{"id":19200,"date":"2021-07-06T10:19:37","date_gmt":"2021-07-06T08:19:37","guid":{"rendered":"https:\/\/www.sfsic.org\/uncategorized\/19184\/"},"modified":"2021-07-06T10:38:47","modified_gmt":"2021-07-06T08:38:47","slug":"19184","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/cfc-event\/19184\/","title":{"rendered":"The Houses of the Illustrious : memories on the move"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Posted on<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2021-07-06T10:19:37+02:00\">6 July 2021<\/time>\t\t\t\t<\/div>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-knowledge-mediation-education-and-training\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/thematiques\/knowledge-mediation-education-and-training\/\" title=\"Knowledge mediation, education and training\"><span class=\"termslist-itemname\">Knowledge mediation, education and training<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>Expected response for the<\/span><span class=\"doubledot\"><\/span> <strong>15\/01\/2022<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Response type<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Event type<\/span><span class=\"doubledot\"><\/span> <strong>Conference<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-contacts\">\n<h3 class=\"zn-singledetail-section-title\">Contacts<\/h3>\n<ul class=\"zn-singledetail-contacts-list\">\n<li class=\"zn-singledetail-contact\">\n\t\t\t\t\t\t\t<span class=\"zn-singledetail-contact-name\">Universit\u00e9 Bourgogne-Franche-Comt\u00e9 : Anne Parizot, Professeure, Lab. CIMEOS<\/span><span class=\"doubledot\"><\/span><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"zn-singledetail-contact-mail prettylink\" href=\"mailto:anne.collet-parizot@univ-fcomte.fr\">anne.collet-parizot@univ-fcomte.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-contact\">\n\t\t\t\t\t\t\t<span class=\"zn-singledetail-contact-name\">EPCC Terre de Louis Pasteur : Daniel Raichvarg, Charg\u00e9 de Mission Acad\u00e9mie des sciences<\/span><span class=\"doubledot\"><\/span><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"zn-singledetail-contact-mail prettylink\" href=\"mailto:daniel.raichvarg@u-bourgogne.fr\">daniel.raichvarg@u-bourgogne.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-eventinfo is-sfsic-label\">\n<div class=\"zn-singledetail-eventinfo-inner\">\n<h3 class=\"zn-singledetail-section-title zn-singledetail-eventinfo-title\">SFSIC labelled event<\/h3>\n<div class=\"zn-singledetail-eventdates\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Event dates<span class=\"doubledot\"><\/span><\/span><\/p>\n<ul class=\"zn-singledetail-eventdates-list\">\n<li class=\"zn-singledetail-eventdates-item\">\n\t\t\t\t\t\t\t\tFrom <time class=\"event-start-time\" datetime=\"2021-07-08T00:00:00+00:00\">08\/07\/2021<\/time> at <time class=\"event-end-time\" datetime=\"2022-06-10T00:00:00+00:00\">10\/06\/2022<\/time>\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<p class=\"zn-singledetail-eventplace\">\n\t\t\t\t\t\t<span class=\"zn-singledetail-label\">Event place<span class=\"doubledot\"><\/span><\/span><br \/>\n\t\t\t\t\t\t<span class=\"zn-singledetail-eventplace-adr\"><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t<span class=\"adr-name\">Espace Pasteur<\/span>,<\/p>\n<p>\t\t\t\t\t\t<span class=\"adr-city\">Arbois<\/span>\t\t\t\t\t\t, <span class=\"adr-country\">France<\/span><br \/>\n\t\t\t\t\t\t<\/span>\t\t\t\t\t<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-annonce wig-content\">\n<p style=\"text-align: center;\"><strong><em>As part of the celebration of<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em>Bicentenary of Louis Pasteur\u2019s birth (1822-2022)<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong><em>The Houses of the Illustrious\u00a0: memories on the move<\/em><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>\u00a0<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>Arbois (Jura)<\/strong><\/p>\n<p style=\"text-align: center;\"><strong>8-9-10 june 2022<\/strong><\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>Conference organized by the CIMEOS Research Unit (UBFC) and the Public Cultural Cooperation Establishment <em>Terre de Louis Pasteur<\/em><\/p>\n<p>Labeled by the French Society for Information and Communication Studies,<\/p>\n<p>with the support of the Club des Illustres, the City of Arbois and the Community <em>Heart of Jura<\/em>.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<blockquote>\n<p>\u00ab\u00a0Created in 2011, the label \u00ab\u00a0Maisons des Illustres\u00a0\u00bb points out places whose vocation is to preserve and transmit the memory of women and men who have distinguished themselves in the political, social and cultural history of France\u2026 It represents an official recognition of the heritage interest of the House\u2026 The network now has 250 houses\u00a0\u00bb.