{"id":16151,"date":"2021-03-15T13:00:02","date_gmt":"2021-03-15T12:00:02","guid":{"rendered":"https:\/\/www.sfsic.org\/?p=16151"},"modified":"2021-03-16T09:57:15","modified_gmt":"2021-03-16T08:57:15","slug":"ecosystemes-de-la-mode-reseaux-et-circuits","status":"publish","type":"post","link":"https:\/\/www.sfsic.org\/en\/aac-publication\/ecosystemes-de-la-mode-reseaux-et-circuits\/","title":{"rendered":"\u00c9cosyst\u00e8mes de la mode : r\u00e9seaux et circuits"},"content":{"rendered":"<p><!-- fxzn:singledetail --><\/p>\n<div class=\"zone zn-singledetail\" id=\"fxzn-singledetail-1\">\n<div class=\"zone-block zn-singledetail-block alignwide va-top\">\n<div class=\"row\">\n<div class=\"columns large-8 large-push-4\">\n<div class=\"zn-singledetail-metabox\">\n<div class=\"zn-singledetail-pubdate pubdate\">\n\t\t\t\t\t<span class=\"pubdate-txt\">Mis en ligne le<\/span><span class=\"doubledot\"><\/span> <time class=\"pubdate-time\" pubdate datetime=\"2021-03-12T00:00:02+01:00\">12 mars 2021<\/time>\t\t\t\t<\/div>\n<p class=\"zn-singledetail-calenda-info\">\n\t\t\t\t\t\tInformations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce <a class=\"calenda-link prettylink\" href=\"https:\/\/calenda.org\/853516\" target=\"_blank\" rel=\"noopener\"><strong>Calenda<\/strong><\/a>.\t\t\t\t\t<\/p>\n<div class=\"zn-singledetail-thematiques with-sep-comma\">\n<ul class=\"termslist termslist-thematique\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Th\u00e9matiques<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-thematique term-communication-organisations\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/communication-organisations\/\" title=\"Communication et organisations\"><span class=\"termslist-itemname\">Communication et organisations<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-design\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/design\/\" title=\"Design\"><span class=\"termslist-itemname\">Design<\/span><\/a><\/li>\n<li class=\"termslist-item tax-thematique term-images-cinema-medias-audiovisuels-et-industries-culturelles\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/thematiques\/images-cinema-medias-audiovisuels-et-industries-culturelles\/\" title=\"Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles\"><span class=\"termslist-itemname\">Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"row\">\n<div class=\"columns large-4\">\n<div class=\"zn-singledetail-sidebar bg-cornersquares\">\n<div class=\"zn-singledetail-infos\">\n<p class=\"zn-singledetail-reponse-date\">\n\t\t\t\t\t\t<span>R\u00e9ponse attendue pour le<\/span><span class=\"doubledot\"><\/span> <strong>15\/07\/2021<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-reponse-type\">\n\t\t\t\t\t<span>Type de r\u00e9ponse<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-type\">\n\t\t\t\t\t\t\t<span>Type de contribution attendue<\/span><span class=\"doubledot\"><\/span> <strong>Article<\/strong>\n\t\t\t\t\t<\/p>\n<p class=\"zn-singledetail-name\">\n\t\t\t\t\t\t\t<span>Nom de la publication<\/span><span class=\"doubledot\"><\/span> <strong>R\u00e9seaux<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-coordinators\">\n<h3 class=\"zn-singledetail-section-title\">Coordinateurs<\/h3>\n<ul class=\"zn-singledetail-coordinators-list\">\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Nick<\/span> <span>Rees-Roberts<\/span>, <span>Universit\u00e9 Sorbonne Nouvelle<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<li