<\/p>\n
\n\t\t\t\t\t\tInformations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda<\/strong><\/a>.\t\t\t\t\t<\/p>\n\n\nTh\u00e9matiques<\/span><\/span><\/li>\nCommunication et organisations<\/span><\/a><\/li>\nDesign<\/span><\/a><\/li>\nM\u00e9diations m\u00e9morielles, culturelles et patrimoniales<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\n\n\n\t\t\t\t\t\tR\u00e9ponse attendue pour le<\/span><\/span> 10\/01\/2021<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\tType de r\u00e9ponse<\/span><\/span> R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00ab Perspective \u00bb 2021 \u2013 n\u00b02<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tRevue Perspective : actualit\u00e9 en histoire de l’art<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\trevue-perspective@inha.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tSite de la Revue Perspective<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nArgumentaire<\/h2>\nPour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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\n\t\t\t\t\t\tR\u00e9ponse attendue pour le<\/span><\/span> 10\/01\/2021<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\tType de r\u00e9ponse<\/span><\/span> R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00ab Perspective \u00bb 2021 \u2013 n\u00b02<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tRevue Perspective : actualit\u00e9 en histoire de l’art<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\trevue-perspective@inha.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tSite de la Revue Perspective<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nArgumentaire<\/h2>\nPour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Habiter\" \/>\n<meta property=\"og:description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-13T20:22:12+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" 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\n\t\t\t\t\tType de r\u00e9ponse<\/span><\/span> R\u00e9sum\u00e9<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00ab Perspective \u00bb 2021 \u2013 n\u00b02<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tRevue Perspective : actualit\u00e9 en histoire de l’art<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\trevue-perspective@inha.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tSite de la Revue Perspective<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nArgumentaire<\/h2>\nPour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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\n\t\t\t\t\t\t\tType de contribution attendue<\/span><\/span> Article<\/strong>\n\t\t\t\t\t<\/p>\n\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00ab Perspective \u00bb 2021 \u2013 n\u00b02<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tRevue Perspective : actualit\u00e9 en histoire de l’art<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\trevue-perspective@inha.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tSite de la Revue Perspective<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nArgumentaire<\/h2>\nPour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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\n\t\t\t\t\t\t\tNom de la publication<\/span><\/span> Revue \u00ab Perspective \u00bb 2021 \u2013 n\u00b02<\/strong>\n\t\t\t\t\t<\/p>\n<\/p><\/div>\n\nContacts<\/h3>\n\n\n\t\t\t\t\t\t\tRevue Perspective : actualit\u00e9 en histoire de l’art<\/span><\/span>\n\t\t\t\t\t\t\t\t\t\t\t\t\t\trevue-perspective@inha.fr<\/a>\n\t\t\t\t\t\t\t\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nSites internet de r\u00e9f\u00e9rence<\/h3>\n\n\n\t\t\t\t\t\t\tSite de la Revue Perspective<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n\n\nArgumentaire<\/h2>\nPour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Habiter\" \/>\n<meta property=\"og:description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-13T20:22:12+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" 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Pour son prochain num\u00e9ro, la revue Perspective <\/em>souhaite poser la question de ce que c\u2019est