<\/p>\n<\/blockquote>\n<p style=\"text-align: right;\">Website of the French Ministry of Cultural Affairs<\/p>\n<p>&nbsp;<\/p>\n<p>&#8220;Preserve&#8221;, &#8220;transmit&#8221;, &#8220;memory&#8221;, &#8220;social and cultural political history&#8221;, &#8220;heritage interest&#8221;, &#8220;network&#8221;&#8230; so many words that &#8220;label&#8221; the label, so many words that question it. A commemoration &#8211; in this case, the bicentenary of the birth &#8211; of a local, regional, national, or worldwide illustrious person &#8211; Louis Pasteur &#8211; is an opportunity to question these words, all the more so since the primary meaning of commemoration relates to death and, precisely, we are commemorating the birth of the illustrious person \u2013 not yet illustrious and now illustrious, especially after his death.<\/p>\n<p>This collective act reminds the community of the key events in its history, but it defines, too, its (a\u00a0?) local identity: this community is incresaingly concerned about positioning itself and having its history and socio-cultural roots recognized in order to strengthen its sense of existence and belonging. The territory is indeed a highly symbolic perimeter. Each territory builds its identity with the story of collective histories, often warlike, heroic or even, more globally, cultural. Those who have had the privilege of seeing illustrious people born or live capitalize on a form of notoriety that intrigues. For illustrious people often remind us that part of their character comes from the land where they were born and lived.<\/p>\n<p>Since the 19th century, the relationship between historical figures and learned societies and the patrimonial use of the Illustrious were, in fact, set up in a territorial marketing perspective. These houses of the Illustrious also began in a close relationship with the &#8220;monument&#8221;, which is worthy of perpetuation, the memorial sign par excellence, of a city, a region. All these stories have fed, in many works, the answers on the qualities of a territory, using magical thinking to activate a mysterious &#8220;law of contagion&#8221; at the origin of this fetishism of the places, that is added to the strange attraction of the objects they contain and that the commemoration is there to reactivate a-periodically.<\/p>\n<p>But this &#8220;law of contagion&#8221; has spread to multiple spaces: the territory of the Illustrious, of his objects and of his house, cannot now be thought of without its relations with other territories. The commemorations are encrusted in a label, a &#8220;brand&#8221;, the objects are metamorphosed into products and the borders of these territories are less and less physical: the territories &#8220;have taken their virtual quarters&#8221;<a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn1\" name=\"_ftnref1\">[1]<\/a>.<\/p>\n<p>The Illustrious were born, by their social function, under the Enlightenment of Diderot and Reason, and their houses with them &#8211; the museum-pseudo-house of Diderot was inaugurated on the tercentenary of his birth<a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn2\" name=\"_ftnref2\">[2]<\/a>. They grew up, and their houses with them, under the dim lights of Freud and Memory &#8211; Freud&#8217;s birthplace is a house-museum in Pribor now in&#8230; Czechia. They continue their illustrious lives, and their houses with them, under the dim lights of Disney and Pleasure &#8211; Disney&#8217;s birthplace has become a private home in Chicago. Finally, now, under the pixelated lights, they post themselves, and their houses with them, on Facebook, communicate on Twitter, have fans on YouTube.<\/p>\n<p>Intended to be singled out, to be exemplified, they come out of themselves. They serve, and their houses with them, to nourish tourism, to create an &#8220;efficient&#8221; territorial identity and are forms of using the past in a perspective of attractiveness. How can we identify, analyze and understand the stakes involved in setting up a phygital life of the Illustrious and their houses at the community level and on territories that are increasingly large, increasingly distant and increasingly elusive? Are commemorations and other events, derivative products soluble in territorial branding (or even more!)? It is not easy to &#8220;live&#8221; listening to Freud, who lived in his native house for three years, Disney, who lived there for five years, and possibly Diderot, who lived in his two adjoining houses for fourteen years!<\/p>\n<p><em>Branding, territory, museography, brand, exceptional, magical thought&#8230; The questions are numerous, the answers are complex.<\/em><\/p>\n<p>This symposium concerns the issues of the Houses of the Illustrious understood as local and territorial devices mobilizing a host of actors, taking into account their objects and their installations in territories with variable geometry &#8211; physical and digital territories, &#8220;phygital&#8221; territories. It wants to bring together, around these questions, staff working in the world of Houses and\/or gravitating around them &#8211; operational, political or associative actors &#8211; and staff working in the world of university research, a research involved and engaged in practice. It also hopes to participate in the enrichment of the houses&#8217; links with each other and with the universities, to help facilitate the Network of Houses of The Illustrious through the establishment of regular meetings, and the development of the links between these Houses and their territories.