class=\"zn-singledetail-coordinators-item\">\n\t\t\t\t\t\t\t<span>Fabrice<\/span> <span>Rochelandet<\/span>, <span>Universit\u00e9 Sorbonne Nouvelle<\/span>\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-contacts\">\n<h3 class=\"zn-singledetail-section-title\">Contacts<\/h3>\n<ul class=\"zn-singledetail-contacts-list\">\n<li class=\"zn-singledetail-contact\">\n\t\t\t\t\t\t\t<span class=\"zn-singledetail-contact-name\">Aurelie Bur<\/span><span class=\"doubledot\"><\/span><br \/>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t<a class=\"zn-singledetail-contact-mail prettylink\" href=\"mailto:aurelie.bur@enpc.fr\">aurelie.bur@enpc.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-weblinks\">\n<h3 class=\"zn-singledetail-section-title\">Sites internet de r\u00e9f\u00e9rence<\/h3>\n<ul class=\"zn-singledetail-weblinks-list\">\n<li>\n\t\t\t\t\t\t\t<a class=\"prettylink chainlink\" href=\"http:\/\/www.revue-reseaux.fr\/\" title=\"Site de la revue\" target=\"_blank\" rel=\"noopener\">Site de la revue<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<div class=\"columns large-8\">\n<div class=\"zn-singledetail-contentbox\">\n<div class=\"zn-singledetail-annonce wig-content\">\n<h2>Argumentaire<\/h2>\n<p>La mode a fait tr\u00e8s t\u00f4t l\u2019objet de nombreux travaux en sciences sociales tant au niveau de l\u2019offre et l\u2019organisation industrielle que de la demande et les pratiques sociales (inter alia Simmel, 1904, Nystrom, 1928). \u00c0 partir des ann\u00e9es 1980, l\u2019\u00e9tude du syst\u00e8me de la mode (comprenant la production de l\u2019habillement, de la beaut\u00e9 et du \u00ab&#160;<em>lifestyle<\/em>&#160;\u00bb dans les secteurs du luxe et de la grande distribution) s\u2019est principalement pench\u00e9e sur l\u2019image, les identit\u00e9s de marque et les modes de consommation au d\u00e9triment d\u2019une analyse plus approfondie des m\u00e9thodes et circuits de production. Plut\u00f4t que de penser le secteur \u00e9largi de la mode (\u00e0 savoir la production cr\u00e9ative et\/ou commerciale\u2014\u00e0 la fois mat\u00e9rielle et immat\u00e9rielle\u2014des marques de v\u00eatement, accessoires, cosm\u00e9tique, joaillerie, et d\u00e9co\/<em>lifestyle<\/em>) comme un \u00ab&#160;syst\u00e8me&#160;\u00bb industriel (Barthes 1967&#160;; Institut Fran\u00e7ais de la Mode 2008), ce num\u00e9ro sp\u00e9cial vise \u00e0 comprendre les transformations contemporaines des <em>\u00e9cosyst\u00e8mes <\/em>de la mode articulant un ensemble de r\u00e9seaux et circuits \u00e0 des types de cr\u00e9ation et de mod\u00e8les \u00e9conomiques associ\u00e9s. Un certain nombre de travaux se sont ainsi int\u00e9ress\u00e9s \u00e0 l&rsquo;industrie de la mode et son rapport aux r\u00e9seaux sociaux locaux compos\u00e9s des cr\u00e9ateurs, artistes, entrepreneurs, collectifs\u2026 (Crewe, 2017&#160;; Currid, 2007&#160;; McRobbie, 2016&#160;; Rantisi, 2004) et plus r\u00e9cemment aux nouvelles configurations \u00e9conomique et culturelle de ce secteur suite \u00e0 la diffusion massive du num\u00e9rique (Rees-Roberts, 2018 et 2020&#160;; Rocamora 2016).<\/p>\n<p>Le projet de ce num\u00e9ro sp\u00e9cial s\u2019inscrit pleinement dans cette litt\u00e9rature en s\u2019ouvrant \u00e0 des recherches pluridisciplinaires, notamment en cultural studies, \u00e9conomie, g\u00e9ographie, sociologie et sciences de la communication, permettant d\u2019articuler des analyses culturelles et socio\u00e9conomiques des \u00e9cosyst\u00e8mes cr\u00e9atifs dans le monde de la mode.