qu\u2019habiter : habiter un espace, un territoire, sa maison ou son corps, qu\u2019il s\u2019agisse de confins extr\u00eames ou des fronti\u00e8res de l\u2019intime ; habiter sa vie, sa (ses) soci\u00e9t\u00e9(s), son temps, pour ce qu\u2019habiter, c\u2019est aussi \u00eatre au monde, \u00eatre pr\u00e9sent \u00e0 autrui, se confronter \u00e0 un \u00e9tant donn\u00e9<\/em>. \u00c0 l\u2019heure o\u00f9, partout sur la plan\u00e8te, des populations enti\u00e8res sont assign\u00e9es \u00e0 domicile,\u00a0la revue invite \u00e0 revenir sur les imaginaires plastiques de l\u2019habiter : \u00ab occuper habituellement un lieu \u00bb, comme le sugg\u00e8re le dictionnaire, o\u00f9 se glisse l\u2019id\u00e9e de l\u2019habitude, des cadres, de la r\u00e9p\u00e9tition et de la r\u00e9gularit\u00e9, mais encore \u00ab occuper quelqu\u2019un \u00bb,\u00a0l\u2019habiter, l\u2019animer, l\u2019\u00e9mouvoir.<\/p>\nHabiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Habiter\" \/>\n<meta property=\"og:description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.sfsic.org\/en\/aac-publication\/habiter\/\" \/>\n<meta property=\"og:site_name\" content=\"SFSIC\" \/>\n<meta property=\"article:published_time\" content=\"2020-12-13T20:22:12+00:00\" \/>\n<meta name=\"author\" content=\"Axelle Martin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" 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Habiter n\u2019est, en effet, pas uniquement une question spatiale. L\u2019\u00e2me d\u2019un lieu en rend compte, qui ouvre la question po\u00e9tique de l\u2019\u00eatre habit\u00e9<\/em> : hanter, \u00eatre hant\u00e9, poss\u00e9der un lieu ou un \u00eatre, \u00eatre poss\u00e9d\u00e9 par lui, comme l\u2019on poss\u00e8de des id\u00e9es, des valeurs et des croyances qui, \u00e0 leur tour, nous habitent. Le temps et l\u2019invisible, ici, s\u2019immiscent dans les mat\u00e9rialit\u00e9s : habiter parle de ce que l\u2019on construit \u2013\u00a0ma\u00e7onneries, toits, maisons, fronti\u00e8res \u2013 mais aussi de ce dont on h\u00e9rite, des pr\u00e9sences immat\u00e9rielles, des repr\u00e9sentations intimes et des espaces mentaux \u2013 de ce qui nous tient, nous retient et nous relie. Habiter articule in fine<\/em> l\u2019individuel et le collectif, les partages et les fronti\u00e8res, les mouvements et les cl\u00f4tures, les lieux et les non-lieux, et pose la question des communs, du monde que nous avons, pr\u00e9cis\u00e9ment, en partage\u00a0<\/em> : de l\u2019\u00e9cologie, donc, au sens propre du terme, qui renvoie, en tant que science de l\u2019habitat (oikos,<\/em> la \u00ab maison \u00bb), \u00e0 la mani\u00e8re dont s\u2019entrelacent les formes multiples de nos existences et de nos voisinages.<\/p>\nAinsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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Ainsi la revue Perspective <\/em>souhaite-t-elle consacrer son prochain num\u00e9ro aux mani\u00e8res dont les artistes, les historiens de l\u2019art, ainsi que leurs coll\u00e8gues des disciplines voisines, s\u2019emparent de ces questions et t\u00e9moignent des multiples mani\u00e8res d\u2019habiter et d\u2019\u00eatre habit\u00e9. Ce th\u00e8me appelle une diversit\u00e9 d\u2019approches, th\u00e9matiques autant que disciplinaires. Elles seront les bienvenues, pourvu que les propositions r\u00e9pondent aux lignes \u00e9ditoriales de la revue. Les regards port\u00e9s vers l\u2019histoire de l\u2019architecture, de l\u2019urbanisme, du paysagisme et des arts visuels ne sauraient exclure des explorations li\u00e9es \u00e0 la mus\u00e9ologie, \u00e0 l\u2019ethnologie, \u00e0 l\u2019anthropologie, aux visual studies<\/em> et aux humanit\u00e9s num\u00e9riques, ainsi que vers les champs des arts d\u00e9coratifs et du design, de la mode, des arts de la sc\u00e8ne ou du cin\u00e9ma.