<\/p>\n<p>Three lines for reflections are proposed:<\/p>\n<ol>\n<li>A first question concerns the label itself. What meaning can we attribute to it? What dynamics has it made (or not!) possible? How was the Illustre&#8217;s switch to &#8220;labeled&#8221; Illustre thanks to his house? Conversely, does the labeling of a house build an Illustrated? What does this label do to the social figure<a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn3\" name=\"_ftnref3\">[3]<\/a> of the Illustre? What functions does this process of &#8220;exceptionalization&#8221; play in the life of the Houses, in its popular attractiveness, in the understanding of the history and work of the Illustre?<br \/>\n<span style=\"font-size: inherit;\">Places are multiplying &#8211; and sometimes labels! &#8211; stuck between souvenir and memory, the porting of a history and the installation of symbols that differ according to whether the house is a house-museum &#8220;allowing to enter into the intimacy of these illustrious people through objects and furniture preserved in their setting of origin, an archive house &#8220;presenting and valuing various documents and testimonies&#8221;, a house-creation &#8220;where <\/span><em style=\"font-size: inherit;\">carte blanche<\/em><span style=\"font-size: inherit;\"> was given to an artist for an aesthetic evocation&#8221; or perpetuating &#8220;the spirit of the illustrious character by welcoming the residence of writers, painters or actors.&#8221;<\/p>\n<p><\/span><\/li>\n<li>A second question concerns the &#8220;objects&#8221; that inhabit these Houses and the memories that inhabit us. What stories do these objects bear, material and immaterial? How are they built? How are they, in turn, carried by the Houses? What does She\/He eat? What is She\/He drinking? How does She\/He wash? Does She\/He sing? Does She\/He have a garden? How to work on a &#8220;memo-mobility&#8221; search, a &#8220;daily memo&#8221;? How is the life of an Illustre told, sometimes with stories with plural origins, sometimes uncertain? How can these &#8220;transmedia&#8221; stories be taken into account? How to work on research on the cultural expressions of the Illustrious, media and popular? How to keep, build, evoke heritage atmospheres and how to make them dialogue with emotions?<br \/>\n<span style=\"font-size: inherit;\">This form of belonging to all is to be compared with inventions \/ works that belong to all equally. It circulates in the veins of the house: the vagaries of people and furniture, the fixation of objects on one side, and, on the other, derived, if not degraded (or even &#8220;infamous&#8221; pieces<\/span><a style=\"font-size: inherit;\" href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn4\" name=\"_ftnref4\">[4]<\/a><span style=\"font-size: inherit;\">), scholarly and familiar narratives, sometimes co-constructed, which can be exploited as communication strategies.<br \/>\n<\/span><span style=\"font-size: inherit;\">The sanctification (sometimes synonymous with immobility) is, at all times, in discussion with mediations, public presentations, renovations, new sets, themselves transmedias (sometimes synonymous with appearance).<\/p>\n<p><\/span><\/li>\n<li>A third question concerns the inscription in the territories of these Houses and their Illustrious and the local involvement, which is essential. Essential, also, is the link between valuation, singularization of historical characters and impact on the territory, economic, but social too. How to combine waiting communication with pro-active communication? How can we work, in the digital age, an event communication, (com)memorial, occasional? How our Illustrious are \/can they be\/ bearers of a brand<a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn5\" name=\"_ftnref5\"><em><strong>[5]<\/strong><\/em><\/a>?<br \/>\n<span style=\"font-size: inherit;\">In the context of digital territorial communication, the participation of targeted audiences is increasingly desired in order to provoke contact, mobilize communities of interest and maintain the relationship, once the visit is made. How does this strategy of capturing and retaining these target audiences use social networks and related Community Management techniques? How do the Illustrious engage the inhabitants and social actors of their territory in a visiting experience &#8211; becoming a co-constructed experience perhaps &#8211; that is defined as a journey upstream and downstream of the visit itself? Finally, more generally, how can all stakeholders be involved in a policy of valuing the Illustrious? heritage? what heritage? of a city? territory or even a region? What strategies? A commemoration? How, in the end, do they make their territory speak to other territories?