot<\/span><\/strong><\/div>\n<div class=\"title\"><em><span lang=\"en\" xml:lang=\"en\">Worlds in a Museum. Exploring Contemporary Museology<\/span><\/em><\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Dominique <span class=\"familyName\">Poulot<\/span><\/strong><\/div>\n<div class=\"title\">Elsa Guyot. 2021. <em>Rejouer l\u2019histoire. Le Moyen \u00c2ge dans les mus\u00e9es du Qu\u00e9bec<\/em><\/div>\n<\/li>\n<\/ul>\n<h2 class=\"section\"><span class=\"text\">\u00c9tudes &amp; notes de recherche<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>Clothilde <span class=\"familyName\">Roullier<\/span><\/strong><\/div>\n<div class=\"title\">De la biblioth\u00e8que au rond-point&#160;: la patrimonialisation fragment\u00e9e de Robert Pinget<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Murielle Sandra <span class=\"familyName\">Tiako\u00a0Djomatchoua<\/span><\/strong><\/div>\n<div class=\"title\">Le paradoxe de la patrimonialisation litt\u00e9raire en contexte camerounais (1950 \u00e0 1980)<\/div>\n<\/li>\n<\/ul>\n<h2 class=\"section\"><span class=\"text\">Paroles de jeunes docteurs<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>S\u00e9bastien <span class=\"familyName\">Appiotti<\/span><\/strong><\/div>\n<div class=\"title\">Photographiez, participez&#160;! Cadrage du regard et pratiques photographiques du public au fil des mutations du Grand Palais<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Marie-Charlotte <span class=\"familyName\">Franco<\/span><\/strong><\/div>\n<div class=\"title\">La d\u00e9colonisation et l\u2019autochtonisation au Mus\u00e9e McCord (1992-2019)<\/div>\n<\/li>\n<li class=\"textes even\">\n<div class=\"author\"><strong>Fanny <span class=\"familyName\">Fouch\u00e9<\/span><\/strong><\/div>\n<div class=\"title\">Arch\u00e9ologie d\u2019une \u00e9piphanie. Du reliquaire au Moyen \u00c2ge et de ses red\u00e9ploiements expographiques<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Pascal <span class=\"familyName\">Bu\u00e9<\/span><\/strong><\/div>\n<div class=\"title\">Architecture et r\u00e9alit\u00e9 augment\u00e9e, une mani\u00e8re d\u2019\u00e9crire l\u2019espace. La pens\u00e9e visuelle instrument\u00e9e<\/div>\n<\/li>\n<\/ul>\n<h2 class=\"section\"><span class=\"text\">Exp\u00e9riences et points de vue<\/span><\/h2>\n<ul>\n<li class=\"author\"><strong>Emmanu\u00e8le <span class=\"familyName\">Payen<\/span> et David <span class=\"familyName\">Martens<\/span><\/strong><\/li>\n<\/ul>\n<div class=\"title\">\u00ab&#160;Une possibilit\u00e9 de vagabondage&#160;\u00bb. Exposer \u00e0 la Bpi. Entretien avec Emmanu\u00e8le Payen, cheffe du service du D\u00e9veloppement culturel &amp;\u00a0Actualit\u00e9 \u00e0 la Bpi, Centre Pompidou, r\u00e9alis\u00e9 par David Martens<\/div>\n<ul>\n<li class=\"author\"><strong>Katy <span class=\"familyName\">Tari<\/span> et Marie-Sylvie <span class=\"familyName\">Poli<\/span><\/strong><\/li>\n<\/ul>\n<div class=\"title\">Innover en temps de pand\u00e9mie \u00e0 Pointe-\u00e0-Calli\u00e8re. Entretien avec Katy Tari, directrice des collections, des programmes et services au public, r\u00e9alis\u00e9 par Marie-Sylvie Poli<\/div>\n<\/div>\n<\/div>\n<h2 class=\"section\"><span class=\"text\">Visites d\u2019expositions<\/span><\/h2>\n<ul class=\"summary\">\n<li class=\"textes even\">\n<div class=\"author\"><strong>In\u00e9s <span class=\"familyName\">Moreno<\/span><\/strong><\/div>\n<div class=\"title\"><em>Robots<\/em>&#160;: l\u2019exposition de la CSI exp\u00e9rimente l\u2019interaction visiteur-robot<\/div>\n<\/li>\n<li class=\"textes odd\">\n<div class=\"author\"><strong>Denis <span class=\"familyName\">Chevallier<\/span><\/strong><\/div>\n<div class=\"title\">Les \u00ab&#160;Rivages de l\u2019Autriche&#160;\u00bb. Un nouveau parcours dans les collections permanentes du Mus\u00e9e autrichien des arts et traditions populaires de Vienne<\/div>\n<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-litterature\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/literature\/\" title=\"Litt\u00e9rature\"><span class=\"termslist-itemname\">Litt\u00e9rature<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-patrimoine\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/heritage\/\" title=\"Patrimoine\"><span class=\"termslist-itemname\">Patrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 4 d\u00e9cembre 2021 Th\u00e9matiques M\u00e9diations m\u00e9morielles, culturelles et patrimoniales Type de publication Num\u00e9ro de revue Nom de la publication Culture &amp; Mus\u00e9es \u00c9dition OpenEditions Journal Coordinateur(s) [&hellip;]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[70,31],"tags":[192,193],"thematique":[38],"sfsic":[],"class_list":["post-20685","post","type-post","status-publish","format-standard","hentry","category-numero-revue","category-publication","tag-litterature","tag-patrimoine","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Patrimonialisations de la litt\u00e9rature<\/title>\n<meta name=\"description\" content=\"Le num\u00e9ro 38 de la revue Culture &amp; Mus\u00e9es, consacr\u00e9 \u00e0 la th\u00e9matique des patrimonialisations de la litt\u00e9rature, sous la direction de Marcela Scibiorska, Mathilde Labbe et David Martens, est en ligne.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/publication\/patrimonialisations-de-la-litterature\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Patrimonialisations de la litt\u00e9rature\" \/>\n<meta property=\"og:description\" content=\"Le num\u00e9ro 38 de la revue Culture &amp; 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