<\/p>\n\u00a0La revue Perspective<\/em> : actualit\u00e9 en histoire de l’art\n<\/strong><\/h2>\nPubli\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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Publi\u00e9e par l\u2019Institut national d\u2019histoire de l\u2019art (INHA) depuis 2006, Perspective <\/em>est une revue semestrielle dont l\u2019ambition est d\u2019exposer l\u2019actualit\u00e9 plurielle d\u2019une recherche en histoire de l\u2019art qui soit toujours situ\u00e9e et dynamique, explicitement consciente d\u2019elle-m\u00eame, de son historicit\u00e9 et de ses articulations. Elle t\u00e9moigne des d\u00e9bats historiographiques de la discipline sans cesser de se confronter aux \u0153uvres et aux images, d\u2019en renouveler la lecture, et de nourrir ainsi une r\u00e9flexion globale, intra- et interdisciplinaire. La revue publie des textes scientifiques offrant une perspective in\u00e9dite autour d\u2019un th\u00e8me donn\u00e9. Ceux-ci situent leur propos dans un champ large, sans perdre de vue l\u2019objet qu\u2019ils se donnent : ils se projettent au-del\u00e0 de l\u2019\u00e9tude de cas pr\u00e9cise, et interrogent la discipline, ses moyens, son histoire et ses limites, en inscrivant leurs interrogations dans l\u2019actualit\u00e9 \u2013 celle de la recherche en histoire de l\u2019art, celle des disciplines voisines, celle enfin qui nous interpelle toutes et tous en tant que citoyens.<\/p>\nPerspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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Perspective<\/em> invite ses contributeurs \u00e0 actualiser le mat\u00e9riel historiographique et le questionnement th\u00e9orique \u00e0 partir duquel ils \u00e9laborent leurs travaux, c\u2019est-\u00e0-dire \u00e0 penser, \u00e0 partir et autour d\u2019une question pr\u00e9cise, un bilan qui sera envisag\u00e9 comme un outil \u00e9pist\u00e9mologique davantage que comme un but en soi. Ainsi, chaque article veillera \u00e0 actualiser sa r\u00e9flexion en tissant autant que possible des liens avec les grands d\u00e9bats soci\u00e9taux et intellectuels de notre temps.<\/p>\nLa revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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La revue Perspective <\/em>est pens\u00e9e comme un carrefour disciplinaire ayant vocation \u00e0 favoriser les dialogues entre l\u2019histoire de l\u2019art et d\u2019autres domaines de recherche, des sciences humaines notamment, en mettant en acte le concept du \u00ab bon voisinage \u00bb d\u00e9velopp\u00e9 par Aby Warburg.<\/p>\nToutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\nConditions de soumission<\/h2>\nPri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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Toutes les aires g\u00e9ographiques, toutes les p\u00e9riodes et tous les m\u00e9diums y ont droit de cit\u00e9.<\/p>\n
Pri\u00e8re de faire parvenir vos propositions (un r\u00e9sum\u00e9 de 2\u00a0000 \u00e0 3\u00a0000\u00a0signes<\/strong>, avec un titre provisoire, une courte bibliographie sur le sujet, et une biographie de quelques lignes) \u00e0 l\u2019adresse de la r\u00e9daction (revue-perspective@inha.fr) avant le 10 janvier 2021<\/strong>.<\/p>\nPerspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\nLes auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\nLes articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. Th\u00e9matiques Communication et organisations Design M\u00e9diations m\u00e9morielles, culturelles et patrimoniales R\u00e9ponse attendue pour le 10\/01\/2021 Type […]<\/p>\n","protected":false},"author":781,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28,60],"tags":[350,99,193],"thematique":[37,41,38],"sfsic":[],"class_list":["post-15196","post","type-post","status-publish","format-standard","hentry","category-aac-publication","category-article","tag-arts","tag-humanites-numeriques","tag-patrimoine","thematique-communication-organisations","thematique-design","thematique-mediations-memorielles-culturelles-et-patrimoniales","wp-sticky"],"acf":[],"yoast_head":"\nHabiter<\/title>\n<meta name=\"description\" content=\"La revue "Perspective" lance son appel \u00e0 article sur le th\u00e8me "Habiter".\" \/>\n<meta name=\"robots\" content=\"index, follow, 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Perspective prenant en charge les traductions, les projets seront examin\u00e9s par le comit\u00e9 de r\u00e9daction du num\u00e9ro quelle que soit la langue.<\/p>\n