<\/span><\/li>\n<\/ol>\n<p><span style=\"font-size: inherit;\">How to cross the views (and actions!): the oriented view &#8220;museum&#8221; and &#8220;conservation&#8221; and the oriented view &#8220;network&#8221; and &#8220;wonderization&#8221;<\/span><a style=\"font-size: inherit;\" href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftn6\" name=\"_ftnref6\">[6]<\/a><span style=\"font-size: inherit;\">? A continuum probably exists between, on the one hand, breathing the &#8220;spirit of the place&#8221; that haunts the house and &#8220;smoothing&#8221; the image of the one who inhabited it, more or less long, and, on the other, &#8220;breaking the walls&#8221; of the so-called house and &#8220;pasticher&#8221; the image of the so-called illustrious, taking it out of the silo in which it tends to be enclosed. Let&#8217;s collect, commemorate, market at once&#8230; Let&#8217;s set objects, men, places in motion&#8230;<\/span><\/p>\n<p>How, too, to live&#8230; without a label! How do all these questions arise and all these views are carried elsewhere, in other countries, on other cultural territories, when the Illustrious are not so designated and their Houses stigmatized?<\/p>\n<p>Open to academic professionals and professionals of the Houses (or &#8220;not yet houses&#8221; or &#8220;other houses&#8221;, labeled or not&#8230;), contributions and interventions can (must!) be renderings of actions and research renderings &#8211; research-actions, on-going research, perhaps! The questions raised are numerous and can only receive collective, interdisciplinary, interprofessional and inter-actor responses. The successful proposals will be programmed so that they can be subject to constructive discussions with the participants, discussions of which the book from the symposium will also ensure publicization.<\/p>\n<p>The conference will take place over two days, including lectures, workshops, convivial, cultural and spectacular events. It will be preceded by the General Assembly of the <em>Club des Illustres<\/em>.<\/p>\n<p>It will begin with an introduction delivered by Dominique FERRIOT, Academy of Technologies. This introduction will be followed by a speech by Jean-Fran\u00e7ois BOURASSEAU and Pierre-Yves MAHE, co-founders of the Club des Illustres, and a comprehensive presentation on the objectives and implementation of the project (Anne PARIZOT and Daniel RAICHVARG, Lab. CIMEOS, UBFC). It will continue with the rendering of an investigation into the Houses of Illustrations, the results of which will be offered to the collective discussion.<\/p>\n<p>In the previous months, a virtual exhibition will take place: <em>Quand un Illustre (Pasteur) en invite d\u2019autres chez lui<\/em>(<em>When an Illustrious (Pasteur) invites others to his home<\/em>)<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Provisional program<\/strong><\/h2>\n<h3><strong>Wednesday, June 8<\/strong><\/h3>\n<p>16.00-18.00: General Assembly of the <em>Club des Illustres<\/em>, Jean-Fran\u00e7ois BOURASSEAU (Maison natale de Georges Clemenceau. mus\u00e9e national Clemenceau-de Lattre) and Pierre-Yves MAHE (Maison Niepce), co-founders of the <em>Club des Illustres<\/em>.<\/p>\n<p>Topic of discussion: the relationship between the Houses of Illustrations and universities (experiences with students, trainees, researchers).<\/p>\n<p>&nbsp;<\/p>\n<p>Free dinner<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h3><strong>Thursday, June 9<\/strong><\/h3>\n<p>09.00-09.30: \u00a0\u00a0\u00a0 Val\u00e9rie DEPIERRE, Mayor of Arbois<\/p>\n<p>Dominique FERRIOT, Academy of Technologies<\/p>\n<p>Jean-Fran\u00e7ois BOURASSEAU and Pierre-Yves MAHE, Club des Illustres<\/p>\n<p>Anne PARIZOT and Daniel RAICHVARG, Lab. CIMEOS, UBFC: <em>Objectives and implementation of the project<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>09.30-11.00: Conferences and exchanges on each of the 3 questions:<\/p>\n<ul>\n<li>Delphine SAURIER (Audencia, Nantes), <em>My beautiful label,<\/em> Respondent: Jean MOCHON, innovative tourism consultant.<\/li>\n<li>Axel GRYSPEERDT (Foundation Collectiana, Universit\u00e9 Catholique de Louvain), <em>My beautiful item, my relic<\/em>. Respondent: Adeline RISPAL, architect-scenographer.<\/li>\n<li>Adeline WRONA (GRIPIC, Sorbonne Universit\u00e9), <em>My beautiful brand, my by-product<\/em>. Respondent: Hermine DE SAINT-ALBIN, journalist.<\/li>\n<\/ul>\n<p>Moderation\u00a0: Anne PARIZOT (CIMEOS, UBFC).<\/p>\n<p>&nbsp;<\/p>\n<p>11.00-11.30: Coffee and <em>Gaudes<\/em> Break<\/p>\n<p>&nbsp;<\/p>\n<p>11.30-12.00: \u00ab\u00a0Echo-conference\u00a0\u00bb: Fran\u00e7ois COOREN (Dpt of Communication, University of Montreal), <em>Echo from the homes:<\/em> <em>The illustrious and us: who makes whom speak?<\/em><\/p>\n<p>Moderation\u00a0: Adeline RISPAL, architect-scenographer.<\/p>\n<p>&nbsp;<\/p>\n<p>12.00-12.30: <em>Survey: The Houses of the Illustrious seen from France<\/em>, OCIM<\/p>\n<p>Moderation\u00a0: Jacqueline EIDELMAN, Museology, Ecole du Louvre.<\/p>\n<p>&nbsp;<\/p>\n<p>12.30-14.00\u00a0: <em>Buffet of Gaudes<\/em>, Espace Pasteur<\/p>\n<p>&nbsp;<\/p>\n<p>14.00-15.00\u00a0: <em>Domui et Orbi (1)<\/em><\/p>\n<p>&#8211; <em>Houses of the Illustrious, inspiring houses: the Houses seen by the Chinese tourist websites,<\/em> Xiaoni HAN (Journalist, <em>Shanghai Morning Post<\/em>).<\/p>\n<p>&#8211; <em>A label that renews the links with the territory: the domain of La Chesnaye (Guilly, Indre) and his Illustrious, Ferdinand de Lesseps<\/em>, Michel LABROUSSE, Mus\u00e9e des Ponts-et-Chauss\u00e9es.<\/p>\n<p>Moderation: Hermine DE SAINT-ALBIN, journalist.<\/p>\n<p>&nbsp;<\/p>\n<p>15.00-17.30\u00a0: First series of communications, 3 axis: \u00ab\u00a0labels\u00a0\u00bb, \u00ab\u00a0objects\u00a0\u00bb, \u00ab\u00a0territories\u00a0\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<p>17.45-18.00\u00a0: <em>Dance with Science<\/em>, Scholars from Middle school Pasteur, Louis Pasteur\u2019s Monument, Promenade Pasteur.