<\/p>\n<p>L\u2019av\u00e8nement des m\u00e9dias sociaux, en particulier Instagram, provoque depuis quelques ann\u00e9es des transformations dans l\u2019organisation et la coexistence de ces mondes de la mode en stimulant de nouvelles interactions, de nouvelles proximit\u00e9s et concurrences entre les acteurs. Les r\u00e9sultats de ces changements peuvent s&rsquo;av\u00e9rer contradictoires&#160;: d\u2019un c\u00f4t\u00e9, une visibilit\u00e9 plus forte de la cr\u00e9ation ind\u00e9pendante ou alternative, par une contestation plus forte des prescripteurs traditionnels et de l\u2019autre, le renforcement de la position dominante des marques \u00e0 travers le contr\u00f4le de la communication par les m\u00e9dias sociaux et l\u2019\u00e9mergence des nouveaux prescripteurs\u2014ou influenceurs\u2014de la mode.<\/p>\n<p>L\u2019objectif de ce num\u00e9ro th\u00e9matique est pr\u00e9cis\u00e9ment d&rsquo;interroger ces transformations et les dynamiques locales et globales qu\u2019elles engendrent avec la diffusion massive de m\u00e9dias sociaux comme Instagram et la plateformisation de l&rsquo;industrie de la mode. Il s\u2019agit d\u2019aborder \u00e0 la fois les mod\u00e8les \u00e9conomiques des acteurs (upper ou underground, strat\u00e9gies globales ou de niche), les r\u00e9seaux sociaux (r\u00e9seaux locaux, existence d\u2019un middleground local) ou \u00e9conomiques (circuits marchands ou parall\u00e8les) les liant, les caract\u00e9ristiques des circuits et des \u00e9cosyst\u00e8mes qui \u00e0 la fois en d\u00e9coulent \u00e0 l&rsquo;\u00e9chelle locale et contribuent \u00e0 structurer ces mod\u00e8les et r\u00e9seaux, ainsi que les sp\u00e9cificit\u00e9s et les significations des cr\u00e9ations de mode selon ces diff\u00e9rentes \u00e9chelles d&rsquo;analyse et strat\u00e9gies associ\u00e9es. Comment analyser l\u2019importance de ces dynamiques industrielles et culturelles&#160;? Que ce soit d&rsquo;un c\u00f4t\u00e9, \u00e0 travers le r\u00f4le jou\u00e9 par les lieux cr\u00e9atifs et commerciaux et les communaut\u00e9s de la mode au sein des grandes m\u00e9tropoles urbaines et de l&rsquo;autre, la mani\u00e8re dont les m\u00e9dias sociaux organisent et rendent visibles ces communaut\u00e9s. Quelles sont les diff\u00e9rences en mati\u00e8re d&rsquo;\u00e9cosyst\u00e8mes (i.e. comment un grand nombre d&rsquo;acteurs h\u00e9t\u00e9rog\u00e8nes interagissent, que produisent sp\u00e9cifiquement ces interactions et par quels m\u00e9canismes ces interactions sociales fa\u00e7onnent et font \u00e9voluer les r\u00e9seaux \u00e0 l\u2019\u00e9chelle locale) entre les capitales de la mode et les r\u00e9seaux secondaires ou \u00e9mergents&#160;? Notamment en mati\u00e8re d&rsquo;organisation \u00e9conomique, de relations et de hi\u00e9rarchisation entre les cr\u00e9atifs, de cr\u00e9ativit\u00e9 et finalement de qualit\u00e9 des productions.<\/p>\n<p>Parmi les perspectives que nous souhaiterions ouvrir \u00e0 travers ce num\u00e9ro, on peut citer, sans exclusive&#160;:<\/p>\n<ul>\n<li>Le r\u00f4le des m\u00e9dias sociaux (les plateformes mobiles telles que Instagram et TikTok) et de ses usages diff\u00e9renci\u00e9s au sein de l\u2019industrie de la mode&#160;: de quelles mani\u00e8res ces usages servent-ils les int\u00e9r\u00eats des grandes marques de luxe tout en d\u00e9structurant les canaux traditionnels de valorisation tels que la presse&#160;?