Les auteurs des propositions retenues seront inform\u00e9s de la d\u00e9cision du comit\u00e9 au mois de f\u00e9vrier 2021, tandis que les articles seront \u00e0 remettre pour le 15\u00a0juin 2021.<\/p>\n
Les articles soumis, d\u2019une longueur finale de 25\u00a0000 ou 45\u00a0000\u00a0signes<\/strong> selon le projet envisag\u00e9, seront d\u00e9finitivement accept\u00e9s \u00e0 l\u2019issue d\u2019un processus anonyme d\u2019\u00e9valuation par les pairs.<\/p>\nConditions d’\u00e9valuation<\/h2>\nL\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n\nLa r\u00e9dactrice en chef \u00e9value dans un premier temps l\u2019ad\u00e9quation de l\u2019article avec la ligne scientifique et \u00e9ditoriale de la revue ; elle pourra alors inviter l\u2019auteur \u00e0 proc\u00e9der \u00e0 des premi\u00e8res modifications.<\/li>\nL\u2019article est soumis ensuite \u00e0 l\u2019ensemble du comit\u00e9 de r\u00e9daction et confi\u00e9 plus particuli\u00e8rement \u00e0 deux experts (l\u2019un interne et l\u2019autre externe), charg\u00e9s de r\u00e9diger un rapport de lecture. Tous les articles sont rendus anonymes avant envoi au comit\u00e9.<\/li>\n<\/ul>\nPour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. 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L\u2019\u00e9valuation de chaque soumission se d\u00e9roule en plusieurs \u00e9tapes :<\/p>\n
Pour plus d’informations : https:\/\/journals.openedition.org\/perspective\/2790<\/a><\/p>\nR\u00e9dactrice en chef<\/strong><\/h2>\n\nJudith Delfiner<\/li>\n<\/ul>\nComit\u00e9 scientifique de la revue<\/h2>\n\nLaurent Baridon, Professeur, universit\u00e9 Lumi\u00e8re Lyon 2<\/li>\nOlivier Bonfait, Professeur, universit\u00e9 de Bourgogne<\/li>\nMarion Boudon-Machuel, Professeure, universit\u00e9 Fran\u00e7ois-Rabelais Tours<\/li>\nEsteban Buch, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAnne-\u00c9lisabeth Buxtorf, Directrice, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nJ\u00e9r\u00f4me Bessi\u00e8re, Directeur adjoint, d\u00e9partement de la Biblioth\u00e8que et de la Documentation, INHA<\/li>\nGiovanni Careri, Directeur d\u2019\u00e9tudes, EHESS, CEHTA<\/li>\n\u00c9ric de Chassey, Directeur g\u00e9n\u00e9ral, INHA<\/li>\nThomas Kirchner, Directeur, Centre allemand d\u2019histoire de l\u2019art<\/li>\nR\u00e9mi Labrusse, Professeur, Universit\u00e9 Paris Ouest Nanterre La D\u00e9fense<\/li>\nMichel Laclotte, Pr\u00e9sident-directeur honoraire du mus\u00e9e du Louvre<\/li>\nJohanne Lamoureux, Professeure, universit\u00e9 de Montr\u00e9al<\/li>\nAntoinette Le Normand-Romain, Ancien directeur g\u00e9n\u00e9ral, INHA<\/li>\nJean-Yves Marc, Professeur, universit\u00e9 de Strasbourg<\/li>\nPierre-Michel Menger, Professeur, Coll\u00e8ge de France<\/li>\nFrance Nerlich, Directrice du d\u00e9partement des \u00c9tudes et de la Recherche, INHA<\/li>\nPierre Rosenberg, Pr\u00e9sident-directeur honoraire, mus\u00e9e du Louvre<\/li>\nJean-Claude Schmitt, Directeur d\u2019\u00e9tudes, EHESS<\/li>\nAlain Schnapp, Professeur, Paris 1 Panth\u00e9on-Sorbonne, Ancien directeur, INHA<\/li>\nPhilippe S\u00e9n\u00e9chal, Professeur, universit\u00e9 de Picardie Jules-Verne<\/li>\nVictor I. Stoichita, Professeur, universit\u00e9 de Fribourg<\/li>\nAnne-Christine Taylor, Directrice de recherche, CNRS<\/li>\nMaria Isabel Valverde Zaragoza, Professeure, Universitat Pompeu Fabra Barcelona<\/li>\nCaroline Van Eck, Professeure, University of Cambridge<\/li>\nBernard Vouilloux , Professeur, universit\u00e9 Paris-Sorbonne<\/li>\n<\/ul><\/div>\n\nFichier(s) attach\u00e9(s)<\/h3>\n\n\n\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t\taac_revue-perspe[…].pdf<\/span>\n\t\t\t\t\t\t\t<\/a>\n\t\t\t\t\t\t<\/li>\n<\/ul><\/div>\n\nMots-cl\u00e9s<\/h3>\n\nMots-cl\u00e9s<\/span><\/span><\/li>\nArts<\/span><\/a><\/li>\nHumanit\u00e9s num\u00e9riques<\/span><\/a><\/li>\nPatrimoine<\/span><\/a><\/li>\n<\/ul><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<\/p>\n","protected":false},"excerpt":{"rendered":"Mis en ligne le 10 d\u00e9cembre 2020 Informations \u00e9dit\u00e9es \u00e0 partir d\u2019une annonce Calenda. 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