<\/p>\n<p>&nbsp;<\/p>\n<p>18.30, Town Hall, aperitif<\/p>\n<p>&nbsp;<\/p>\n<p>20.00-23.00, Espace Pasteur: Gala of the Illustrious, accompanied by a menu &#8220;Louis Pasteur&#8221; and &#8220;pasteurizing&#8221; songs.<\/p>\n<p>&nbsp;<\/p>\n<h3><strong>Friday, June 10<\/strong><\/h3>\n<p>09.00-11.30: Four hands-on workshops &#8220;Let&#8217;s live with the Illustrious&#8221;: <em>Eat (and drink) with them<\/em>, <em>Sing with them<\/em>, <em>Go to the garden with them<\/em>, <em>Communicate (and write) with them<\/em>.<\/p>\n<p>Co-animation: a manager from a House, a researcher from a University.<\/p>\n<p>&nbsp;<\/p>\n<p>11.30-12.00: Report on workshops<\/p>\n<p>&nbsp;<\/p>\n<p>12.00-14.00: Free lunch<\/p>\n<p>&nbsp;<\/p>\n<p>14.00-15.00 : <em>Domui et Orbi (2)<\/em><\/p>\n<p><em>&#8211; Photo album of the illustrious<\/em>, Elizabeth EMERY, Pre, Montclair State Uni., New Jersey.<\/p>\n<p>&#8211; <em>By-products derived from the work of an Illustrious\u00a0: the case of Edmond Rostand<\/em>, B\u00e9atrice LABAT, Curator of la Villa Arnaga (Cambo-les-Bains).<\/p>\n<p>Moderation: Jean MOCHON, innovative tourism consultant.<\/p>\n<p>&nbsp;<\/p>\n<p>15.00-16.30\u00a0: Second series of communications, 3 axis: \u00ab\u00a0labels\u00a0\u00bb, \u00ab\u00a0objects\u00a0\u00bb, \u00ab\u00a0territories\u00a0\u00bb.<\/p>\n<p>&nbsp;<\/p>\n<p>16.30-17.00\u00a0: Synthesis:<\/p>\n<p>Dominique FERRIOT, Acad\u00e9mie des Technologies<\/p>\n<p>Anne PARIZOT, Pre, Lab. CIMEOS, UBFC<\/p>\n<p>Jean-Fran\u00e7ois BOURASSEAU, President of Le Club des Illustres<\/p>\n<p>Mod\u00e9ration: Daniel RAICHVARG, Pr, Lab. CIMEOS, UBFC<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p><em>And the next meeting will be hosted by another Illustrious woman or man who will welcome us in her\/his House&#8230;<\/em><\/p>\n<p>&nbsp;<\/p>\n<h2>Practical information<\/h2>\n<p>Location: Espace Pasteur, Arbois<\/p>\n<p>Expected audience: 80 to 100 people<\/p>\n<p>&nbsp;<\/p>\n<p>Registration \u2013 day-one buffet, coffee breaks &#8211; documentation materials<\/p>\n<p>visits Maison Louis Pasteur and Sarret Museum in Grozon<\/p>\n<p>Full fare 100 \u20ac<\/p>\n<p>PhD-only rate 60 \u20ac<\/p>\n<p>Gala dinner &#8211; show 50 \u20ac<\/p>\n<p>&nbsp;<\/p>\n<h2>Submission terms:<\/h2>\n<p>Proposals for communication, including an interim title, a summary of approximately 5000 signs (without the bibliography) and 5 keywords will be addressed <strong>before January 15, 2022<\/strong> The expertise will be double-blind. Notification to authors will be issued on March 15, 2022.<\/p>\n<p>&nbsp;<\/p>\n<p>Contacts and submissions of proposals (French or English):<\/p>\n<ul>\n<li>Universit\u00e9 Bourgogne-Franche-Comt\u00e9\u00a0: Anne PARIZOT, Pr, Lab. CIMEOS <a style=\"font-size: inherit;\" href=\"mailto:anne.collet-parizot@univ-fcomte.fr\">anne.collet-parizot@univ-fcomte.fr<\/a><\/li>\n<\/ul>\n<ul>\n<li>EPCC Terre de Louis Pasteur: Daniel RAICHVARG, Pr, Project manager for French Academy of sciences <a href=\"mailto:daniel.raichvarg@u-bourgogne.fr\">daniel.raichvarg@u-bourgogne.fr<\/a><\/li>\n<\/ul>\n<p>A book based on the contributions will be published by Editions Universitaires de Dijon in the collection of information and communication sciences (editor: Olivier Galibert, Pr)<\/p>\n<p>Tours will also be organized on free time before or after the symposium.<\/p>\n<p>The conference is organized in partnership with the <em>Club des Illustres<\/em> and the CIMEOS research center (University of Bourgogne-Franche-Comt\u00e9). It is accredited by the French Society of Information and Communication Sciences. It is supported by the city of Arbois, the Communaut\u00e9 de Communes C\u0153ur du Jura (Arbois\/Poligny\/Salins) and the Institut Denis Diderot (University of Burgundy). All the partnerships are currently being finalized.<\/p>\n<p>&nbsp;<\/p>\n<h2><strong>Scientific committee<\/strong><\/h2>\n<p>Presidence: Dominique FERRIOT, Professor, historian and museologist, Acad\u00e9mie des Technologies.<\/p>\n<p>Scientific director: Anne PARIZOT, Professor, Information and Communication Sciences, CIMEOS, UBFC.<\/p>\n<p>&nbsp;<\/p>\n<p>Cristina BADULESCU, Sciences de l\u2019Information et de la Communication, CEREGE, Uni. Poitiers.<\/p>\n<p>Marie-Christine BORDEAUX, Sciences de l\u2019Infor. et de la Com., GRESEC, Univ. Grenoble-Alpes.<\/p>\n<p>Marie CAMBONE, Sciences de l\u2019Information et de la Communicati., GRESEC, Univ. Grenoble-Alpes.<\/p>\n<p>Vincent CHAMBARLHAC, Historien, LIR3S, UBFC.<\/p>\n<p>Alain CHENEVEZ, Sciences de l\u2019Information et de la Communication, LIR3S, UBFC.<\/p>\n<p>Fran\u00e7ois COOREN, Sciences de l\u2019Information et de la Communication, D\u00e9pt Communication, Universit\u00e9 de Montr\u00e9al (Qu\u00e9bec, Canada)<\/p>\n<p>Elizabeth EMERY, French Studies, Montclair State University (New Jersey, USA).<\/p>\n<p>Jacqueline EIDELMAN, Mus\u00e9ologie, Ecole du Louvre.<\/p>\n<p>B\u00e9atrice FLEURY, Sciences de l\u2019Information et de la Communication, CREM, Uni. Lorraine.<\/p>\n<p>Gilles FUMEY, G\u00e9ographie culturelle, Lab. SIRICE, Sorbonne Universit\u00e9.