<\/li>\n<li>Comment les r\u00e9seaux num\u00e9riques servent-ils de lieux de mise en visibilit\u00e9 et d\u2019interaction pour les cr\u00e9atifs et les entreprises situ\u00e9es en marge des industries cr\u00e9atives&#160;?<\/li>\n<li>Quel r\u00f4le jouent au fond ces plateformes dans l\u2019organisation des diff\u00e9rentes strates de l\u2019industrie et des circuits de la mode&#160;: marques, communaut\u00e9s de cr\u00e9ateurs, structures commerciales, relations entre ces diff\u00e9rents niveaux\u2026&#160;?<\/li>\n<li>La transformation des processus de cr\u00e9ativit\u00e9 et d\u2019innovation et des industries\u00a0avec la diffusion tr\u00e8s large des m\u00e9dias sociaux\u00a0dans les usages et les pratiques professionnelles\/amateurs. \u00c0 quelle(s) \u00e9chelle(s) les r\u00e9seaux professionnels et les circuits \u00e9conomiques se structurent-ils&#160;?<\/li>\n<li>Les relations entre les statuts socio-professionnels des acteurs du secteur et leur inscription dans les r\u00e9seaux et circuits (r\u00e9els et virtuels) de la mode contemporaine.<\/li>\n<li>L&rsquo;impact des m\u00e9dias sociaux surles liens d\u2019(in)d\u00e9pendance des \u00ab&#160;sc\u00e8nes&#160;\u00bb locales vis-\u00e0-vis des industriels de la mode (les marques, les r\u00e9seaux de distribution internationaux\u2026)&#160;: se positionnent-elles et s\u2019organisent-elles comme des \u00e9cosyst\u00e8mes cr\u00e9atifs autonomes au niveau local&#160;?<\/li>\n<li>Comment les innovations num\u00e9riques associ\u00e9es \u00e0 la diffusion massive des m\u00e9dias num\u00e9riques et des outils de communication digitale (en particulier, Instagram) impactent-elles la division du travail et la comp\u00e9titivit\u00e9 des organisations de la mode dans diff\u00e9rents contextes g\u00e9ographiques et culturels&#160;?<\/li>\n<\/ul>\n<p>Le num\u00e9ro de la revue sera ouvert \u00e0 des travaux portants sur toutes les dimensions cr\u00e9atives et commerciales de l\u2019industrie de la mode. Les contributions peuvent porter sur un travail th\u00e9orique ou empirique, bas\u00e9 sur l\u2019analyse de corpus de textes ou des enqu\u00eates de terrain. Une vari\u00e9t\u00e9 d\u2019orientations disciplinaires des sciences humaines et sociales\u2014de la socio-\u00e9conomie \u00e0 la culture-communication\u2014entrent dans le p\u00e9rim\u00e8tre du num\u00e9ro.<\/p>\n<h2>Calendrier<\/h2>\n<p>Nous vous demandons d\u2019informer le secr\u00e9tariat de r\u00e9daction de la revue de votre intention de contribution en adressant\u00a0pour le <strong>15 juin 2021<\/strong>,\u00a0une proposition d\u2019article d\u2019une \u00e0 deux pages pr\u00e9cisant les questions de recherche, le corpus \u00e9tudi\u00e9 et la ou les m\u00e9thodes utilis\u00e9es.\u00a0Si votre intention est retenue, les V1 seront attendues le<strong> 1<sup>er<\/sup> octobre 2021<\/strong> pour une publication en<strong> juin 2022.<\/strong><\/p>\n<p>Les intentions de contribution sont \u00e0 adresser \u00e0&#160;: aurelie.bur@enpc.fr<\/p>\n<h2>Coordination scientifique du num\u00e9ro<\/h2>\n<ul>\n<li>Nick Rees-Roberts (Universit\u00e9 Sorbonne Nouvelle)<\/li>\n<li>Fabrice Rochelandet (Universit\u00e9 Sorbonne Nouvelle)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>Plus d\u2019informations sur le site de revue R\u00e9seaux&#160;: http:\/\/www.revue-reseaux.fr\/<\/p>\n<\/p><\/div>\n<div class=\"zn-singledetail-attachedfiles\">\n<h3 