<\/p>\n<p>Ronan GERMAN, Sciences de l\u2019Information et de la Communication, Soc. Laurence Chabot, Nantes.<\/p>\n<p>Fran\u00e7ois GOXE, Sciences de Gestion, LAREQUOI, Uni. Paris Saclay.<\/p>\n<p>Evelyn HO, Sciences de l\u2019Information et de la Communication, Uni. San Francisco (Cal., USA).<\/p>\n<p>Mathilde LABBE, Litt\u00e9rature, LAMO, Uni. Nantes.<\/p>\n<p>Philippe MARION, Sciences de l\u2019Information et de la Communication, ILC, Uni. Catho. Louvain (Bel.).<\/p>\n<p>Caroline MARTI, Sciences de l\u2019Information et de la Communication, GRIPIC, Paris IV<\/p>\n<p>Cyril MASSELOT, Sciences de l\u2019Information et de la Communication, Lab. CIMEOS, UBFC.<\/p>\n<p>David MICHON, Histoire contemporaine, Lab. CIMEOS, UBFC.<\/p>\n<p>Claudia MONTERO-LIBERONA, Sciences de l\u2019Info. et de la Communication, Uni. Pontificale (Chili).<\/p>\n<p>Nicolas NAVARRO, Sciences de l\u2019Information et de la Communication, Uni. Lyon 2.<\/p>\n<p>Nanta NOVELLO-PAGLIANTI, Sciences de l\u2019Information et de la Communi., Lab. CIMEOS, UBFC.<\/p>\n<p>V\u00e9ronique PARISOT, M\u00e9diation culturelle et Droit, Lab. CREDESPO, uB.<\/p>\n<p>Julien PEQUIGNOT, Sciences de l\u2019Information et de la Communication, Lab. CIMEOS, UBFC.<\/p>\n<p>Bruno RAOUL, Sciences de l\u2019Information et de la Communisation, GERIICO, Universit\u00e9 de Lille.<\/p>\n<p>Marie-Cl\u00e9mence REGNIER, Litt\u00e9rature, Lab. Textes et Culture, Universit\u00e9 d\u2019Artois.<\/p>\n<p>Delphine SAURIER, Sciences de l\u2019Information et de la Communication, Audencia, Nantes.<\/p>\n<p>Claire SCOPSI, Sciences de l\u2019Information et de la Communication, DICEN, CNAM, Paris<\/p>\n<p>Eric TRIQUET, Sciences de l\u2019Information et de la Communicat., Centre Norbert Elias, Univ. Avignon.<\/p>\n<p>Giovanna TRUDA, Sociologie, Universit\u00e9 de Salerne (Italie)<\/p>\n<p>Eneus TRINDADE, Sciences de l\u2019Information et de la Communication, Uni. Sao Paolo (Br\u00e9sil).<\/p>\n<p>Genevi\u00e8ve VIDAL, Sciences de l\u2019Information et de la Communication, LABSIC, Uni. Paris 13.<\/p>\n<p>Jacques WALTER, Sciences de l\u2019Information et de la Communication, CREM, Uni. Lorraine.<\/p>\n<p>Adeline WRONA, Sciences de l\u2019Information et de la Communication, GRIPIC, Paris IV.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<h2><strong>Illustrative bibliography<\/strong><\/h2>\n<p>Bertho-Lavenir Catherine, <em>La visite du Monument<\/em>, Presses Universitaires du Massif Central, 2004, 214 pages.<\/p>\n<p>Boltanski Luc, Esquerre Arnaud, <em>Enrichissement\u00a0: une critique de la marchandise<\/em>, Paris, Gallimard, 2017, coll. NRF Essais.<\/p>\n<p>Catellani Andrea, Gryspeerdt Axel, \u00ab\u00a0Collections et mus\u00e9es d\u2019entreprise, entre patrimoine et strat\u00e9gies de communication\u00a0\u00bb, <em>Recherches en communication<\/em>, 2018, 45 (\u00ab\u00a0Collection et communication d\u2019entreprise \u2013 l\u2019art de la m\u00e9moire\u00a0\u00bb).<\/p>\n<p>Centlivres Pierre, Fabre Daniel, Zonabend Fran\u00e7oise (dir.), <em>La fabrique des h\u00e9ros<\/em>, Paris, Editions de la MSH, 12, 1998.<\/p>\n<p>Collet-Parizot Anne, \u00ab\u00a0Les collections de part et d\u2019autre du miroir. Collections d\u2019entreprise et entreprise objet de collection\u00a0?\u00a0\u00bb, <em>Recherches en communication<\/em>, 2018, 45 (\u00ab\u00a0Collection et communication d\u2019entreprise \u2013 l\u2019art de la m\u00e9moire\u00a0\u00bb).<\/p>\n<p>Davallon Jean, <em>Le don du patrimoine<\/em>, <em>une approche communicationnelle de la patrimonialisation<\/em>, Paris, Herm\u00e8s-Lavoisier, 2006.<\/p>\n<p>Eidelman Jacqueline (dir.), <em>Inventer les mus\u00e9es pour demain, rapport de la Mission Mus\u00e9es XXI\u00e8me si\u00e8cle<\/em>, La Documentation fran\u00e7aise, 2017.<\/p>\n<p>Emery Elizabeth, <em>En toute intimit\u00e9<\/em>, Parigramme, 2015.<\/p>\n<p>Emery Elizabeth, <em>Photojournalism and the Origins of the French Writer House Museums (1881-1914)\u00a0: Privacy, Publicity and Personality<\/em>, Routledge, 2012.<\/p>\n<p>Genbusger Sarah, \u00ab\u00a0Comprendre la multiplication des \u00ab\u00a0journ\u00e9es de comm\u00e9moration nationale\u00a0\u00bb\u00a0: \u00e9tude d\u2019un instrument d\u2019action publique de nature symbolique \u00bb, <em>In<\/em> Charlotte Halpern, Pierre<\/p>\n<p>Gribenski Jean, Meyer V\u00e9ronique, Vernois Solange, <em>La maison de l\u2019artiste. Construction d\u2019un espace de repr\u00e9sentations entre r\u00e9alit\u00e9 et imaginaire<\/em>, Rennes, PUR, 2007.<\/p>\n<p>Gryspeerdt Axel, <em>Roger Caillois, des mythes \u00e0 la collection<\/em>, Paris, Classiques Garnier, 2013.<\/p>\n<p>Heinich Nathalie, <em>La fabrique du patrimoine. De la cath\u00e9drale \u00e0 la petite cuill\u00e8re<\/em>, Paris, Editions de la MSH, 2009.<\/p>\n<p>Labb\u00e9 Mathilde, \u00ab\u00a0Ancrage local et concurrence comm\u00e9morative\u00a0: le cas de Jules Verne (1905-2005)\u00a0\u00bb, <em>In<\/em> Marie-Cl\u00e9mence R\u00e9gnier (dir.), <em>Centenaires, jubil\u00e9s, comm\u00e9morations<\/em>, Paris, Soci\u00e9t\u00e9 des \u00e9tudes romantiques et dix-neuvi\u00e9mistes, coll. \u00ab\u00a0L\u2019Atelier du XIX<sup>e<\/sup>si\u00e8cle\u00a0\u00bb, mars 2019.<\/p>\n<p>Lalouette Jacqueline, <em>Un peuple de statues. La c\u00e9l\u00e9bration sculpt\u00e9e des grands hommes<\/em>, Paris, Mare &amp; Martin, 2018.<\/p>\n<p>Lascoumes Pierre, Patrick Le Gal\u00e8s (dir.), <em>L\u2019instrumentation de l\u2019action publique. Controverses, r\u00e9sistances, effets<\/em>, Paris, Presses de Sciences Po, 2014, 345-365.<\/p>\n<p>Masselot Cyril. \u00ab\u00a0Temps, culture et communication au prisme de l&#8217;Intelligence Territoriale\u00a0\u00bb, <em>Les Cahiers de la SFSIC<\/em>, Soci\u00e9t\u00e9 fran\u00e7aise des sciences de l&#8217;information et de la communication, 2017, pp.\u00a051 \u00e0 61.<\/p>\n<p>Michon David, \u00ab\u00a0Parcours m\u00e9moriels et comm\u00e9morations en l\u2019honneur de Gustave Flaubert\u00a0\u00a0\u00a0 (Rouen-Paris, 1821-2017)\u00a0\u00bb, th\u00e8se sous la direction de Claude-Isabelle Brelot, Lyon 2, 2018.<\/p>\n<p>Nora Olivier, \u00ab\u00a0La visite au grand \u00e9crivain\u00a0\u00bb, in Pierre Nora (dir.), <em>Les lieux de m\u00e9moire, Les Nations<\/em>, III, Paris, Gallimard, 1986.<\/p>\n<p>Poirrier Philippe (dir.), <em>Les collectivit\u00e9s locales et la culture. Les formes de l\u2019institutionnalisation XIX\u00e8me-XX\u00e8me si\u00e8cles<\/em>, La Documentation Fran\u00e7aise, Paris, 2002.<\/p>\n<p>Poirrier Philippe, <em>Le patrimoine : un objet pour l&#8217;histoire culturelle du contemporain ? Jalons pour une perspective historiographique<\/em>, Presses universitaires de Rennes, 2009.<\/p>\n<p>Raichvarg Daniel, Barbe\u00a0No\u00ebl (dir.), <em>Les r\u00e9cits de la pasteurisation \u2013 r\u00e9cits, savoirs, actions (1865-2015)<\/em>, Dijon, \u00c9ditions Universitaires de Dijon (EUD), 2015, Art, arch\u00e9ologie &amp; patrimoine.<\/p>\n<p>Raynaud\u00a0Philippe, \u00ab\u00a0La comm\u00e9moration\u00a0: illusion ou artifice\u00a0?\u00a0\u00bb, in <em>Le d\u00e9bat<\/em>, 78, janvier-f\u00e9vrier 1994.<\/p>\n<p>Recht Roland (dir.), <em>Victor Hugo et le d\u00e9bat patrimonial<\/em>, Somogy Editions d\u2019Art, Institut national du patrimoine, Paris, 2003.<\/p>\n<p>R\u00e9gnier Marie-Cl\u00e9mence, \u00ab\u00a0Vies encloses, demeures \u00e9closes. Le grand \u00e9crivain en sa maison-mus\u00e9e (1879-1937)\u00a0\u00bb, th\u00e8se sous la direction de Florence Naugrette et Fran\u00e7oise M\u00e9lonio, Paris 4, 2017.<\/p>\n<p>Folin Marco, Preti Monica, \u00ab\u00a0Maison-mus\u00e9es. La patrimonialisation des demeures des illustres\u00a0\u00bb, <em>Culture &amp; Mus\u00e9es<\/em>, 4, 2019.<\/p>\n<p>Roth Catherine, <em>Etude sur le patrimoine scientifique\u00a0: les enjeux culturels de la m\u00e9moire scientifique, <\/em>Mission du Patrimoine Ethnologique, Sciences ressources, novembre 2000.<\/p>\n<p>Saurier Delphine, <em>La fabrique des illustres. Proust, Curie, Joliot et lieux de m\u00e9moire<\/em>, Paris, Editions non standard, 2013.<\/p>\n<p>Westeel Isabelle, \u00ab\u00a0Le patrimoine passe au num\u00e9rique\u00a0\u00bb, in <em>Bulletin des Biblioth\u00e8ques de France<\/em>, 1, Paris, 2009.<\/p>\n<p>Wrona Adeline, Th\u00e9renty Marie-Eve (dir.), <em>Objets insignes, objets inf\u00e2mes de la litt\u00e9rature<\/em>, Paris\u00a0: Editions des Archives contemporaines, 2019.<\/p>\n<p>Wrona Adeline, Th\u00e9renty Marie-Eve (dir.), <em>L\u2019\u00e9crivain comme marque<\/em>, Paris, Sorbonne Universit\u00e9 Presses, 2020.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p>@copyright\u00a0: Philippe Bruniaux (1, 5), Institut Pasteur\/Mus\u00e9e Pasteur (2, 4), Nicolas Dargaud (3).<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref1\" name=\"_ftn1\">[1]<\/a> Emmanuel Verg\u00e8s, Des territoires virtuels de culture, <em>La pens\u00e9e de midi<\/em>, Actes sud, 2000\/3, p. 124.<\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref2\" name=\"_ftn2\">[2]<\/a> And strangely enough, Diderot&#8217;s birthplace has changed over the centuries within a few steps of each other.<\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref3\" name=\"_ftn3\">[3]<\/a> Even trivial, trivialized! Here we think of Yves Jeanneret&#8217;s work. The Illustrious people frequent television sets as well as museums, advertising or political speeches.<\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref4\" name=\"_ftn4\">[4]<\/a> To use the title of the book by Marie-Eve Th\u00e9renty and Adeline Wrona, <em>Objets insignes, objets inf\u00e2mes de la litt\u00e9rature<\/em> (2019).<\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref5\" name=\"_ftn5\">[5]<\/a> Marie-Eve Th\u00e9renty, Adeline Wrona, <em>L\u2019\u00e9crivain comme marque<\/em> (2020).<\/p>\n<p><a href=\"applewebdata:\/\/2ED23671-FB9F-4E30-A02E-A8E7063C8261#_ftnref6\" name=\"_ftn6\">[6]<\/a> To paraphrase Barbara Cassin in \u00ab\u00a0Le lien rh\u00e9torique\u00a0\u00bb (1990) : \u00ab\u00a0<em>Plus Wonderful que la pile Wonder, le discours ne s\u2019\u00e9puise pas si l\u2019on s\u2019en sert. Au contraire, il augmente<\/em>\u00a0\u00bb.