class=\"zn-singledetail-section-title\">Fichier(s) attach\u00e9(s)<\/h3>\n<ul class=\"zn-singledetail-attachedfiles-list\">\n<li class=\"zn-singledetail-attachedfiles-item\">\n\t\t\t\t\t\t\t<a class=\"zn-singledetail-attachedfiles-link button outline for-download\" href=\"https:\/\/www.sfsic.org\/wp-inside\/uploads\/skp-membership\/demande_adh\/aac-reseaux-ecosystemes-de-la-mode.pdf\" title=\"T\u00e9l\u00e9charger : \u00ab aac-reseaux-ecosystemes-de-la-mode.pdf \u00bb\" target=\"_blank\" rel=\"noopener\"><br \/>\n\t\t\t\t\t\t\t\t<span class=\"button-txt\">aac-reseaux-ecos[&#8230;].pdf<\/span><br \/>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<div class=\"zn-singledetail-keywords\">\n<h3 class=\"zn-singledetail-section-title\">Mots-cl\u00e9s<\/h3>\n<ul class=\"termslist termslist-post_tag\">\n<li class=\"termslist-item termslist-title\"><span class=\"termslist-titletxt\">Mots-cl\u00e9s<\/span><span class=\"doubledot\"><\/span><\/li>\n<li class=\"termslist-item tax-post_tag term-cultural-studies\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/cultural-studies\/\" title=\"Cultural studies\"><span class=\"termslist-itemname\">Cultural studies<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-ecosysteme\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/ecosysteme\/\" title=\"Ecosyst\u00e8me\"><span class=\"termslist-itemname\">Ecosyst\u00e8me<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-interdisciplinarite\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/interdisciplinarite\/\" title=\"Interdisciplinarit\u00e9\"><span class=\"termslist-itemname\">Interdisciplinarit\u00e9<\/span><\/a><\/li>\n<li class=\"termslist-item tax-post_tag term-mode\"><a class=\"termslist-itemlink\" href=\"https:\/\/www.sfsic.org\/tag\/mode\/\" title=\"Mode\"><span class=\"termslist-itemname\">Mode<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<p><!-- \/fxzn:singledetail --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mis en ligne le 12 mars 2021 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design Images, cin\u00e9ma, m\u00e9dias audiovisuels et industries culturelles R\u00e9ponse attendue pour le [&hellip;]<\/p>\n","protected":false},"author":957,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[447,448,201,446],"thematique":[37,41,35],"sfsic":[],"class_list":["post-16151","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-cultural-studies","tag-ecosysteme","tag-interdisciplinarite","tag-mode","thematique-communication-organisations","thematique-design","thematique-images-cinema-medias-audiovisuels-et-industries-culturelles","wp-sticky"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00c9cosyst\u00e8mes de la mode : r\u00e9seaux et circuits<\/title>\n<meta name=\"description\" content=\"La revue R\u00e9seaux lance un appel \u00e0 contributions pour un dossier consacr\u00e9 \u00e0 la th\u00e9matique &quot;\u00c9cosyst\u00e8mes de la mode : r\u00e9seaux et circuits&quot; sous la direction de Nick Rees-Roberts et Fabrice Rochelandet.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/ecosystemes-de-la-mode-reseaux-et-circuits\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u00c9cosyst\u00e8mes de la mode : r\u00e9seaux et circuits\" \/>\n<meta property=\"og:description\" content=\"La revue R\u00e9seaux lance un appel \u00e0 contributions pour un dossier consacr\u00e9 \u00e0 la th\u00e9matique &quot;\u00c9cosyst\u00e8mes de la mode : r\u00e9seaux et 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