<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-partners\">\n<h3 class=\"zn-singledetail-section-title\">Partners<\/h3>\n<div class=\"zn-singledetail-partners-list row small-up-2 medium-up-3 large-up-5 partnerlist\" data-equalizer data-equalize-on=\"medium\">\n<article class=\"summarypartner partner-3865 column\">\n\t<a class=\"summarypartner-box\" href=\"https:\/\/cimeos.u-bourgogne.fr\/\" title=\"CIMEOS\">\t\t<\/p>\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo_rvb_300dpi-320x71.png\" alt=\"Logo CIMEOS\" ><br \/>\n\t\t\t\t\t\t\t\t\t<\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tCIMEOS\t\t\t\t\t\t<\/h3>\n<p class=\"summarypartner-acronym\">\n\t\t\t\t\t\t\tCIMEOS\t\t\t\t\t\t<\/p>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<p>\t<\/a><\/article>\n<article class=\"summarypartner column\">\n<div class=\"summarypartner-box\" title=\"EPCC Terre de Louis Pasteur\">\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo-epcc-terre-de-louis-pasteur-2-320x320.jpg\" alt=\"Logo EPCC Terre de Louis Pasteur\" ><figcaption class=\"summarypartner-img-caption show-for-sr\">Logo EPCC Terre de Louis Pasteur<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tEPCC Terre de Louis Pasteur\t\t\t\t\t\t<\/h3>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/article>\n<article class=\"summarypartner column\">\n<div class=\"summarypartner-box\" title=\"Club des Illustres\">\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo-club-des-illustres-1.png\" alt=\"logo Club des Illustres\" ><figcaption class=\"summarypartner-img-caption show-for-sr\">logo Club des Illustres<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tClub des Illustres\t\t\t\t\t\t<\/h3>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/article>\n<article class=\"summarypartner column\">\n<div class=\"summarypartner-box\" title=\"Ville d'Arbois\">\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo-ville-arbois-1-320x42.png\" alt=\"Logo ville arbois\" ><figcaption class=\"summarypartner-img-caption show-for-sr\">Logo ville arbois<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tVille d&#8217;Arbois\t\t\t\t\t\t<\/h3>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/article>\n<article class=\"summarypartner column\">\n<div class=\"summarypartner-box\" title=\"Communaut\u00e9 de Communes Coeur de Jura\">\n<div class=\"summarypartner-box-inner\" data-equalizer-watch>\n<div class=\"summarypartner-imgbox\">\n<figure class=\"summarypartner-figure\">\n\t\t\t\t\t<img decoding=\"async\" class=\"summarypartner-img\" src=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/logo-communaute-de-communes-coeur-de-jura-arbois-poligny-salins-1-320x253.png\" alt=\"Logo communaut\u00e9 de communes Coeur de Jura Arbois Poligny Salins\" ><figcaption class=\"summarypartner-img-caption show-for-sr\">Logo communaut\u00e9 de communes Coeur de Jura Arbois Poligny Salins<\/figcaption><\/figure>\n<\/p><\/div>\n<div class=\"summarypartner-content\">\n<div class=\"summarypartner-content-inner\">\n<header class=\"summarypartner-header\">\n<h3 class=\"summarypartner-title\">\n\t\t\t\t\t\t\tCommunaut\u00e9 de Communes Coeur de Jura\t\t\t\t\t\t<\/h3>\n<\/header><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/article><\/div>\n<\/p><\/div>\n<div class=\"zn-singledetail-attachedfiles\">\n<h3 class=\"zn-singledetail-section-title\">Attached file(s)<\/h3>\n<ul class=\"zn-singledetail-attachedfiles-list\">\n<li class=\"zn-singledetail-attachedfiles-item\">\n\t\t\t\t\t\t\t<a class=\"zn-singledetail-attachedfiles-link button outline for-download\" href=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/conference-illustrious-arbois.pdf\" title=\"Download: \u00ab conference-illustrious-arbois.pdf \u00bb\" target=\"_blank\" rel=\"noopener\"><br \/>\n\t\t\t\t\t\t\t\t<span class=\"button-txt\"><span class=\"button-txt-type\"> (pdf)<\/span><\/span><br \/>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Keywords<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-conservation-en\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/conservation-en\/\" title=\"Conservation\"><span class=\"termslist-itemname\">Conservation<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-memoire-en\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/memoire-en\/\" title=\"M\u00e9moire\"><span class=\"termslist-itemname\">M\u00e9moire<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-science\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/en\/tag\/science\/\" title=\"Science\"><span class=\"termslist-itemname\">Science<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Posted on 6 July 2021 Th\u00e9matiques Knowledge mediation, education and training Expected response for the 15\/01\/2022 Response type R\u00e9sum\u00e9 Event type Conference Contacts Universit\u00e9 Bourgogne-Franche-Comt\u00e9 : Anne Parizot, Professeure, Lab. [&hellip;]<\/p>\n","protected":false},"author":957,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[135,136],"tags":[619,620,285],"thematique":[584],"sfsic":[27],"class_list":["post-19200","post","type-post","status-publish","format-standard","hentry","category-cfc-event","category-conference","tag-conservation-en","tag-memory","tag-science","thematique-knowledge-mediation-education-and-training","sfsic-labels","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Houses of the Illustrious : memories on the move<\/title>\n<meta name=\"description\" content=\"As part of the celebration of Bicentenary of Louis Pasteur\u2019s birth (1822-2022), the CIMEOS Research Unit (UBFC) and the Public Cultural Cooperation Establishment Terre de Louis Pasteur are 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